Sanya Kantarovsky presents 'Basic Failure,' an exhibition of paintings, ceramics, and a glass sculpture at Palazzo Loredan in Venice, running concurrently with the Venice Art Biennale 2026. The show features haunting, figurative works that resist linear narrative, drawing on themes of religion, history, philosophy, and human emotion, with the artist describing his intuitive, fragmentary approach to composition.
The Clymer Museum of Art in Ellensburg reopened on Friday after renovations, featuring a new exhibition titled "Plastic Souls" by Margot Massey, a junior at Central Washington University pursuing a Bachelor of Fine Arts. The show explores themes of artificiality and performance in social media, with paintings depicting actors, cowboys, showgirls, and rodeo clowns, and will later include two life-size figurative sculptures. The museum closed in January for renovations, which expanded wall space by roughly 30% and created a new gallery near the entrance for rotating student exhibitions.
Masonicare Hospice & Palliative Care has launched "Completing the Journey: The Art of Hospice Care," an art exhibit featuring works created by patients in hospice care across its senior living communities in Connecticut. The exhibit, the first of its kind from Masonicare in over 15 years, includes small artworks on self-standing screens, accompanied by portraits of the artists and brief statements about their creative process. It opened at the Hartog Activities Center in Wallingford on April 28 and will travel to other Masonicare facilities, including Rocky Hill, after previous stops in Chester and Mystic. The project was funded by the Masonic Charity Foundation of Connecticut.
The Annette Howell Turner Center for the Arts in Valdosta hosted its 39th Annual Spring Into Art Gala on April 13, drawing hundreds of attendees. Over 150 regional artists submitted more than 300 original works for the region's most prominent art exhibition, which remains on display through June 10. Cash prizes totaling $6,000 were awarded across four categories, with Joe Morgan winning Best of Show for his painting "Lobster Lottery." The exhibition was curated by Madison Caldwell, and admission to the galleries is free.
The Smithsonian Institution has altered or removed interpretive wall text that accompanies artworks on display, according to a New York Times report. Critics argue these changes amount to self-censorship, suggesting the institution is bowing to political pressure by softening or eliminating contextual language that could be seen as controversial.
Construction workers building the Trump administration's border wall between the US and Mexico accidentally damaged a two-hundred-foot-long Indigenous land art figure known as the Las Playas Intaglio, a colossal fish etched into the earth near Ajo, Arizona, that is thought to be over a thousand years old. Satellite imagery showed bulldozer tracks cutting a sixty-to-seventy-foot-wide path across the intaglio, and a Customs and Border Protection spokesperson confirmed the disturbance, stating the remaining portion had been secured and would be protected in place.
ESPANA ORIOL VILANOVA Y LA ABOLICION DEL MUSEO Y EL ARCHIVO
The Spanish Pavilion at the 61st Venice Biennale presents "Los restos," a project by Catalan artist Oriol Vilanova, curated by Carles Guerra. The installation transforms the pavilion into an anti-museum or pseudo-museum, featuring over twenty years of postcards collected from flea markets, arranged in a wall-based accumulation that challenges linear narrative and archival hierarchy. The project also includes a publication and a performative action titled "El fantasma de la libertad" (2026), inspired by Luis Buñuel, which will take place across the Giardini and Arsenale through unannounced encounters.
On May 14, 2026, the Salt Lake Art Museum (SLAM) hosted a launch event for X5, a new convergence platform, inside the historic B'nai Israel Temple in Salt Lake City. The event featured an interactive moment where attendees drew on the museum's bare walls before they are painted over. The following day, the Salt Lake Art Show opened at the Mountain America Expo Center in Sandy, serving as X5's first public activation. X5 Vice Chair Joe Ross outlined the platform's three clusters—industry/STEM, culture, and capital/workforce—positioning it as a successor to Sundance's economic impact in Utah.
Shaniqwa Jarvis's solo exhibition 'Only Love Can Break Your Heart' opens at Public Gallery in London on 30 April 2026, featuring twelve works across silk, mirrored surfaces, aluminum, and collage. The show includes suspended silk panels in front of mirrors, floral imagery, portraiture, abstract compositions, a moving image work combining archival footage and recorded audio, and a second book titled 'GUTS' published by Super Labo with an introduction by curator Essence Harden.
The Edo-Tokyo Museum in Tokyo's Ryōgoku district has reopened on March 31, 2026, after four years of renovation. Its first exhibition, "In Praise of Great Edo" (April 25–May 24), showcases 160 items from the museum's collection of 350,000, including swords, armor, kimonos, ukiyo-e masterpieces by Sharaku, Utamaro, and Hokusai, and artifacts from Edo-period culture such as kabuki, sumō, and firefighting uniforms. The renovated museum features new animation, projection mapping, full-scale reconstructions like Ginza's Hattori watch store, and a multilingual smartphone guide system.
The 'Hospital of Emotions' is an immersive art exhibition occupying 80 rooms across four floors of the shuttered St. Vincent Medical Center in downtown Los Angeles. Running from May 27 through July 31, the 45,000-square-foot show features over 70 artists whose works are organized into emotional departments such as grief, fear, hope, joy, and sadness. Installations incorporate the hospital's existing fixtures—surgical lights, beds, IV bags—transforming former medical spaces into interactive art experiences, including a life-size Twister game, ceramic egg-covered walls, and neon-lit beds.
Cascadia Art Museum has undergone a transformation, offering visitors a completely renewed experience. The article highlights the museum's refreshed approach, though the full details are behind a paywall for subscribers.
The 81st May Show has opened at the Mansfield Art Center in Ohio, featuring over 100 works selected from nearly 600 submissions by guest juror Wendy Earle, curator of the Akron Art Museum. The exhibition, which runs through the end of May, showcases a diverse range of mediums from Ohio artists aged 16 to their late 80s. Awards include the Fred "Fritz" Culler Award for Best of Show to Bradley Wallace for "Venus 1K Views," the Mechanics Bank Award of Excellence to Barbara Morejon and Luanne Bole-Becker, and the Jeff McBride & Maura Teynor Emerging Artist Award to high school senior Katerina Prykodko.
In spring 1975, the Nelson-Atkins Museum of Art in Kansas City hosted the second American stop of "The Exhibition of Archaeological Finds of the People's Republic of China," a landmark traveling show of ancient Chinese artifacts including jade, silk, and bronze sculptures. The author, then a University of Missouri-Kansas City economics student, worked behind the scenes at the museum, describing an unusual interview conducted while gardening and his task of touch-painting gallery walls with a dry brush to cover visitor smudges before opening.
The fourth annual "Touch the Art" exhibition has opened in East Austin, featuring over 80 artists and fully interactive, multisensory installations. Created in collaboration with the Texas School for the Blind and Visually Impaired, the show is designed to be fully accessible, with wheelchair access, Braille wall text, and NFC audio tags that allow visitors to hear artists describe their work. The exhibition runs from May 9 through July 5 at the expanded Canopy space.
Melville Open Studios returns for its ninth year, transforming the Western Australian suburb into an open-air gallery for one weekend. Seventy-seven local artists will open their home studios and dedicated hubs—including Atwell House, Goolugatup Heathcote, Applecross Art Gallery, Feld & Co., and Myaree Ceramics—to the public. Visitors can explore ceramics, painting, printmaking, floristry, mixed media, and textiles, purchase artworks commission-free, and take guided bus tours across six routes. Coordinator Jennifer Gaye, who took over the event from the City of Melville in 2022, reports that last year's edition attracted 5,000 visitors and generated over $100,000 in direct sales for artists.
The Howard Whittemore Memorial Library in Naugatuck, Connecticut, will host a new exhibition titled 'Mandalas and More' throughout May 2026, featuring artwork created by students of local artist and retired public school art teacher Rose-Ann Chrzanowski. The pieces were produced in Chrzanowski's Osher Lifelong Learning Institute (OLLI) course, which uses mandala-making and mixed-media techniques to encourage personal reflection and relaxation. The exhibit includes works using jewelry, torn handmade paper, feathers, paint, and sand, and will be displayed on the Whittemore Gallery Wall and in the library display case through June 1.
Two Holyoke artists, Natasha Colón Ortiz and Lora McNeece Barrett, have created a new exhibition titled 'Waterpower' at City Hall, featuring paintings inspired by the city's historic three-level canal system. The show, which includes original works by both artists, will open with a reception on May 1, 2025. Colón Ortiz and Barrett, who once shared a teacher-student relationship, now collaborate as colleagues after being recommended by residents in response to Mayor Joshua A. Garcia's call for ideas to revitalize the mayor's office space.
The two-person exhibition “Kindred Spirits” at Carbondale Arts Gallery closed on May 21 after a month-long run, featuring ceramic artist Christine Anderson and abstract painter Benjamin Strawn. The artists, who have been friends since meeting as students at the University of Denver over 40 years ago, displayed their work together for the first time in a joint show, with Anderson’s ceramic sculptures occupying the center of the gallery and Strawn’s abstract paintings lining the walls.
The Color & Light Society of Southern Maryland, a nonprofit organization of over 30 professional visual artists, is bringing interactive art and creative programming to communities across Calvert, Charles, and St. Mary's counties. Operating as a "Gallery Without Walls," the society participates in exhibitions, public events, and workshops rather than a traditional gallery space. Upcoming events include Uncorked & Unveiled: Island Edition on May 21, 2026, hosted by the St. Mary's County Arts Council at Port of Leonardtown Winery, where member Cindy Martin-Brennan's artwork will be featured on a wine label, and Raining Cats & Dogs — A Community Art Show on June 5, 2026, where pottery artist Barbara Hak and others created animal figures for attendees to paint.
Fine artist Louise Pasterfield will open her exhibition 'Colour and Courage' at St Stephen’s Church in Saltash, Cornwall, on May 28. The show features 18 watercolour portraits from her ongoing Ukraine series, which began after Russia’s 2022 invasion and now totals 295 portraits of civilians, soldiers, and families. Among the works is a tribute to Christopher Parry, a Cornish volunteer killed in Ukraine in 2023, painted from a photograph given by his parents. The exhibition also includes botanical paintings inspired by Tresco Abbey Gardens.
Jess Self, a Decatur-based sculptor and educator, presents *Celestial Perspectives* at the Marietta Cobb Museum of Art, an immersive textile environment that explores autobiography through figurative form. The exhibition features works in resin, plaster, felted wool, fiber, and rope, including the large-scale installation *The Veil* and the compelling *She Who Ties Magic Knots*, a resin and plaster cast of the artist's pregnant torso. Self's practice draws on Jungian archetypes and spiritual traditions, and the show communicates themes of connectivity, motherhood, bodily experience, and transcendence without relying on wall text.
The Hungarian Pavilion at the 61st Venice Biennale has opened with Endre Koronczi's exhibition "Pneuma Cosmic (Cosmic Breath)," a three-part installation based on nearly 20 years of research into visualizing air currents. The exhibition features elements including ventilation system components from the Hungarian Academy of Sciences, a video of a year-long walk seeking the most significant sigh, and a breathing wall, complemented by a composition by Máté Balogh. The pavilion opened to professionals on Wednesday and will be open to the public from May 9 to November 22.
Photoville, co-founded by Laura Roumanos, Sam Barzilay, and Dave Shelley, partners with the South Street Seaport Museum to present Australian conservation and nature photographer Jon McCormack's outdoor exhibition "Elements of Wonder: When Nature Becomes Art" from April 22 to June 14, 2026, in New York City. The free, public show features a decade-long environmental photography project spanning five continents, drawn from McCormack's book "Patterns: Art of the Natural World," capturing natural patterns at scales from microscopic mineral formations to aerial landscapes.
Los Medanos College held the opening reception for its 2026 student art exhibition on April 22, showcasing works selected by guest juror Jennifer Lugris. Awards and scholarships were presented in partnership with the Concord Art Association and the Art Guild of the Delta, with first place for drawing going to "Welcome to the World" by Gigi Centeno. The event featured an interactive art wall and drew students, families, and community members to celebrate emerging artists.
The Sadequain Art Exhibition opened on Monday in Mississauga, Canada, for a three-day event celebrating Pakistan’s cultural heritage. Organized by the Sadequain Foundation USA in collaboration with media partners, the exhibition was inaugurated by Muhammad Saleem Khan and features Islamic calligraphy, drawings, paintings, Urdu poetry, and wall carvings by the renowned artist Syed Sadequain Ahmed Naqvi. Attendees included Ontario MPP Sheref Sabawy and participants from the Aga Khan Academy Toronto.
Freshman anthropology student Mia Wallen is hosting a student art exhibition titled “Queer Art, For and By Queer Artists” on May 1 at the St. Louis Virtuoso Collective. The show features works in all mediums by queer artists, with proceeds benefiting Trans Housing Initiative St. Louis, a trans-led organization addressing housing injustices. Wallen, who grew up in a small town with little queer community, conceived the exhibit as her final project to combine her passion for art and LGBTQ rights.
The Fairfield Art Association is opening a new exhibition titled "Iowa Art Quilters and Fiber Artists" on May 1st at the Fairfield Arts & Convention Center. The show features eight recognized Iowa artists—Karen Anne Babcock Grimes, Sue Kluber, Judy Ludwick, Wendy Read, Barbara Riggs, Kathryn Roe, Jean Taft, and Patricia Weber—displaying up to 50 original art quilt works in various sizes and styles, many of which are available for purchase. A reception for the artists and guests will be held from 6 to 9 p.m.