Louvre and Grand Palais among French museums closed due to nationwide strikes

On Thursday, September 18, several major French museums and cultural venues closed due to a one-day strike against budget austerity. Affected institutions include the Musée du Louvre, Château de Versailles, Grand Palais, Musée d’Orsay (where visitors were allowed in freely), Arc de Triomphe, Eiffel Tower, Panthéon, and Musée Picasso. The strike, supported by the CGT union, also led to closures at dozens of other monuments and institutions across the country, with demonstrators protesting outside the office of Culture Minister Rachida Dati. Separately, the Musée de la Tapisserie de Bayeux is closed for two years for renovations, and the planned loan of the Bayeux Tapestry to the British Museum has been postponed due to the strikes, raising concerns about the embroidery's fragility.

Smithsonian museum removes label referencing Trump impeachments

The Smithsonian’s National Museum of American History in Washington, DC, removed a temporary label from its long-term exhibition *The American Presidency: A Glorious Burden* that referenced President Donald Trump’s two impeachments. The label, added in 2021, was intended as a short-term measure but remained until July 2025. The museum stated the removal was part of a content review and that the impeachment section would be updated in the coming weeks to reflect all impeachment proceedings, denying any external pressure from the Trump administration.

Meet at Mia: How One Museum Reimagined Summer Without a Blockbuster Exhibition

The Minneapolis Institute of Art (Mia) faced summer 2024 without a major blockbuster exhibition, a significant challenge since special exhibitions typically drive up to 30% of annual attendance. Programming manager Anna Dilliard responded by launching "Meet at Mia," a 16-week outdoor series of Thursday night events including concerts, film screenings, and community rides in the museum's courtyard. The initiative built on a successful pilot event in August 2023 and grew from 700 attendees to 1,500 at its first official event, transforming a potential attendance slump into a season of community engagement.

What the renovation of the Pergamon Museum costs

Was die Sanierung des Pergamonmuseums kostet

The Pergamon Museum in Berlin is undergoing a major renovation with a total budget of €1.5 billion for both construction phases, including cost risks. The Federal Office for Building and Regional Planning (BBR) has announced that current projections indicate the overall costs will not be exceeded. Phase A, which includes the hall housing the famous Pergamon Altar, is expected to open on June 4, 2027, with a potential cost increase of up to 5% over the originally approved €489 million. Phase B, covering the Ishtar Gate and Babylonian Processional Way, has seen its cost forecast reduced by €27 million to €722.4 million, with an additional €295.6 million set aside for risks and price increases. The museum will fully reopen only in 2037.

Au Royaume-Uni les contraintes budgétaires des musées pèsent sur les effectifs

A survey of 329 museum directors in the UK, published in the Art Fund's Museum Directors Research 2026 report, reveals that staff shortages have overtaken building maintenance as the top concern for cultural institutions. Conducted by Wafer Hadley between January and March 2026, the study shows that 85% of directors cite team size and capacity as the main barrier to programming, ahead of budget constraints (67%) and lack of specialized expertise (23%). The National Gallery in London launched a voluntary redundancy plan in February 2026 to address a projected deficit of £8.2 million, while the Museum of Cambridge cut a third of its staff and reduced opening hours. Local authority grants have decreased or ceased for 45% of institutions between 2024-2025 and 2025-2026, and over a third of museums have reduced or plan to reduce opening hours and annual exhibitions.

Kanal-Centre Pompidou sans tête

Yves Goldstein, the general director of the Brussels branch of the Centre Pompidou, has announced his departure just before the scheduled opening of Kanal-Centre Pompidou on November 28. Goldstein stated that his mission is nearly complete and that the museum's daily management phase requires a different leader. A call for applications will be launched by the board of directors, with the selection made by the board of the Fondation Kanal based on profiles proposed by a jury led by president Michèle Sioen. The new director will face immediate challenges, including negotiating a new management contract with the Brussels Region for 2029-2033 and securing an increased annual subsidy, currently set at €10 million, which is deemed insufficient.

Museum of Contemporary Religious Art comes to a close after three decades

The Museum of Contemporary Religious Art (MOCRA) at Saint Louis University is closing to the public on May 31, 2025, after more than three decades of operation. Its final exhibition, 'Liminal,' features works from 47 artists, many drawn from the museum's permanent collection. The closure, announced last year, is a result of university budget cuts.

Work in progress: Martin Jennings chosen to create statue of Queen Elizabeth II

The UK government has selected sculptor Martin Jennings to create a statue of Queen Elizabeth II for St James’s Park in London, as part of a larger memorial designed by Norman Foster's architecture firm. The memorial will also include a figurative sculpture of the Queen alongside Prince Philip at Birdcage Walk and a Prince Philip gate. Jennings, known for his bust of the Queen Mother and his coin effigy of King Charles III, describes the project as a work in progress, with a provisional construction budget of £23m–£46m. Final design details are expected next year.

‘All the electrifying paintings I wish I’d bought’: New York restauranteur Keith McNally recalls his art wins and regrets as memoir debuts

New York restaurateur Keith McNally, known for founding Balthazar and the Odeon, discusses his art-buying habits and regrets in a new memoir titled *I Regret Almost Everything*. In an interview with The Art Newspaper, McNally recounts his first serious purchase—a $500 painting by Albert Montmerot in 1989—and his most recent acquisitions, including works by Élisabeth Ronget and Walter Steggles. He describes his instant attraction to paintings, his tendency to agonize over purchases just beyond his budget, and the persistent regret of not buying certain works he now covets.

POC Arts Nonprofits Face Severe Staffing Challenges, Survey Finds

A new report by Museum Hue reveals that over a third of surveyed museums and cultural centers founded and led by people of color in the Northeastern United States operate without any full-time staff. The study, which examined 38 institutions, found that 67% of smaller-budget organizations (with budgets under $500,000) lack full-time employees, with some operating on less than $100,000 annually and relying heavily on volunteers.

New School Faculty React to Plans to Lay Off 15% of Workforce

The New School announced plans to lay off 15% of its full-time faculty and staff by mid-June, a move driven by a projected $48 million deficit and a 20% enrollment decline since 2021. The cuts are part of a broader workforce reduction strategy that has already included voluntary buyouts. The restructuring will disproportionately affect the New School for Social Research and Eugene Lang College of Liberal Arts, which are undergoing major mergers and program discontinuations, while the Parsons School of Design faces fewer cuts.

What Can $500 Buy at the Affordable Art Fair?

A reporter set a $500 budget to explore the Affordable Art Fair in Chelsea, discovering that at that price point, collectors must focus on very small-scale works. The search yielded options like miniature pet portraits, tiny tulle and resin wall hangings, food-themed art, and small abstract paintings, though these pieces were often overshadowed by more prevalent, flashy pop art clichés that dominate the fair's visual landscape.

International Friendship Park, at the western end of the U.S.-Mexico border, is focus of new art exhibition

A new art exhibition titled “Occupy Thirdspace III: The Park” opens at San Diego’s Central Library, focusing on International Friendship Park, a state park at the western end of the U.S.-Mexico border. Co-curated by Sara Solaimani and Natalia Ventura, the show features three artist collectives—Las Comadres, Art Made Between Opposite Sides (AMBOS), and Friends of International Friendship Park—to visually tell the park’s story. The park opened in 1971 as a meeting place for families divided by the border but has been closed on the U.S. side since 2020, while remaining open on the Mexico side. The exhibition is the third installment in Solaimani’s series exploring Henri Lefebvre’s concept of “third spaces” as symbolic sites that challenge systems of power.

The Textile Museum: A Frayed Project

Le Musée des tissus, un projet décousu

The renovation and expansion of the Musée des Tissus et des Arts Décoratifs in Lyon has stalled despite being acquired by the Auvergne-Rhône-Alpes Region seven years ago. Although architect Rudy Ricciotti revised his initial designs to satisfy local urban planning requirements and resident concerns, the project faces significant delays, with no building permit filed and a fluctuating budget that recently dropped from 60 million to 32 million euros. Tensions between the regional leadership and the City of Lyon have further complicated the timeline, leaving the museum closed to the public for four years.

The Nicéphore-Niépce Museum is Standing Still

Le Musée Nicéphore-Niépce fait du surplace

The Musée Nicéphore-Niépce in Chalon-sur-Saône remains in a state of stagnation as long-promised modernization plans continue to stall. Despite over twenty-five years of proposals for a new facility or a "Cité de l'image," the project has become a political "sea serpent," hampered by budget cuts, staff reductions, and shifting municipal priorities. Most recently, the city declined to renew the contract of Fannie Escoulen, a former Ministry of Culture official hired to steer the project, further signaling a lack of progress.

Even More Drawings for Versailles

Encore d'autres dessins pour Versailles

The Palace of Versailles has acquired several drawings during the Paris Drawing Week sales in March 2026, including a rare study by Charles de La Fosse for the royal chapel's dome decoration. The drawing, depicting a reclining nude man for "The Resurrection of Christ," was purchased at the Rossini auction of Paul and Florence Vercier's collection for €3,800. This acquisition adds to Versailles' growing collection of La Fosse works, following earlier purchases of an angel study in 2016 and a ceiling project in 2023.

New Media Gallery to be ‘refreshed’ and reopen in New Westminster’s Anvil Centre

The New Media Gallery in New Westminster’s Anvil Centre, which operated from 2014 to 2024 showcasing technology-based art, is set to be refreshed and reopened after being paused following the departure of director-curators Sarah Joyce and Gordon Duggan. A 10-year review of the Anvil Centre identified the gallery as a key cultural asset, and city council approved recruitment for a new single director-curator position to lead the renewal, with an annual budget of about $650,000 for the gallery and adjacent Art & Technology LAB.

Why Italy's cultural wealth never really enters public accounts and budgets?

Perché la ricchezza culturale italiana non entra mai davvero nei conti e nei bilanci pubblici?

Italy has exceeded the European Commission's structural adjustment path by 0.1 percentage points of GDP, reopening fiscal scrutiny. Amid this debate, the article highlights a deeper issue: Italy's immense cultural heritage is drastically undervalued in public accounts. For example, the Pompeii Archaeological Park is recorded at just €48.9 million, the Colosseum at under €15 million, and the Uffizi at about €2 billion—figures based on outdated 2002 ministerial criteria that bear no relation to actual economic or cultural worth. The State General Accounting Office, with the University of Roma Tre and EU technical assistance, has proposed a new methodology to value cultural assets by discounting their future net financial flows, including direct revenues and indirect tourism-related returns.

BOX 13 ArtSpace in Houston Announces Open Call for Exhibition Proposals

BOX 13 ArtSpace, an artist-run studio and gallery venue in Houston’s East End neighborhood, has announced an open call for exhibition proposals for its 2026 season. The call invites self-directed artists to submit proposals for four gallery spaces within the building: the Front Gallery, Back Gallery, Window BOX Gallery, and Upstairs Gallery. Applicants must be prepared to install their own work or arrange for local assistance, as the space has no staff or budget for shipping, travel, or equipment. The deadline for proposals is September 30, 2025, with notifications by October 28, 2025. Virtual and in-person information sessions are scheduled for September 17 and 20, respectively.

Iran has not withdrawn from 2026 Venice Biennale, pavilion commissioner says

Iran has denied withdrawing from the 2026 Venice Biennale, despite the Biennale's announcement that the country would not participate. Aydin Mahdizadeh Tehrani, director-general of visual arts at Iran's ministry of culture and Islamic guidance and the country's pavilion commissioner, stated that Iran requested more time rather than submitting a withdrawal. He cited the US-Israel war with Iran, political and economic challenges, and a sharp currency devaluation that tripled projected costs as reasons for the delay. Iran proposed a shorter two-to-three-month participation, which was rejected, but has since sent a letter insisting on opening its pavilion even after the opening. The foreign ministry has intervened to support Iran's participation, and a final response from the Biennale is expected soon.

How museum funding in Denmark has become reliant on visitor numbers

Danish museums have recovered strongly from the pandemic, with 2025 attendance matching 2024's record levels of around 9 million visitors. However, a new state-funding model introduced in January 2025 now makes government subsidies increasingly dependent on measurable outputs, primarily visitor numbers. Institutions must meet minimum thresholds for annual visitors and income, and produce peer-reviewed research to secure and retain funding.

san francisco california college of the arts close 2027

California College of the Arts (CCA) in San Francisco will close by the end of the 2026-2027 academic year. Founded in 1907, the financially struggling nonprofit art school has entered an agreement to sell its campus to Vanderbilt University, which plans to establish undergraduate and graduate programs there, including art and design, and operate a CCA Institute that will house the Wattis Institute of Contemporary Arts and maintain CCA archives. The closure follows years of financial crisis, including a $20 million budget deficit in 2024 and declining enrollment, despite a $22.5 million gift from Nvidia CEO Jensen Huang's foundation in March 2025.

audit irregularities baltimore lewis museum

An August 15 audit by the Maryland Department of Legislative Services uncovered serious financial irregularities at Baltimore’s Reginald F. Lewis Museum of Maryland African American History & Culture. The audit found corporate credit card charges without a clear business purpose, payments made to an employee’s PayPal account, a former employee pocketing parking fees, and a practice of pre-signing blank checks stored in an unsecured office. Though only $10,115 was unaccounted for between April 2021 and January 2025, the museum’s annual budget is $6.3 million, and it receives up to half its funding from taxpayers. The museum’s president Terri L. Freeman and board chairman Drew Hawkins have since destroyed all pre-signed checks and implemented 12 of 18 audit recommendations, with four more in progress. The employees involved are no longer at the museum, and findings were referred to the Maryland Attorney General.

museum worker satisfaction 2025 report

A new survey by Museums Moving Forward (MMF), the 2025 Report on Workplace Equity and Organizational Culture in U.S. Art Museums, finds that employees at smaller U.S. museums report higher job satisfaction than those at major institutions, despite persistent issues of low pay, burnout, and inequity. The report surveyed over 3,100 staff across 91 institutions, nearly double the number in MMF's 2023 study, and notes a sharp rise in union organizing, with 55% of art museum unions formed in the last five years. Non-union staff earn about 78% of unionized counterparts, though unionized workers report higher dissatisfaction. Smaller museums (budgets under $15 million) outperformed larger ones on well-being measures, suggesting workplace culture and agency matter more than pay.

woodmere art museum drops lawsuit against trump administration

Woodmere Art Museum in Philadelphia dropped its lawsuit against the Trump administration after the Institute of Museum and Library Services (IMLS) reinstated a $750,000 grant that had been unlawfully terminated. The museum had been preparing to go to court on September 12 when it received a Letter of Reinstatement on September 4, stating the termination review process was complete. The grant, awarded in 2024 through the IMLS’s “Save America’s Treasures” program, was intended to revamp the museum’s catalog system and digitize works for an exhibition honoring the 250th anniversary of the country’s founding. Woodmere had already received about $195,000 of the grant and entered into several contracts before the termination.

woodmere art museum sues trump administration canceled imls grant

Woodmere Art Museum in Philadelphia has filed a lawsuit against the Trump administration over the unlawful termination of a $750,000 grant from the Institute of Museum and Library Services (IMLS). The grant, awarded in 2024 through the IMLS's 'Save America's Treasures' program, was intended to revamp the museum's catalog system and digitize works for its 'America 250' exhibition honoring the nation's 250th anniversary. After President Trump signed an executive order calling for the IMLS to be eliminated, the agency ceased distributing funding, leaving Woodmere with only about $195,000 of the grant received and scrambling to fulfill contracts already in place. The museum is seeking an injunction to stop the IMLS and the Office of Management and Budget from following the executive order.

institute of museum and library services staff leave doge

The entire staff of the Institute of Museum and Library Services (IMLS) in Washington, D.C., was placed on administrative leave by Elon Musk’s Department of Government Efficiency (DOGE), effective immediately. Between 55 and 70 employees received a letter informing them of the leave with full pay and benefits for 90 days, requiring them to turn in government property and disabling their email accounts. This follows President Donald Trump’s executive order calling for the elimination of the IMLS within seven days as part of a broader reduction of federal bureaucracy. The agency, established in 1996, awarded approximately $266.7 million in grants last year to museums and libraries across all 50 states.

institute of museum and library services faces defunding 2026

The proposed 2026 federal budget plans to defund the Institute of Museum and Library Services (IMLS), allocating only $6 million—down from its current $313 million—to close the agency. The cuts are part of a broader restructuring led by the Department of Government Efficiency (DOGE), which has already placed IMLS employees on administrative leave. Congress must approve the budget by October 1 and reauthorize the Museum and Library Services Act by September 30 for the agency to survive, despite a temporary restraining order and a lawsuit by 20 state attorneys general.

us art schools international students

The Trump administration threatened to block Harvard University from enrolling international students and revoked its SEVIS certification, a move frozen within 24 hours by a judge. The administration also announced plans to aggressively revoke visas of Chinese students, raising concerns for US art schools, which are heavily dependent on international enrollees—many with higher percentages of international students than Harvard, such as the School of Visual Arts (50%), Parsons School of Design (35%), and CalArts (30%).

arts directors exit the national endowment for the arts

All ten directors overseeing grants across artistic disciplines at the National Endowment for the Arts (NEA) have departed this week, along with other senior leaders and employees. The mass exodus follows the Trump administration's effective shuttering of the agency, including a proposed budget cancellation for fiscal year 2026 and redistribution of funding. Among those leaving are Michael Orlove, director of state, regional and local partnerships, and Ayanna Hudson, chief strategy, programs and engagement officer. Officials overseeing Native arts and Challenge America grants—the latter canceled in February—are also departing, alongside many grant-review specialists who have retired or resigned. The American Federation of Government Employees Local 3403 reported that over 50% of open NEA awards are being terminated.