On June 2, 2025, Asia Society Seattle will host a private tour of the Ai Weiwei exhibit at the Seattle Art Museum (SAM), led by Dr. Foong Ping, the Foster Foundation Curator of Chinese Art and an affiliate professor at the University of Washington. The event is exclusive to the society's Advisory Council, Groundbreaker and Innovator members, and donors, requiring advance registration.
Tate Modern in London celebrates its 25th anniversary this month, marking the transformation of a derelict Bankside power station into a landmark contemporary art museum. Designed by Herzog & de Meuron, the museum opened on 11 May 2000 and quickly reshaped London's art landscape, catalyzing the launch of the Frieze London art fair in 2003 and attracting international commercial galleries. Artist Michael Craig-Martin, a former trustee, recalls how the project was driven by then-director Nicholas Serota's ambitious vision to elevate modern art from its status as 'art's poor cousin.' The museum pioneered free-admission thematic collection displays and a global curatorial approach, though its inaugural exhibition 'Century City' was widely criticized as overambitious.
Artist Mark Milroy, an observational painter in his mid-50s who gained a following during the pandemic through Instagram and online shows at Nancy Margolis Gallery, is now holding his debut New York exhibition, "Jumbo," at JJ Murphy gallery through May 16. The show features 18 oil paintings and 12 colored pencil drawings, with subjects ranging from still lifes and portraits to a titular painting referencing the famous P.T. Barnum elephant killed in Milroy's hometown of St. Thomas, Ontario, in 1885. Milroy's work blends personal memory, art historical insight, and a deliberate gaze, drawing influences from Cedric Morris and 15th-century Florentine painting.
Unionized staff at Ohio State University's Wexner Center for the Arts, organized as Wex Workers United, have officially called for the renaming of the arts center and other campus buildings named after billionaire benefactor Les Wexner. The union argues that Wexner's name, due to his decades-long association with convicted sex offender Jeffrey Epstein—who had power of attorney over Wexner's fortune—harms artists and community members. The call follows similar demands from the Ohio Nurses Association regarding the Wexner Medical Center and ongoing student protests, including an April 10 action where students covered Wexner's name on the art center's façade with a black tarp. OSU spokesperson Chris Booker noted that over 500 renaming requests have been filed under the university's official review procedure, while OSU President Ted Carter has emphasized that name changes require fact-finding and cannot be based on supposition.
Composer Philip Glass has withdrawn his Symphony No. 15, a commissioned work honoring Abraham Lincoln, from the John F. Kennedy Center for the Performing Arts ahead of its scheduled premiere by the National Symphony Orchestra in June. Glass informed the center in a letter on Tuesday, stating that the Kennedy Center's current values are in direct conflict with the symphony's message, calling the decision an obligation. He joins soprano Renée Fleming in severing ties, while the Washington National Opera has already relocated due to low attendance. The center's board voted to add President Donald Trump's name to the institution in December, a move questioned for its legality and opposed by Kennedy family members and Democratic Representative Joyce Beatty.
The article titled 'At the Galleries for May 21, 2026' published by 27east provides a roundup of current art exhibitions and gallery shows opening or ongoing as of that date. It highlights specific venues, artists, and works on view, serving as a local guide for art enthusiasts on the East End of Long Island.
German artist Anne Imhof presents 'Citizen,' an exhibition at Sprüth Magers in London, featuring her intense endurance performances that explore themes of power, contemporary anxiety, and the neoliberal condition. The exhibition is showcased through a partnership with leading galleries, with the gallery membership vetted by industry peers and accessible by application and invitation only.
Chicago's Department of Cultural Affairs and Special Events (DCASE) is in crisis, with at least 18 staff members—about 25% of the department—leaving since Mayor Brandon Johnson appointed former legislative director Clineé Hedspeth as commissioner last year, replacing Erin Harkey (who became CEO of Americans for the Arts). Multiple formal complaints have been filed against Hedspeth alleging bullying, and staff report a lack of communication and strategic direction amid funding challenges. A new advocacy group, Artists for Chicago, delivered a letter with 270 signatures to the mayor on April 14, expressing concerns about dysfunction and unmet needs in the arts sector.
Angélique Delorme prend du galon au Quai Branly
Angélique Delorme has been appointed as the new Deputy Director General of the Musée du Quai Branly in Paris. She succeeds Jérôme Bastianelli and will be responsible for defining and implementing the museum's strategy, particularly in the lead-up to its 20th anniversary celebrations in June.
New York City offers a wide range of discounted tickets and memberships for young adults at major cultural institutions, including museums, performing arts venues, and theaters. Programs like the Whitney Museum's Free 25 and Under Anytime Pass, the Shed's $25 under-30 tickets, and the Metropolitan Opera's under-40 Friday deals aim to make high-quality cultural experiences more affordable for younger audiences.
A comprehensive listing of current and upcoming visual art exhibitions, events, and installations in Athens, Georgia, is provided. The guide includes shows at venues ranging from the Georgia Museum of Art and the Lamar Dodd School of Art galleries to local breweries, coffee shops, and community centers. Featured exhibitions highlight work by students, local members, and established artists like Beverly Buchanan and Julie Green, alongside new murals and public art projects.
Elle Peréz, a photographer and co-chair of the Young Collectors Council (YCC) at an unnamed museum, discusses the group's activities in an interview. The YCC meets twice a year to acquire artworks through a transparent process involving curator presentations and studio visits, with members voting on acquisitions. Peréz highlights the party celebrating Diane Severin Nguyen's commissioned piece, noting the seamless integration of music, art, and aesthetics, and emphasizes that the acquisition meetings are the core of the group's appeal.
OXH Gallery in Tampa, founded just over two years ago, presents its latest exhibition “Where Form Remembers,” featuring works by artists Avani R. Patel and Julie Gladstone. The show highlights each artist's exploration of emotion through abstraction, with Patel drawing on Indian cultural influences and organic motifs, while Gladstone uses multimedia compositions rooted in psychological experiences like memory and trauma. The exhibition runs through January 23, 2025.
A petition with over 600 signatures is protesting the selection of Prague-based artist Predrag Đaković to represent Serbia at the 2026 Venice Biennale with a project titled “Across Golgotha to Resurrection.” The petition, created by the ZUK Informal Art and Culture Collective, alleges that the selection process was unprofessional and non-transparent, and that commission members are closely linked to President Aleksandar Vučić’s Serbian Progressive Party (SNS). The announcement was reportedly made via Đaković’s Instagram rather than through official channels, and neither the artist nor Serbia’s Ministry of Culture has responded to requests for comment.
All six members of the Commission of Fine Arts, a federal agency that reviews major construction projects in Washington, D.C., including President Donald Trump’s planned triumphal arch and a new White House ballroom, have been fired. The commissioners, appointed under former President Joe Biden to four-year terms, received termination emails on October 28, with several expected to serve through 2028. The move follows a pattern of political turnover at the agency, as Biden had previously fired Trump appointees in 2021. Architect Bruce Becker, one of the fired commissioners, noted the commission’s role in shaping the nation’s capital and reviewing plans for the new structure replacing the historic East Wing.
President Donald Trump announced eight new appointees to the United States Holocaust Memorial Museum board via a social media post on Thursday night, replacing trustees previously appointed by former President Joe Biden. The new appointees include Betty Schwartz, Fred Marcus, Rabbi Pinchos Lipschutz, Sid Rosenberg, Ariel Abergel, Barbara Feingold, Alex Witkoff, and Robert Garson. They fill vacancies created after Trump removed Biden's appointees, which included Doug Emhoff, Ron Klain, Tom Perez, Susan Rice, and Anthony Bernal, leaving the council with only 41 members instead of the typical 55 presidential appointees.
An open letter initiated by members of the Kazakhstani and international art community protests the removal of artist Asel Kadyrkhanova's work *Machine* (2013) from the Kazakhstan pavilion at the 2026 Venice Biennale. The mixed-media installation, which addresses Stalinist repression through a vintage typewriter, arrest warrants, and red threads, was dismantled on May 5, 2026, reportedly by order of Kazakhstan's Ministry of Culture and Information, just before the pavilion's opening. The artist and curator were allegedly pressured to alter the work beforehand, and the ministry initially cited restrictions from the Italian side, but the Italian Ministry of Defense denied involvement.
Cartwright Hall Art Gallery in Bradford has launched a new exhibition of Pre-Raphaelite masterpieces paired with contemporary reflections from the local LGBT+ community. Members of the Equity Partnership charity collaborated with museum staff to reinterpret 19th-century works by artists such as Dante Gabriel Rossetti, Ford Madox Brown, and John Collier through the lens of lived queer experience.
Pace University Art Gallery presents *Summer Remembers Winter*, a solo exhibition by painter Siobhan McBride, opening February 14, 2026. The show features new works exploring disjointed spaces, memory, and identity shaped by dislocation, reflecting McBride's experience as a Korean-born, U.S.-raised adoptee. The exhibition includes a free public reception on February 19 and an artist talk on March 5, running through March 21, 2026.
New York-based arts nonprofit A Blade of Grass (ABoG) has announced the three members of its 2026 In Fellowship cohort: Emily Johnson / Catalyst, The Projects/Space, and UNDOC+Collective. Each fellow receives $25,000 in support and a $25,000 honorarium for their socially engaged practices. The fellowship, established in 2025, focuses this year on gathering as a form of movement building and resource distribution.
Andrew Durbin reviews national pavilions at a major biennial, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The review critiques the lack of meaningful content in the US pavilion while praising the depth and emotional resonance of the British and German contributions.
Agnes Gund, the influential arts patron and philanthropist, has passed away. The organization Art21, a leading producer of media about contemporary artists, released a statement mourning her loss and highlighting her role as one of its earliest and most steadfast supporters, having helped shape its mission from the beginning.
Artist Ashish Kushwaha is set to debut a solo exhibition titled 'Where the Sky Remembers' at Palette Art Gallery in New Delhi. Running from April 23 to May 23, 2026, the showcase features a collection of watercolours and acrylic paintings that depict expansive, dreamlike landscapes inspired by the artist's travels through the Himalayan regions. Kushwaha’s work emphasizes the grandeur of nature while minimizing human presence, using a vivid color palette to explore themes of environmental change and ecological memory.
DePaul University faculty, students, and community members are mounting a public campaign to reverse the university's abrupt decision to close the DePaul Art Museum (DPAM) on June 30. An open letter led by philosophy professor Sean Kirkland has garnered nearly 3,800 signatures, while the museum's advisory board issued a separate statement condemning the closure as "egregious." Critics argue the decision was made without faculty consultation and undermines the institution's academic mission.
Yoonshin Park's solo exhibition "Prompt and Prompted" is on view at the Hyde Park Art Center in Chicago, featuring artists' books, video, and paper-based works that explore reading, memory, and materiality. The show includes pieces from Park's "How (Not) to Read" series, such as the unfurled scroll "I can no longer see. Whose story remains?" (2022), alongside works like "Partial Reading," "Night," and "Neither Flat Nor Fixed," accompanied by a video of the artist manipulating materials that generates a white-noise soundtrack.
Albany Center Gallery (ACG) celebrated the grand opening of its new location at 48 N Pearl Street on January 16, 2026, with a ribbon-cutting ceremony attended by local officials, artists, and community members. The event featured the 21st Annual Members’ Show, juried by Kayla Carlsen of the Albany Institute of History & Art, showcasing work from 276 artists, with $2,000 in cash prizes awarded. The move from its previous Arcade Building location marks ACG's sixth relocation since 1977, expanding to a 6,600-square-foot space that includes flexible exhibition areas and a doubled youth education space.
Salon Art + Design returns to the Park Avenue Armory in New York for its 14th edition, running from November 6–10. The fair features nearly 50 booths from top international dealers, blending antique discoveries with contemporary masterpieces, and uniquely juxtaposes fine jewelry, mid-century furniture, and ancient relics. Members of the fair's Design + Art Advisory Council—including interior designer Andre Mellone, photographer Douglas Friedman, creative director Gabriella Khalil, and others—share the specific treasures they are most excited to see, such as Jean Royère nesting tables, a Fernando Jorge jewelry piece, and a Head of Apollo sculpture from Ariadne.
Five British museums have been shortlisted for the 2025 Art Fund Museum of the Year, the world's largest museum prize. The finalists are Beamish, The Living Museum of the North in County Durham; Chapter arts centre in Cardiff; Compton Verney gallery in Warwickshire; Golden Thread Gallery in Belfast; and Perth Museum in Scotland. Beamish, a 55-year-old open-air museum, recently completed its "Remaking Beamish" project recreating a 1950s town with 32,000 community members. Perth Museum opened in March 2024 after a £27m renovation and houses the Stone of Destiny. The winner will be announced on 26 June at the Museum of Liverpool, receiving £120,000, while each of the other finalists gets £15,000.
Ugoma Chinelo Ebilah, an economist-turned-curator who founded Bloom Art Lagos in 2010 and the Mbari Kola Arts and Culture Foundation in 2019, is opening Mbari Kola, a private art society and members club in Lagos. Located in the affluent Ikoyi district, the 800 sq. m space will include a public gallery, shop, and garden, along with a private lounge, terrace, library, and multifunctional rooms for members. The venue will host exhibitions, residencies, film screenings, concerts, performances, and readings, focusing on pan-African art and culture. A soft launch for founding members is set for Africa Day (25 May), with further phases after summer and during Lagos Art Week in November. The club is part-funded by Ebilah and crowdfunded through around 50 founding patrons and members.
Ye, formerly known as Kanye West, revealed the cover of his new album "Cuck" earlier this month, featuring an unauthorized photograph by acclaimed photojournalist Peter van Agtmael. The image depicts two Ku Klux Klan members in full regalia embracing, with one holding a bouquet, originally titled "The wedding of two members of the KKK in a barn in rural America." West altered the photo to make one Klansman appear Black and removed a dog with a "White Power" cape. Van Agtmael confirmed that neither West nor his team sought permission, and a legal process is now underway.