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The Phillies Owner’s Other Superstars

John Middleton, the billionaire owner of the Philadelphia Phillies, is channeling his competitive drive into the acquisition of 19th-century American masterpieces. His private collection, which features prominent works by Andrew Wyeth, Winslow Homer, and Thomas Eakins, has quietly become one of the most significant of its kind in the United States. Middleton’s approach to collecting mirrors his sports management style, focusing on "blue-chip" historical significance and technical mastery.

Contemporary art exhibition to showcase work from Wales and beyond

The Artistic Museum of Contemporary Art (AMOCA) is launching its second pop-up exhibition, "Dialogues Wales: New Voices from the Museum Collection," at Cardiff’s Temple of Peace. Running from April 15 to 18, the show highlights women and nonbinary artists from the private collection of co-founder Anders Hedlund, featuring over forty international and local figures including Shani Rhys James, Ewa Juszkiewicz, and Lynda Benglis.

Philadelphia Museum of Art and PAFA team up for a massive American art show

The Philadelphia Museum of Art (PMA) and the Pennsylvania Academy of the Fine Arts (PAFA) have launched "A Nation of Artists," a massive collaborative exhibition marking the United States' 250th anniversary. Spanning 20,000 square feet across both institutions, the show features over 1,000 works ranging from 18th-century portraiture and Hudson River School landscapes to contemporary pieces by local artists. The exhibition was catalyzed by significant loans from the private collection of Philadelphia Phillies owner John Middleton and his wife, Leigh, which filled critical gaps in the museums' permanent holdings.

Two museums are looking back on the entire history of American art through political teapots and a 'death cart'

The Philadelphia Museum of Art and the Pennsylvania Academy of Fine Arts (PAFA) have launched a massive joint exhibition titled "A Nation of Artists," featuring over 1,000 works spanning from 1700 to 2026. The collaboration utilizes a chronological approach at the Philadelphia Museum of Art and a thematic framework at PAFA, showcasing a diverse array of objects including colonial teapots, a New Mexican "death cart," and works by masters like Georgia O'Keeffe and Horace Pippin. The project also incorporates significant loans from the private collection of Philadelphia Phillies owner John Middleton.

The Giants Have Arrived: Inside Alicia Keys and Swizz Beatz’s MCASD Exhibition

Alicia Keys and Swizz Beatz have opened a major exhibition of their personal art collection at the Museum of Contemporary Art San Diego (MCASD). Titled "Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys," the show features over 100 works by prominent Black artists, including Kehinde Wiley, Amy Sherald, Barkley L. Hendricks, and Jean-Michel Basquiat.

How the Gertrude Abercrombie Renaissance Is Reaching a New Apex at the Milwaukee Art Museum

The Milwaukee Art Museum is hosting a major traveling retrospective of Gertrude Abercrombie, the Chicago-based painter known as the "jazz witch" of Hyde Park. Titled "Gertrude Abercrombie: The Whole World is a Mystery," the exhibition features nearly eighty paintings sourced from major museums and private collections, marking the largest survey of her work to date. The show highlights her unique brand of Surrealism, characterized by dreamlike interiors, stark landscapes, and enigmatic self-portraits.

Blanton show reimagines American modernism through private collection of H-E-B chairman Charles Butt

The Blanton Museum of Art has unveiled a new exhibition featuring approximately 80 works of American modernism drawn from the private collection of H-E-B chairman Charles Butt. Curated by Carter Foster, the show eschews a "trophy collection" approach in favor of intimate, transitional works by canonical artists such as Edward Hopper, Alice Neel, and Alma Thomas. The exhibition is organized thematically, focusing on urban life, precisionism, and the evolution toward abstraction, presenting these works together in a single gallery for the first time.

An Artemisia Gentileschi self-portrait and Judy Chicago’s Scottish queen: our pick of the February auctions

A series of significant artworks are heading to auction in February, led by an early Artemisia Gentileschi self-portrait making its auction debut at Christie's New York with an estimate of $2.5m-$3.5m. Other highlights include Rembrandt's last privately-held animal drawing, 'Young Lion Resting', at Sotheby's New York ($15m-$20m estimate), a Judy Chicago print of Mary, Queen of Scots at Phillips, and an Odilon Redon work on paper at Artcurial Paris.

Why this rarely seen Van Gogh self-portrait deserves more attention

A blog post examines Van Gogh's lesser-known self-portrait, *Self-portrait with bandaged Ear and Pipe* (January 1889), held in a private collection and rarely exhibited—last lent outside Switzerland in 1990. The painting shows the artist clean-shaven, smoking a pipe, with a striking orange-red background, painted just weeks after he mutilated his ear following a row with Paul Gauguin. The post contrasts it with the more famous version in London's Courtauld Gallery, analyzing compositional details and the artist's psychological state.

Crocker’s new leader secures famous art for Sacramento: ‘Everyone’s looking for Frida’

Agustín Arteaga has become the new CEO of the Crocker Art Museum in Sacramento, taking over the role on July 1 after a global career leading museums in Mexico, Argentina, and Texas. In a major early achievement, he secured Frida Kahlo's 1947 painting "Self-Portrait with Loose Hair" for the museum's exhibition "Making Moves: A Collection of Feminisms"—the first time a Kahlo original has ever been displayed at the Crocker. The painting is on loan from a private collection through May 3, 2026, and has drawn record crowds to the museum.

Two Exhibitions of Impressionist and Postimpressionist Art Coming to LACMA

Two winter exhibitions at the Los Angeles County Museum of Art (LACMA) will highlight the institution's Impressionist and Postimpressionist holdings. Opening December 21, 2025, "Collecting Impressionism at LACMA" traces the evolution of the museum's collection through early donations of California and American Impressionist works, strategic acquisitions, and recent gifts including Claude Monet's *The Artist’s Garden, Vétheuil* (1881) and Vincent van Gogh's *Tarascon Stagecoach* (1888). A second exhibition, "Village Square: Gifts of Modern Art from the Pearlman Collection to the Brooklyn Museum, LACMA, and MoMA," opens February 22, 2026, featuring nearly 50 works by artists such as Paul Cézanne, Edgar Degas, and Édouard Manet from the Henry and Rose Pearlman Collection. After LACMA, the Pearlman works will travel to the Brooklyn Museum and later to the Museum of Modern Art.

One Fine Show: “Camille Pissarro’s Impressionism” at the Denver Art Museum

The Denver Art Museum has opened a new exhibition titled “The Honest Eye: Camille Pissarro’s Impressionism,” organized in collaboration with the Museum Barberini in Potsdam, Germany. The show brings together over 100 paintings and objects from nearly 50 international museums and private collections, highlighting Pissarro’s role as a foundational Impressionist. The exhibition’s title comes from a letter in which Pissarro described his artistic approach as “honest,” emphasizing a realistic, detail-oriented style that contrasted with the more radical tendencies of his peers. Works on view include “Lordship Lane Station, East Dulwich” (1871) and “The Garden of Les Mathurins, property of the Deraismes Sisters, Pontoise” (1876), which showcase his nuanced use of color and texture, as well as his engagement with social and political themes.

Alicia Keys and Swizz Beatz celebrate Black contemporary art in 'Giants' exhibition

The article reports on the exhibition 'Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys,' which recently opened at the Virginia Museum of Fine Arts in Richmond after previous stops in Brooklyn, Atlanta, and Minneapolis. The show features around 130 works from the couple's private collection of over 1,000 pieces, celebrating Black contemporary artists from 20th-century icons like Gordon Parks to emerging talents. In an interview, Alicia Keys and Swizz Beatz discuss how their shared passion for art led them to build the Dean Collection, one of the most significant private collections of contemporary art in the world.

Frenemies or rivals? Tate Britain show explores Turner and Constable's turbulent relationship

Tate Britain will present "Turner and Constable," a major exhibition spanning 2025–2026 that explores the intertwined careers and rivalry of J.M.W. Turner (1775–1851) and John Constable (1776–1837). For the first time, a show is devoted to both artists, featuring historical reconstructions such as the famous 1831 Royal Academy Summer Exhibition pairing of Turner's *Caligula’s Palace and Bridge* (1831) and Constable's *Salisbury Cathedral from the Meadows* (1829–31). Curated by Amy Concannon, the exhibition includes loans from private collections and rarely seen works, including Turner's *The Burning of the Houses of Lords and Commons, 16 October 1834* (1835) from the Cleveland Museum of Art, on show in the UK for the first time since 1883.

Smithsonian American Art Museum presents blockbuster Grandma Moses exhibition

The Smithsonian American Art Museum in Washington, D.C., will present "Grandma Moses: A Good Day's Work" from November 25, 2025, through July 12, 2026. The exhibition features 88 works by Anna Mary Robertson "Grandma" Moses (1860–1961), drawn from the museum's collection, private collections, and public institutions. It repositions Moses as a multidimensional force in American art, exploring her artistic evolution from farmwife to famous artist in Cold War America, and includes photographs, ephemera, and excerpts from her autobiography. The show is organized by Leslie Umberger, senior curator of folk and self-taught art, and former Randall Griffey, with support from curatorial assistant Maria R. Eipert.

Portland Art Museum to unveil $116m transformation with Mark Rothko at its heart

The Portland Art Museum (PAM) will unveil a $116 million expansion and renovation on November 20, the largest single-organization arts investment in Oregon history. The centerpiece is the new Mark Rothko Pavilion, a multi-story glass structure designed by Hennebery Eddy Architects and Vinci Hamp Architects, which bridges the museum's 1932 building with a former Masonic Temple. The project adds 100,000 square feet of renovated space, including new plazas with sculptures by Ugo Rondinone, Roy Lichtenstein, Anthony Caro, and Clement Meadmore. The Rothko family is lending major paintings from their private collection for display over two decades, with a promised gift at the end of that period, and made a six-figure donation to the museum's $146 million capital campaign.

The Met Presents First Exhibition of Works by Finnish Painter Helene Schjerfbeck in a Major U.S. Museum

The Metropolitan Museum of Art in New York will present "Seeing Silence: The Paintings of Helene Schjerfbeck," the first major U.S. museum exhibition dedicated to the Finnish painter (1862–1946). Featuring nearly 60 works on canvas, including loans from the Finnish National Gallery / Ateneum Art Museum and private collections, the exhibition runs from December 5, 2025, to April 5, 2026. It traces Schjerfbeck's artistic evolution from early naturalist works to her spare, experimental style, highlighting her resilience amid civil war, world wars, and Finland's independence.

Rediscovering Roger Fry, the overlooked Bloomsbury artist who helped bring Cézanne and Van Gogh to the world

The Charleston museum in Firle, East Sussex, will mount a major solo exhibition of paintings by Roger Fry (1866-1934) from 15 November 2025 to 15 March 2026. Fry, a central figure in the Bloomsbury Group, was a polymath who introduced Post-Impressionists like Cézanne, Van Gogh, and Gauguin to British and American audiences, co-founded the Omega Workshops and the Burlington Magazine, taught at Cambridge, and curated at the Metropolitan Museum of Art. The show brings together nearly 80 works, over 60 from private collections, including portraits of friends like E.M. Forster and Vanessa Bell, and landscapes that reveal his experimental range from Gauguin-esque outlines to Cubism.

Camille Pissarro show at Denver Art Museum is both ambitious and exhaustive

The Denver Art Museum has opened "The Honest Eye: Camille Pissarro’s Impressionism," a comprehensive retrospective of the Impressionist painter featuring over 100 works from nearly 50 international museums and private collections. Co-organized with the Museum Barberini in Potsdam, Germany, the exhibition is the first major U.S. museum survey of Pissarro in 30 years, curated by Clarisse Fava-Piz, Claire Durand-Ruel, and Nerina Santorius.

Exhibition Celebrating Abstract Painter Joan Mitchell Features Work on Loan from the Hofstra Museum

Joan Mitchell's painting "Metro" (1965) from the Hofstra University Museum of Art's permanent collection is on loan to David Zwirner gallery in New York for the exhibition "To define a feeling: Joan Mitchell, 1960-1965," running from November 6 to December 13, 2025. The exhibition focuses on a transformative period in Mitchell's career, showcasing paintings and works on paper from public and private collections, including the Joan Mitchell Foundation, that trace her shift from structured abstractions to centralized, swirling forms inspired by travels along France's Côte d'Azur.

Ojibwe artist George Morrison’s family relishes his first solo exhibit at The Met

The Metropolitan Museum of Art in New York is hosting the first solo exhibition of Ojibwe artist George Morrison, titled "George Morrison: An Ojibwe Artist in the Modernist World." The show features over 50 works spanning his career, including paintings, drawings, and sculptures, and is drawn from public and private collections. Morrison's family, including his son and grandchildren, have been deeply involved in organizing the exhibition and have expressed pride in seeing his work recognized at such a prestigious institution.

Wayne Thiebaud’s first UK show reveals the hidden depths of his deceptively simple paintings

Wayne Thiebaud's first museum exhibition in the UK has opened at the Courtauld Gallery, featuring 21 paintings on loan from US public and private collections, including the Wayne Thiebaud Foundation. The show, titled "Wayne Thiebaud: American Still Life," highlights the artist's deceptively simple depictions of cakes, pies, and deli counters, and includes a concurrent exhibition of works on paper called "Delights." Co-curator Barnaby Wright emphasizes that seeing the works in person reveals their extraordinary painterly quality, which reproductions flatten.

Sotheby’s to sell painting from Jean-Michel Basquiat’s first solo show

Sotheby's will offer Jean-Michel Basquiat's early painting *Crowns (Peso Neto)* (1981) as the top lot in its Contemporary Evening Sale on 18 November, held at the auction house's new headquarters in the Breuer Building. The work, estimated at $35–40 million, was created in the basement of dealer Annina Nosei's gallery and featured in Basquiat's first solo show in 1982, marking a pivotal moment in his rise from street artist to market star. It comes from a European private collection and has never been auctioned before.

Gustave Caillebotte: Painting His World

The Art Institute of Chicago presents 'Gustave Caillebotte: Painting His World,' a major exhibition running from June 29 to October 5, 2025, featuring over 120 works including paintings, works on paper, photographs, and ephemera. The show explores the personal interests and relationships that shaped the Impressionist artist, highlighting his focus on family, friends, sportsmen, and workers, as well as his unique depictions of nude men. It includes iconic pieces like 'Paris Street; Rainy Day' and 'Floor Scrapers,' alongside lesser-known works such as the Musée d'Orsay's recent acquisition 'Boating Party' and the Louvre Abu Dhabi's 'The Bezique Game,' many from private collections rarely seen by American audiences.

Ackland’s new exhibit adds splash of ‘Color’

The Ackland Art Museum at UNC-Chapel Hill has opened a new exhibition titled "Color Triumphant," featuring 54 modern paintings, sculptures, and works on paper from the collection of Julian and Josie Robertson. The show spans from the 1870s to the present, highlighting the liberation of color in modern art with works by Claude Monet, Camille Pissarro, Pablo Picasso, Frank Stella, and André Derain, whose painting "The Jetty at L'Estaque" serves as the flagship piece. Curated by deputy director Peter Nisbet, the exhibition was developed in collaboration with the Robertson Foundation after Julian Robertson's death in 2022, and includes student research support. It runs through January 4, with related lectures and film screenings, and a second iteration, "Color Concentrated: A Salon-Style Hang from the Robertson Collection," opening January 30.

Krannert Art Museum exhibition examines significance of early modern European prints

Krannert Art Museum at the University of Illinois Urbana-Champaign will present "Imagination, Faith, and Desire: Art and Agency in European Prints, 1475-1800," an exhibition of over 100 early modern European prints drawn from private collections. The show, curated by Maureen Warren, runs from September 25 through February 28 and includes works by masters such as Rembrandt, Parmigianino, and Goya, exploring how prints functioned as Europe's first visual mass media.

Sotheby’s secures $120m Pritzker and $400m Lauder collections, with works by Matisse, Munch and Van Gogh

Sotheby’s has secured two major private collections for its autumn New York sales: the Pritzker collection, estimated at $120 million, and the Lauder collection, valued at around $400 million. The Pritzker collection includes Vincent van Gogh’s *Romans Parisiens* (1887) with a $40 million estimate, while the Lauder collection features Gustav Klimt’s *Portrait of Elisabeth Lederer* (1914-16) estimated at over $150 million, along with works by Matisse, Munch, and Martin. The sales will take place at Sotheby’s new headquarters in the Breuer Building this November.

Exploring environment, humanity at core of new art exhibition opening in Flint

A new art exhibition titled “This Bitter Earth: Living in Harmony with Nature” opens on September 12 at MW Gallery in downtown Flint, Michigan. The show features artworks from the Mott-Warsh Collection by artists including Ron Adams, Bisa Butler, Nick Cave, Maren Hassinger, Pope.L, and Howardena Pindell, exploring humanity's complex relationship with the natural world and the four classical elements. A featured video installation, “Zion” by South African artist Mohau Modisakeng, addresses themes of displacement and belonging. The exhibition runs through January 24, 2026, with free admission.

Huge fashion photography archive heads this month’s acquisition round-up

The New York Historical has acquired the vast archive of legendary New York Times fashion photographer Bill Cunningham, nearly a decade after his death in 2016. The collection includes tens of thousands of images, negatives, slides, contact sheets, and correspondence documenting Manhattan street style and high-society events over 50 years. Separately, the J. Paul Getty Museum received a gift of 38 Italian manuscript illuminations from T. Robert Burke and Katherine States Burke, doubling its holdings in that area. The Hamburger Kunsthalle purchased René Magritte's painting *Le Palais de Rideaux* (1928) for €2.4 million from a Belgian private collection.

Giovanni Battista Piranesi: Visions of Grandeur

Middlebury College Museum of Art presents 'Giovanni Battista Piranesi: Visions of Grandeur,' an exhibition showcasing the 18th-century Italian printmaker, architect, designer, and antiquities dealer. The show features prints, drawings, a book, a map, and a recently acquired sculpture drawn from Middlebury's collections, augmented by loans from the Yale University Art Gallery, the Pierpont Morgan Library and Museum, and private collections. Curated by architectural history professor Pieter Broucke, the exhibition includes label texts researched by Middlebury students in a January 2025 curatorial lab course.