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Cultural Affairs Bureau announces the selection results of the “Local Curatorial Project” of the “Art Macao: Macao International Art Biennale 2025”

The Cultural Affairs Bureau of Macao has announced the six exhibition proposals selected for the "Local Curatorial Project" of "Art Macao: Macao International Art Biennale 2025." Chosen from 34 submissions by a panel including chief curator Feng Boyi, Wang Xiaosong, Song Dong, Marcel Feil, and Van Pou Lon, the winning proposals are: "Genetic Duration" (curated by Ung Vai Meng), "After Oriental Garden" (Cheong Weng Lam), "The Sea of Languages: Macao Language Research Program" (He Yan Jun and Zhang Ke), "A Speakable Position for Women" (Cheong Cheng Wa and Wang Jing), "Beneath the Wetware Peninsula" (Daisy Di Wang and Wong Mei Teng), and "Jacone's Tower" (Feng Yan and Ng Sio Ieng). These exhibitions will be part of the biennale and will also be shortlisted for the 61st International Art Exhibition of La Biennale di Venezia – Collateral Event from Macao, China.

“Dyke is our armor:” A conversation with dyke artist Sarah-Joy Ford’s about her new exhibition Dykeland (2025)

Dr. Sarah-Joy Ford, an artist and independent scholar based in Todmorden, West Yorkshire, has opened her exhibition "Dykeland: Volume 1" at The Whitaker Museum & Art Gallery in Rossendale on June 7, 2025. The show explores the history of dyke and lesbian landscapes in the UK, focusing on queer relationality to placemaking and preservation. It interweaves historical material, personal memory, and fantasy in response to Jane Cambell's upcoming poetry collection "Dykeland and other secret islands," and is displayed alongside Cambell's art. Ford uses quiltmaking as a medium to share lesbian and queer archival material, continuing a tradition of queer fabric art that includes recent installations like the ACLU's 258-square-quilt display on the National Mall and the Euphoria Quilt by Eliot Anderberg.

Tate launches US-style endowment fund, with aim of raising £150m by 2030

Tate has launched the Tate Future Fund, a US-style endowment fund aiming to raise £150 million by 2030 to secure its long-term financial future. More than £43 million has already been raised, announced at a fundraising gala in Tate Modern's Turbine Hall marking the museum's 25th anniversary, attended by artists Steve McQueen and Tracey Emin. Tate director Maria Balshaw explained that the fund will sit separately, managed by the Tate Foundation, with only the interest drawn annually to support artistic creativity, groundbreaking exhibitions, collection building, research, and public benefit programs like school and family learning.

Nudes by Tamara de Lempicka and Jenny Saville lead quiet Sotheby’s Modern and contemporary sale

Sotheby’s June Modern and contemporary art evening sale in London netted £50.8m (£62.5m with fees) from 48 lots, with an 87% sell-through rate, falling below the pre-sale estimate of £55.2m to £81.1m and marking a 25% decrease from last year’s equivalent sale. The top lot was Tamara de Lempicka’s *La Belle Rafaëla* (1927), which sold for £6.1m (£7.4m with fees), while a Jenny Saville drawing *Mirror* (2011-12) achieved an auction record for the artist at £1.7m (£2.1m with fees). Several high-profile works were passed, including Egon Schiele’s *Portrait Study (Head of a Girl, Hilde Ziegler)* and Barbara Hepworth’s *Vertical Forms*, reflecting cautious bidding in a bearish market.

Uffizi director to ‘limit’ selfies after posing visitor damages 18th-century painting

The director of the Uffizi Galleries in Florence announced plans to restrict selfies after a tourist damaged an 18th-century portrait while posing for a photograph. The visitor was mimicking the pose of Ferdinando de' Medici in a 1712 painting by Anton Domenico Gabbiani when he stumbled backward, tore the canvas, and left a hole near the prince's boot. The painting has been removed for repair, and the tourist will be prosecuted. The incident follows a similar event at Palazzo Maffei in Verona, where a visitor damaged a crystal-studded sculpture by Nicola Bolla.

The tale of a French psychiatric asylum that harboured Second World War resistance fighters—and where patients became artists

An exhibition catalogue from the American Folk Art Museum's 2024 show traces the story of Saint-Alban-sur-Limagnole, a French psychiatric asylum that sheltered Spanish Republican refugees and resistance fighters during World War II. Under Catalan psychiatrist Francesc Tosquelles, patients were encouraged to create art from found objects, producing works that later influenced Jean Dubuffet's concept of Art Brut. The asylum became a haven where hierarchies between doctors and patients were leveled, and patients bartered their creations for food during wartime austerity.

Renewed Bern Kunsthalle works to reframe Switzerland's history

The Kunsthalle Bern has reopened after a year-long transformation led by director iLiana Fokianaki, marked by a new entrance designed by ALIAS architects and a trio of exhibitions by Black artists. The reopening follows a symbolic intervention by Ghanaian artist Ibrahim Mahama, who wrapped the building in jute sacks referencing the colonial history of Swiss cocoa extraction in Ghana, echoing Christo and Jeanne-Claude's 1968 wrapping of the same building. The inaugural shows feature solo exhibitions by Melvin Edwards, Tuli Mekondjo, and Tschabalala Self, with Edwards's retrospective traveling from the Fridericianum in Kassel to the Palais de Tokyo in Paris.

Guest Artists Space Foundation announces ambitious 2025–26 programme exploring African art archives

Guest Artists Space (G.A.S.) Foundation and Yinka Shonibare Foundation have announced the 2025–26 edition of 'Re:assemblages', a programme focused on African and Afro-diasporic archives as sites for artistic inquiry and decolonial practice. Curated by Naima Hassan with contributions from Maryam Kazeem, Ann Marie Peña, and Jonn Gale, the initiative includes international convenings, symposia, fellowships, and micro-publications, anchored by a two-day symposium in Lagos during Lagos Art Week (4–5 November 2025). The programme draws on the Picton Archive at G.A.S.'s Lagos campus and is supported by the Terra Foundation for American Art, featuring four curatorial themes: Ecotones, The Short Century, Annotations, and The Living Archive. It also launches the African Arts Libraries Lab (AAL Lab), a pan-African network of libraries and publishers across Lagos, Dakar, Marrakesh, Cairo, Nairobi, Cape Town, and Limbe.

Landmark Exhibition at the National Museum of Women in the Arts Reframes an Iconic Historical Era

The National Museum of Women in the Arts (NMWA) in Washington, D.C., will present "Women Artists from Antwerp to Amsterdam, 1600–1750" from September 26, 2025, to January 11, 2026. This landmark exhibition features nearly 150 artworks by 40 Dutch and Flemish women artists, including Judith Leyster, Rachel Ruysch, and Clara Peeters, alongside works by unnamed textile makers. Co-curated by Virginia Treanor and Frederica van Dam, the show includes loans from over 50 institutions such as the Rijksmuseum, the Metropolitan Museum of Art, and the Prado Museum. It will travel to the Museum of Fine Arts in Ghent, Belgium, from March to May 2026.

In pictures: Art Basel's Unlimited section offers visions of utopia

Art Basel's Unlimited section, curated by Giovanni Carmine, features monumental works and performances with themes of utopia, community, and being in sync. Highlights include Oscar Murillo's participatory drawing installation, David Owens' film on Lonnie Holley, Alia Farid's tapestries on Middle Eastern-Cuban migration, Taloi Havini's shell money piece, Atelier Van Lieshout's 160-sculpture march to utopia, Andrea Büttner's shame punishment prints, and Mario Merz's inhabitable igloo.

Cezanne family home opens to the public as Aix-en-Provence fetes its famous former resident

The French city of Aix-en-Provence is launching Cezanne 2025, a year-long program of events and exhibitions celebrating its most famous resident, Paul Cézanne. The season begins with two major openings: the Bastide du Jas de Bouffan, Cézanne's family home, now open to the public after extensive renovations, and a major exhibition at the Musée Granet titled "Cezanne au Jas de Bouffan" (28 June to 12 October), which explores the painter's work during his 40 years at the estate. A highlight of the exhibition is the reconstruction of the Grand Salon, featuring a recently discovered mural fragment, *Entrée du port* (1864), and loans from institutions including the National Gallery in London and the Petit Palais in Paris.

Albanian dictator’s fortress-like palace becomes ‘hub for artistic experimentation’

Vila 31, a Brutalist compound in Tirana that once served as the fortress-like residence of Albanian dictator Enver Hoxha, has been transformed into an artistic hub called Vila 31—Art Explora. Opened in April by the Paris-based Art Explora Foundation, the site now hosts up to 30 international artists annually for residencies and experimentation, with programming developed in collaboration with the École nationale supérieure d’arts de Paris-Cergy, the Museum of Contemporary Art Skopje, and Oral History Kosovo. The conversion, led by NeM Architectes, preserves key elements of the original structure while radically reimagining its interior, turning a symbol of repression into a center for creative freedom.

Put Community First and Other Lessons On Institutional Sustainability From MCA Chicago

MCA Chicago director Madeleine Grynsztejn outlines the museum's guiding principles of championing revelatory art, fostering social belonging, and aligning internal practices with community ethics. The museum's collection is treated as a living resource rather than a static treasure, with exhibitions like "Descending the Staircase" and "City in a Garden: Queer Art Activism in Chicago" reflecting evolving narratives. The MCA Art Auction, held every five years, is highlighted as a values-driven fundraiser; the 2025 edition honors Ed Ruscha with a new commission and features works by artists including Rashid Johnson, Sanford Biggers, and Sarah Sze.

The Brooklyn Museum to Present Monet and Venice, the First Major Exhibition in over a Century Dedicated to Claude Monet’s Venetian Cityscapes

The Brooklyn Museum will present "Monet and Venice" from October 11, 2025, to February 1, 2026, the first major exhibition in over a century dedicated to Claude Monet's Venetian cityscapes. The show reunites nineteen of Monet's Venetian paintings alongside more than one hundred artworks, books, and ephemera, placing them in context with works by Canaletto, John Singer Sargent, J. M. W. Turner, and Pierre-Auguste Renoir. It is cocurated by Lisa Small of the Brooklyn Museum and Melissa Buron of the Victoria & Albert Museum, and sponsored by Bank of America.

Review: Guadalupe Rosales crafts an analog Wayback Machine for a vibrant show at Palm Springs Art Museum

Guadalupe Rosales presents a solo exhibition titled "Tzahualli: Mi memoria en tu reflejo" at the Palm Springs Art Museum, centered on a checkerboard dance floor with a makeshift DJ booth, motorized blue spotlights, and mirrored disco fixtures. The show gathers ephemera from the 1990s—magazines, snapshots, lowrider bicycle parts, bandannas, street signs, and more—used in assemblage sculptures and display cases. Four thematic sections include a dance room, an entryway, a nighttime space, and a car culture gallery, with imagery referencing Chicana culture, Los Angeles' Eastside, and historic clubs like Arena and Circus.

June Book Bag: from the cool influence of Ice Age art to the story of Arshile Gorky’s early years in the US

This article presents a roundup of six new art books released in June, covering a diverse range of topics. Titles include a monograph on Arshile Gorky's early years in New York, a collection exploring interspecies consciousness from the Serpentine Galleries, a book accompanying a British Museum exhibition on Ice Age art, a lavish Taschen monograph on Salvador Dalí, and a three-volume photographic study of the American West by Maryam Eisler and Alexei Riboud.

Jean-Michel Othoniel Opens His Paris Studio Ahead of a Citywide Exhibition in Avignon, France

French artist Jean-Michel Othoniel is preparing for his most ambitious project yet, a citywide exhibition titled "Othoniel Cosmos or the Ghosts of Love" in Avignon, France, opening June 28, 2025. The exhibition will feature some 250 works—including sculptures made of glass bricks and beads, plus paintings—displayed across ten museums and historical sites, including the Palais des Papes, Pont d’Avignon, Couvent Sainte-Claire, and the Lambert Collection. The project celebrates the 25th anniversary of Avignon being named a European Capital of Culture. Othoniel's Paris studio, a 40,000-square-foot former metal workshop in Montreuil that he shares with partner and artist Johan Creten, serves as the production hub for the works, with a team of 20 people on-site daily.

Trump claims he has fired director of US National Portrait Gallery

US President Donald Trump claimed on his Truth Social platform that he has fired Kim Sajet, director of the National Portrait Gallery (NPG), alleging she is a "highly partisan person" and a supporter of diversity, equity, and inclusion programs. Sajet, who became the first woman to lead the NPG in 2013, has not commented, and the Smithsonian declined to comment. It remains unclear whether Trump has the legal authority to fire Smithsonian employees, as the institution is governed by a board of regents and receives partial federal funding.

The Met to Reopen Its Arts of Africa Galleries on May 31, Following a Multiyear Renovation

The Metropolitan Museum of Art will reopen its Arts of Africa galleries on May 31, 2025, after a multiyear renovation that began in summer 2021. The redesigned Michael C. Rockefeller Wing features some 500 works spanning from the medieval period to the present, including a 12th-century fired clay figure from Mali and Abdoulaye Konaté's 'Bleu no. 1' (2014). A quarter of the works are recent acquisitions or gifts, displayed for the first time. The project was led by Kulapat Yantrasast of WHY Architecture with Beyer, Blinder, Belle Architects LLP and the Met's Design Department, and involved a network of international scholars and digital partnerships with the World Monuments Fund and filmmaker Sosena Solomon.

‘I feel at home here’: Michael Rakowitz’s Acropolis Museum exhibition locates the lines between stories of lost heritage

The Acropolis Museum in Athens has opened "Allspice: Michael Rakowitz and Ancient Cultures," the first exhibition in a trilogy organized with the Hellenic Ministry of Culture and the nonprofit Neon. It is also the first time the museum has presented work by a living artist. The show pairs ancient objects from the University of Chicago’s Institute for the Study of Ancient Culture and the Thanos N. Zintilis Collection of Cypriot Antiquities with 14 works by Iraqi-American artist Michael Rakowitz, including pieces from his ongoing series "The invisible enemy should not exist," which recreates artifacts looted or destroyed from the National Museum of Iraq. Rakowitz’s lamassu reliefs, reimagined from the Palace of Nimrud, and a new commission featuring his mother’s recipes explore themes of lost heritage, memory, and diaspora.

Gustave Caillebotte: Painting His World

The Art Institute of Chicago announces "Gustave Caillebotte: Painting His World," a major exhibition running from June 29 to October 5, 2025. Featuring over 120 works—including paintings, drawings, photographs, and documents—the show offers a fresh perspective on the Impressionist artist, highlighting his intimate focus on family, friends, sportsmen, and neighborhood life, in contrast to his peers. Key loans include the Musée d'Orsay's recent acquisition "Boating Party" and the Louvre Abu Dhabi's "The Bezique Game," alongside the Art Institute's own "Paris Street; Rainy Day." The exhibition is organized collaboratively by the Art Institute of Chicago, the Musée d'Orsay, and the J. Paul Getty Museum.

Must-see art exhibitions in Mumbai this June

This article highlights five must-see art exhibitions in Mumbai for June, including Manoj Jain's debut solo show 'It Didn't Ask to Be Art' at Soho House, Juhu, curated by Dheeya Soumaiya; the 'Art Carnival' at The Bombay Art Society, Bandra; 'Kala Connect' at Nehru Centre Art Gallery, Worli; 'Form and Flow' group exhibition at Jehangir Art Gallery, Kala Ghoda; and 'Dreamers' by Gurjeet Singh in collaboration with Jaipur Rugs at Chemould Prescott, Fort. These exhibitions span raw art, emerging talent, cultural dialogue, contemporary group shows, and textile-based works exploring identity and queerness.

Jean Tinguely’s 100th anniversary, migration museum opens in Rotterdam, Ben Shahn's social security mural—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three major stories. First, a host of exhibitions and events celebrating the 100th anniversary of Swiss kinetic artist Jean Tinguely, including shows at the Tinguely Museum in Basel, Lehmbruck Museum in Duisburg, Hauser & Wirth Somerset, and the Grand Palais in Paris. Second, the newly opened Fenix museum in Rotterdam, a museum dedicated to migration, featuring a dramatic stainless steel tornado staircase. Third, the episode's Work of the Week focuses on Ben Shahn's 1941 study 'Harvesting Wheat' for his mural 'The Meaning of Social Security,' discussed in conjunction with a major exhibition of Shahn's work at the Jewish Museum in New York.

In The Mastermind, an art heist’s aftermath unfolds against the backdrop of Vietnam War-era America

Kelly Reichardt's new film *The Mastermind* premiered at the Cannes Film Festival, following J.B. Mooney (Josh O'Connor), a carpenter who orchestrates an art heist targeting four Arthur Dove paintings from a fictional Massachusetts museum. The heist is inspired by a real 1972 robbery at the Worcester Art Museum, and the film explores the tension between artistic value and monetary worth against the backdrop of Vietnam War-era America.

Aboriginal art returns to Sotheby’s New York two years after pioneering dealer Tim Klingender's death

Two years after the death of pioneering Aboriginal art dealer Tim Klingender in a boating accident, his widow Skye McCardle-Klingender is organizing a multi-owner auction at Sotheby’s New York on 20 May. The sale includes 65 lots from Klingender's personal collection and other owners, featuring works by leading Aboriginal artists such as Emily Kam Kngwarray, Ginger Riley Munduwalawala, Rover Thomas, Mick Namarari Tjapaltjarri, and Richard Bell. McCardle-Klingender is working with former National Gallery of Australia curator Wally Caruana to assemble the auction, which aims to continue Klingender's legacy of elevating Indigenous Australian art on the global stage.

John Singer Sargent exhibition in London shines a light on the lives of the ‘dollar princesses’

English Heritage has opened an exhibition titled 'Heiress: Sargent’s American Portraits' at Kenwood in London, featuring 18 portraits by John Singer Sargent of American heiresses known as the 'dollar princesses.' These women traveled to the UK in the late 19th century to marry into the British aristocracy, bringing wealth that helped restore estates like Blenheim Palace. The show marks 100 years since Sargent’s death and includes never-before-displayed works, such as a charcoal portrait of Consuelo Vanderbilt. Curator Wendy Monkhouse emphasizes that the exhibition focuses on the sitters as individuals, addressing themes of misogyny, stereotyping, and xenophobia.

Artist couple open north London not-for-profit in former Zabludowicz gallery

Artist couple Philip and Charlotte Colbert have opened a new not-for-profit art space called Camden Arts Projects (CAP) in north London, taking over the former Zabludowicz Collection gallery at 176 Prince of Wales Road. The venue, a former Methodist church, was bought by the Colberts last year and now operates under an umbrella company called Contemporary Culture Collective. The opening exhibition features works by Turner Prize-winning artist Martin Creed, including an immersive balloon installation and a neon piece, and is free to the public. Curator Hala Matar, formerly of The Little House in Los Angeles, is running the exhibition programme.

Smithsonian's National Museum of Asian Art and Saudi Arabia strike deal to collaborate on exhibitions, conservation and more

The Smithsonian's National Museum of Asian Art (NMAA) has signed a partnership agreement with Saudi Arabia's Royal Commission for AlUla (RCU) to collaborate on exhibitions, conservation, research, and staff exchanges. The deal, signed on May 14 by NMAA director Chase Robinson and RCU CEO Abeer AlAkel, focuses on the ancient site of Dadan, a capital of the Lihyanite and Dadanite civilizations. The partnership covers joint conservation and research projects, exhibition loans, and professional development over four years.

Artist Alison Saar wins High Museum’s 20th annual Driskell Prize

Alison Saar, a Los Angeles-based artist known for sculptures exploring Black American experience through historic and symbolic imagery, has won the 20th edition of the David C. Driskell Prize from the High Museum of Art in Atlanta. The annual prize, which alternates between honoring an artist and a curator, comes with $50,000 and was announced during a reception at the Fifth Avenue Hotel in New York on 9 May. Saar succeeds 2024 winner Naomi Beckwith, and past honorees include Ebony G. Patterson, Amy Sherald, Mark Bradford, and Rashid Johnson.

Rose Art Museum Holds First Benefit Gala in Over 20 Years

The Rose Art Museum at Brandeis University held its first benefit gala in over twenty years in New York City on May 12, 2025. The event honored Lizbeth Krupp, longtime Chair of the museum's Board of Advisors, and acclaimed artist Hugh Hayden, whose major survey "Hugh Hayden: Home Work" is currently on view at the museum. Co-chaired by Sara Friedlander and Abigail Ross Goodman, the gala raised over $900,000 toward a new $2 million Exhibition Endowment Fund, seeded by a lead gift from Krupp, to support future contemporary art exhibitions.