American Artist presents a solo exhibition at Commonwealth and Council in Los Angeles, running from April 4 to May 16, 2026. The show includes a press release and checklist, documented through 32 images provided by the artist and gallery, with photography by Paul Salveson.
Matt Connors presents his exhibition 'Cooperative Village' at Herald St gallery in Bologna. The show runs from February 6 to May 16, 2026, and is documented with 17 images by photographers Carlo Favero and Charles Benton.
Melik Ohanian’s solo exhibition, titled "ALTERATION, For a long time in Time," is currently on view at Galerie Chantal Crousel in Paris. The show features a series of new works that continue the artist's career-long investigation into the dimensions of time, space, and the shifting nature of perception. Through a minimalist and conceptual lens, Ohanian utilizes the gallery space to document temporal transitions and the physical manifestation of duration.
The London-based gallery Arcadia Missa is currently hosting a solo exhibition by artist Morag Keil titled "With You For Life." Running from March 5 through April 25, 2026, the presentation features a new body of work documented through a series of installation views captured by photographer Tom Carter.
Megan Plunkett has a solo exhibition at Emalin gallery. The presentation features new works by the artist, continuing her exploration of material and form.
Richard Rezac has opened a solo exhibition titled "Tracery" at Chris Sharp Gallery in Los Angeles. The show, featuring new sculptural works, will be on view from February 24 through April 18, 2026.
Phillip Allen's solo exhibition 'Deep Waiting' was presented at Kerlin Gallery in Dublin from January 31 to March 7, 2026. The show was documented with 13 images on the Contemporary Art Daily platform.
Gili Tal has opened a new solo exhibition, "Soft and Bouncy," at Galerie Buchholz in Berlin. The show, which runs from January 30 through April 4, 2026, presents a collection of the artist's recent work, documented extensively with 26 installation images.
Gregory Olympio has opened a new solo exhibition titled "Vaisseaux" at blank projects in Cape Town. The show, which runs from January 29 through March 14, 2026, features a substantial body of new work, documented by 27 installation images. This marks a significant presentation for the artist at the prominent South African gallery.
Bavarian photographer Markus Brunetti, working with collaborator Betty Schöner, has spent over two decades traveling across Europe in a converted firetruck photo lab to capture monumental composite photographs of basilicas, cathedrals, and other ecclesiastical landmarks. Their process involves taking thousands of meter-by-meter shots of each structure over several years, then meticulously layering and arranging them into high-resolution images that correct perspective to create a striking one-point view. Brunetti's current solo exhibition, "Facades IV" at Yossi Milo gallery in New York City, features recent works including "Roma, Basilica di San Pietro" (2007-2026), which required seven visits over nineteen years to complete.
Photographer Yamamoto Masao is presenting a solo exhibition titled 'Ten Owls' at Yancey Richardson gallery in New York. The show features intimate, small-scale gelatin silver prints of owls, creatures that inhabit the forests near his Japanese home, with the works intended for close viewing to foster a connection with the elusive birds.
Matt Browning's exhibition "All Woodcarvings Remain Slow Motion Mobiles" at Kunstverein München presents a decade of his carved Douglas fir sculptures. Each piece is a chain-link form cut from a single block of wood, revealing interior voids and grids without any assembly, showcasing his meticulous technique since 2013.
Estonian painter Kristi Kongi's largest solo exhibition, 'Chromatic Drift,' will open at the Kumu Art Museum on May 22. The exhibition fills the museum's great hall, courtyard, and windows with new works featuring earthy tones like purple, brown, and burgundy, described by curator Ann Mirjam Vaikla as reflecting the aesthetics of the Anthropocene. The show is accompanied by a book with essays by Sara Garzón, Sirje Helme, and Vaikla, and includes works created during Kongi's residency at Cerámica Suro in Guadalajara, Mexico.
Carla Hemlock, a Kanien’keha:ka artist, has seen a surge in interest from curators and institutions, allowing her to work at her own pace. Her collaborative installation with her son, filmmaker Raohserahawi Hemlock, titled *In the Arms of the Natural World*, has been donated to the Montreal Museum of Fine Arts (MMFA) and is now on view in the exhibition *Rising Suns: Art from the Confederacies of the Great Lakes and Rivers*. The piece, featuring three quilts and two films, explores the legacy of residential schools with what the artists describe as absolute delicacy and care.
The article reports on a new exhibition at the Kickernick Gallery in Minneapolis celebrating the 50th anniversary of WARM (Women's Art Registry of Minnesota), a pioneering women's art collective founded in 1976. The show features works by founding members including Harriet Bart, whose textile piece "Concrete Poem" (1985) is made from discarded garment labels she collected from her studio floor. The exhibition is curated by Christy Frank and runs until mid-June, highlighting the collective's history of mentorship, activism, and advocacy for gender equity in the arts.
Mosaic ArtSpace in Long Island City, NY, presents Antonia Papatzanaki: Unseen Brought to Light, a solo exhibition running from May 22 to September 30, 2025. The show features Papatzanaki's stainless steel light sculptures, inspired by microscopic imagery such as cellular formations and plant tissues, creating immersive environments that blend art, science, and technology. The opening reception is on May 22, 5-8 PM.
May 2026 brings a packed calendar of exhibitions across Italy, ranging from independent galleries to major museums. Highlights include Igor Grubić's early works at Laveronica Gallery in Modica, a photographic exhibition by Lisetta Carmi at Galleria Nazionale dell'Umbria in Perugia, thematic investigations into Ettore Sottsass in Pistoia, Larry Nederlof's solo show at Extra Factory in Livorno, and an archaeological exhibition titled "Parthenope. The Siren and the City" at the National Archaeological Museum. The article also provides practical tips for visitors, such as checking opening times, booking tickets online, and planning transport.
Harper's Bangkok, a new outpost of the New York-based gallery group founded by Harper Levine, opened in late March 2026 on the ground floor of the Siam Pathumwan House building. Its debut exhibition, 'Lost and Found', is a solo show by American artist Joel Mesler featuring 18 new vibrantly colored works, marking his first presentation in Southeast Asia. The gallery is the first major Western commercial gallery to establish a permanent space in Bangkok, joining a rapidly maturing local art ecosystem.
TOTAH gallery in New York presents 'The Time That’s Left', a solo exhibition of works by Italian artist Tommaso Spazzini Villa, opening May 14, 2026. The show expands on his recent large-scale mural on West 45th Street in Hell’s Kitchen, moving from public space to an intimate gallery setting. It features graphite drawings traced across antique book pages—sacred texts, epic poetry, theatre scores—depicting root-like forms that challenge linear language, alongside metal box sculptures with wire, light, and dried leaves that create fleeting shadow dioramas.
A roundup of current art exhibitions and calls for work in Taos, New Mexico, highlights shows such as "Nicolai Fechin: Figures, Nature, and Expression" at the Taos Art Museum, "Taos Reimagined: Modernist Experiments in the High Desert," and "Rag Made Quilts" at the Taos Public Library. Other featured venues include 203 Fine Art, Stables Gallery, Revolt Gallery, and the Wheaton Museum of World Artifacts, with openings and deadlines spanning through fall 2026.
Two solo exhibitions by artists Josefina Auslender and Billy Gerard Frank are on view in Woolwich and Portland, Maine, through mid-May. Auslender's "La Chimera de Oro (The Golden Chimera)" at Sarah Bouchard gallery features new ink-on-paper drawings exploring themes of artistic truth and the seductive danger of commercial success, while Frank's show at the Institute of Contemporary Art at Maine College of Art & Design (ICA at MECA&D) addresses the legacy of slavery through multimedia installations.
Self-taught artist Marvin Young, 64, who has an intellectual and developmental disability, will have his first solo exhibition, “Impressions of a City,” at the Intuit Art Museum in Chicago from April 9 to August 23, 2026. Curated by Christina Stavros, the show features Young’s vivid drawings of Chicago cityscapes, architecture, and portraits, created from memory using graphite, colored pencils, crayons, and markers. Young, who works at Envision Unlimited and Arts of Life—nonprofits supporting people with disabilities—has long dreamed of selling his art, and this exhibition marks a major milestone in that goal.
Artist Nat Faulkner has opened his first public exhibition, 'Strong water,' at Camden Art Centre in London. The show features large-scale photographic works and installations, including 'Aperture (Iodine),' which uses a light-sensitive iodine solution to filter light through the gallery's Victorian skylights, and a multi-panel silver gelatin print of an Italian scrap facility. Faulkner, winner of the Camden Art Centre Emerging Artist Prize at Frieze 2024, discusses his analogue, process-driven practice, likening the darkroom to a collaborator that introduces elements of chance.
Nashville International Airport (BNA) has launched its Winter/Spring installment of the Flying Solo exhibition series, featuring works by Nashville-based artists Amber Lelli, Kymberlee Stanley, Yanira Vissepó, and David Wilson. The seasonal installation, on display through April 19, 2026, includes mixed media, oil paintings, acrylics, and collages across airport concourses, with Lelli's "Rest in Pieces" on Concourse D and Stanley's "Windows of Wonder" near Gate D2. The exhibition is part of BNA's Arts at the Airport program, established in 1988, which rotates local artists and arts organizations to engage travelers.
The Big Art Loop has transformed San Francisco into an open-air gallery with nearly 100 sculptures installed along a 34-mile walkable and bikeable path through the city. The project, funded by the Sijbrandij Foundation and founded by Sid and Karen Sijbrandij, features works including R-Evolution at the Ferry Building, Echoes: A Voice from Uncharted Waters by Masaki Omor, Coralée by BJB, Got Framed, Desert Shark, and a double feature by Betsabeé Romero. The loop is designed to be encountered spontaneously in daily life, with no fixed starting point, and has support from Mayor Daniel Lurie.
Singapore Art Week (SAW) this year spotlights women artists from Southeast Asia through multiple initiatives, including the release of the book *You Are Seen: Women’s Contemporary Art Practice in Southeast Asia* and the exhibition *Fear No Power: Women Imagining Otherwise* at the National Gallery Singapore (NGS). The book, published by Yeo Workshop, and the exhibition, featuring five trailblazing artists such as Amanda Heng and Imelda Cajipe-Endaya, reflect a concerted push to elevate female voices in the region. Audrey Yeo, president of the Art Galleries Association Singapore (AGAS), calls it a “big women’s moment,” while collector and author Krystina Lyon notes the varied challenges women artists face across Southeast Asia, from censorship to conservative social norms.
British artist Nat Faulkner has opened a new solo exhibition titled 'Strong Water' at Camden Art Centre, exploring themes of transformation, alchemy, and photographic processes. The show features works that incorporate light-sensitive chemicals like iodine, sculptures, and photographic prints, including a large-scale photograph of scrap metal printed on collaged paper. Faulkner, who won the Emerging Artist Award at Frieze in 2024, describes his studio-darkroom as a collaborative 'machine' that produces works through indirect interventions.
Egypt's visual arts scene in 2025 saw significant growth, marked by the opening of new galleries and a surge in diversity of artistic approaches, aesthetics, and techniques, according to Ehab Ellaban, director of the Arts Complex in Zamalek, and artist Samir Abdelghany. The year featured major exhibitions honoring both established masters and emerging talents, including Mohamed Abla's participation in the 4th–7th Generation exhibition at Al Masar Gallery and his solo show In the Glow of the City, Ahmed Shiha's Egyptian Spirit at Picasso East Gallery, Salah Bisar's Glee at Ubuntu Art Gallery, and retrospectives for Esmat Dawestashy, Salah Abdel Kerim, Chafik Charobim, and Inji Efflatoun. Katherine Bakhoum's Between Sea and Sky at Safarkhan Gallery also highlighted the enduring relevance of Egyptian-French artists.
Art Jakarta's 2024 edition (October 3-5) took place just weeks after nationwide anticorruption protests swept Indonesia and spread to other countries. The fair's director Tom Tandio noted that the demonstrations left a "scar" on the local art community, which had been vocal in organizing donations, attending protests, and sharing digital posters on social media. Despite low expectations due to economic uncertainty, the fair proceeded with new galleries like Ara Contemporary, which sold about 70% of its stand on opening day, featuring politically charged works such as Agung Harahap's manipulated photographs and Irfan Hendrian's paper installations referencing the 1998 anti-Chinese riots. The fair also overlapped with ruangrupa's 25th anniversary exhibition, which included interactive projects and talks promoting sociopolitical engagement.
The Institute of Contemporary Arts (ICA) in London has opened "Morale Patch," an exhibition of new work by Plymouth-born multimedia artist Tanoa Sasraku. The show centers on "Watchlist," a commission featuring a collection of branded trinkets from oil companies, and "Subdued Morale Patch," a series of experimental works on paper created using a novel printing technique with water and ultraviolet light. Sasraku's work explores raw materials, particularly crude oil, as a vehicle to examine themes of national identity and conflict, drawing on her collection of military ephemera and corporate oil-industry mementos.