Maxwell Graham gallery in New York is presenting a joint exhibition featuring works by artists Hans Haacke and Louise Lawler. The show runs from March 5 to April 18, 2026, and is documented with 18 images on the source website.
UNA CRÍTICA INSTITUCIONAL POÉTICA Y MATERIAL: GALA PORRAS-KIM EN KURIMANZUTTO Y LA BIENAL DE VENECIA
Colombian artist Gala Porras-Kim presents her first solo exhibition at kurimanzutto gallery in Mexico City, titled "Espacios del futuro replican los del pasado" (2026), alongside her participation in the 2026 Venice Biennale. The show critically examines how museum conservation protocols transform objects by detaching them from their original material, ritual, and spiritual contexts. Central to the exhibition is "The Motion of an Alluvial Record" (2024), a greenhouse that recreates the humidity and temperature of Yucatecan mangroves, allowing clay and sediment to shift continuously, resisting the linear, stratified time of Western archives and evoking cyclical Maya cosmologies. Another series, "Uprooted" (2026), reproduces fragments of looted Teotihuacan murals from Techinantitla, now held by the Metropolitan Museum of Art and the Ethnological Museum of Berlin, reinstalling them near the floor to restore their original architectural scale and orientation.
Mark Manders presents his sixth solo exhibition at Tanya Bonakdar Gallery in New York, featuring new works that include monumental bronze busts, abstract sculptural landscapes, and discrete paintings and works on paper. The pieces are described as dreamlike and fragmented, populating the gallery like a series of thoughts given form and frozen in time.
Museion in Bolzano, Italy, presents the first institutional solo exhibition in Italy by Evelyn Taocheng Wang, a Rotterdam-based artist born in 1981 in Chengdu. The exhibition, titled "Sweet Landscape," showcases her work across painting, writing, installation, performance, and fashion, featuring a visual language that blends poetry, subtle humor, and critical depth while intertwining art historical traditions and fragments.
MASSIMODECARLO gallery in Hong Kong is presenting "A Grass Roof," the first solo exhibition of American artist Lily Stockman in the city. The show features new oil paintings inspired by the eighth-century Zen poem "Song of the Grass Roof Hermitage" by Shitou Xiqian, exploring themes of interior refuge and infinite expanse through collapsed perspective and dissolved boundaries.
Zimbabwean artist Moffat Takadiwa transforms discarded consumer waste—including computer keys, toothbrush heads, and plastic combs—into intricate, tapestry-like sculptures. His latest solo exhibition, "The Crown!" at Semiose in Paris, features large-scale works foraged from landfills in Harare’s Mbare neighborhood. These meticulously sorted and woven objects create organic patterns that mask their industrial origins, forcing a confrontation with the physical reality of global overconsumption.
Artist Kathleen Ryan creates large-scale sculptures of rotting fruit and food items, meticulously covering them with thousands of semiprecious stones and beads to mimic the textures and colors of mold and decay. Works like "Bad Lemon (Slice of Paradise)" and "Screwdriver" juxtapose luxurious materials like amethyst, turquoise, and serpentine with salvaged metal from vintage cars, creating a dual personality of hidden beauty and grotesque rot.
Photographer Andrew Moore has opened a solo exhibition titled 'Theater' at Jackson Fine Art. The show features his large-format, atmospheric photographs of aging theaters, grand staircases, and other architectural spaces in locations like New York, Cuba, and Russia, which evoke a sense of timelessness and a bygone era.
The article announces a photo exhibition titled "Melting Glaciers, Water Futures from the Alps to the Nile" at the Goethe Institute in Cairo, featuring Swiss photographer Pierre Jeanneret and Egyptian documentary photographer Roger Anis. Jeanneret's work documents the rapid melting of Swiss glaciers and its impacts on hydroelectric dams, tourism, and new landscapes, while Anis explores water, climate, and human resilience along the Nile. The exhibition is part of SABBART, a cultural initiative by EUNIC Cluster Egypt focusing on climate and environmental issues, and runs from 17 May to 4 June.
This article is a roundup of cultural events and openings in Dubai's Alserkal Avenue, including the launch of WINDOW, a chef-driven restaurant by the team behind Kokoro, led by chef Gonzalo Platero. It also covers the opening of Gradient, a gallery by Syrian-American designer Nader Gammas showcasing lighting, collectible design, and antiques; an exhibition of Syrian artist Safwan Dahoul's melancholic 'Dream' series; a group show titled 'All the Lands from Sunrise to Sunset' at Green Art Gallery exploring imperialism; and a book recommendation for Thani Al-Suwaidi's 'The Diesel'. Additionally, it notes the 20th 'Special Edition' of Art Dubai, which attracted 25,000 visitors.
The article is a roundup of current and upcoming art exhibitions in Cairo, Egypt, spanning May 2025 through June 2026. Highlights include Mostafa El-Razzaz's "Fractals of Art and Soul" at Bibliothek Arkan Plaza, Mahmoud Hamdi's "Journey to the Core" at Difaf, a retrospective for Said El-Sadr and his students at Gezira Arts Centre, and the Egyptian debut of "Beyond Van Gogh: The Immersive Experience" at District 5 by Marakez in New Cairo. Also featured are a Swiss-Egyptian photography exhibition on glaciers and the Nile at the Goethe Institute, a Colombian embassy exhibition, a Korean embassy show, and a permanent ceramics display at Al-Fustat Centre.
The Petit Palais in Paris is hosting the second edition of its free urban art exhibition, "We are (still) here," from June 20 to September 20, 2026. Organized in collaboration with the Itinerrance Gallery, the show features nearly 200 works by leading French and international street artists, including Seth and Inti, displayed in the Concorde Hall and throughout the museum's permanent collections, creating a dialogue between contemporary street art and classical masterpieces.
Swizz Beatz and Alicia Keys, the musician power couple, have built a major art collection known as the Dean Collection, now touring as the exhibition "Giants" at the San Diego Museum of Contemporary Art. The show, which debuted at the Brooklyn Museum in 2024, features works by Gordon Parks, Jean-Michel Basquiat, Malick Sidibé, and a new multimedia installation by Mickalene Thomas. In an interview with GQ's Frazier Tharpe, the couple discusses their philosophy of collecting art based on emotional connection rather than investment or social status, and how their passion for art has deepened over their 15-year marriage.
This article is a roundup of events happening in Philadelphia, including a Mother's Day Weekend visit to the Barnes Foundation, a live stage show of "Dancing with the Stars," the Night Market at East Market, and Broadway productions of "Chicago" and "The Wiz." It highlights the Barnes Foundation's collection of impressionist and modern art, along with its new exhibition "Freedom Dreams" on view through August 9.
Three Israeli artists—Vera Kunis, Avraham Kan, and Tal Tenne Czaczkes—are featured in a column exploring their use of color amid the ongoing war with Iran. Kunis, a data engineer and artist, opened her first solo exhibition, "Imagination Algorithm," at the Global Art Gallery in Tel Aviv on March 10, 2026, during the conflict. The interview was conducted remotely due to war conditions, with a siren interrupting the conversation. The artists discuss their inspirations, definitions of art, and what makes their work unique, emphasizing resilience and optimism through color.
The 2026 Venice Biennale, opening May 9 and running through November 22, features a main exhibition titled "In Minor Keys" organized by the late Koyo Kouoh, alongside 99 national pavilions. The event spans the Giardini and Arsenale sites, with concurrent shows across the city, including a group exhibition at the Fondazione Dries Van Noten, Melissa McGill's installation "Marea" at Corte Nova, Illy's artist-designed espresso cups at Giardini Reali, and a solo exhibition of Hernan Bas's paintings at Ca' Pesaro International Gallery of Modern Art.
Ten art collectors from Tampa, St. Petersburg, and Sarasota have loaned 85 works from their private collections to the Sarasota Art Museum for the exhibition 'Something Borrowed, Something New.' The show features pieces by renowned artists including Kara Walker, Ai Weiwei, Alex Katz, Robert Mapplethorpe, Chuck Close, Hank Willis Thomas, and Yoko Ono, with many prints coming from Graphicstudio at the University of South Florida. The exhibition was conceived by executive director Virginia Shearer after visiting collectors' homes and was inspired by a trip to the Renwick Museum at the Smithsonian.
The article presents a curated guide to 15 must-see events accompanying the 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, running from May to November 2026. It highlights key exhibitions beyond the main pavilions, including "Screen Melancholy: Li Yi-Fan" at Palazzo delle Prigioni, "Darkness Visible: The Long Shadow of Dictatorship" at Spazio Punch, "Elegy" by Gabrielle Goliath at Chiesa di Sant'Antonin, and "As Above, So Below" at Ex Church Santi Cosma e Damiano, among others. These events span museums, foundations, and historic palazzi, featuring performances, talks, and curatorial interventions that extend the Biennale's reach across Venice.
This article, published by La Rédac with photos by Audrey de Sortiraparis, presents a curated selection of exhibitions opening in Paris and the Île-de-France region in May 2026. Highlights include a Giovanni Segantini retrospective at the Marmottan Monet Museum, a porcelain exhibition titled "Sèvres, a Rothschild Passion" at the Mobilier National, a comparative show of Michelangelo and Rodin at the Louvre Museum, the return of the Colors Festival with a street-art exhibition called Colors Light, a historical tribute to Madame de Sévigné at the Carnavalet Museum, a major Lee Miller retrospective at the Musée d'Art Moderne, a family-friendly Lego brick exhibition by Dirk Denoyelle at Espace Champerret, and a video game music exhibition at the Philharmonie de Paris.
This article is a roundup of art exhibitions and cultural events in Cairo, Egypt, spanning multiple venues and dates. It highlights a photographic project titled "New Cairo, Do You Love Me?" by Judi Yassin and Tia Khalil at the American University in Cairo, which documents the disconnect between the promised luxury of New Cairo and its dehumanizing reality using 35mm black-and-white film. Other featured events include painting exhibitions by Osama Nashed and Alaa Hegazi at Dai, Mahmoud Hamdi's "Journey to the Core" at Difaf, the immersive "Beyond Van Gogh" experience at District 5, the permanent collection at Al-Fustat Centre for Ceramic, and the Empower Her Art Forum at the Grand Egyptian Museum.
The article reviews two major New York exhibitions opening in 2026: the Whitney Biennial at the Whitney Museum of American Art, featuring over fifty artists, and "New Humans: Memories of the Future" at the newly expanded New Museum, with over a hundred artists. Both shows are described as enormous and defiant, responding to a distracted public and financial pressures. The reviewer notes that both exhibitions juxtapose large-scale immersive works with tiny, intimate pieces, and finds the Whitney Biennial lacking urgency, while preferring the New Museum's historical narrative about technology and modernity.
The 2026 Turner Prize shortlist has been announced, featuring four nominees including French-born artist Marguerite Humeau, who is considered the front-runner despite the award's requirement of honoring a "British artist." Humeau, known for her futuristic biomorphic sculptures made from unusual materials like wasp venom and seaweed, lives in London but was born and raised in the Loire Valley. Other nominees include London-born Kira Freije, Simeon Barclay for his spoken-word performance "The Ruin," and Tanoa Sasraku, whose ICA show is described as "dreary" by the critic. The winner will be announced at Middlesbrough Institute of Modern Art in December.
The article is a comprehensive listing of current and upcoming art exhibitions in Cairo, Egypt. It details numerous shows across various venues, including the "Disruption" senior exhibition at the Sharjah Art Gallery, the "Beyond Van Gogh" immersive experience in New Cairo, and group and solo shows at galleries like Mashrabia Gallery of Contemporary Art and Picasso Zamalek.
Several galleries and a museum in Columbus's Short North arts district are opening new exhibitions for May 2026. Highlights include a women's group show at Sean Christopher Gallery Ohio, environmental abstract paintings by Annette Poitau at Marcia Evans Gallery, a spring-themed solo exhibition by Amy Adams at Sharon Weiss Gallery, and a salon exhibition at 24 Lincoln St. Gallery & Art Studios. The Columbus Museum of Art at the Pizzuti is presenting the first U.S. museum survey of Bahamian conceptual artist Tavares Strachan, featuring his 'Encyclopedia of Invisibility'.
Alserkal Avenue in Dubai has launched its 2026 Art Month, expanding its traditional week-long celebration into a five-week program. The opening weekend features 18 participating galleries debuting flagship exhibitions, including a solo show by Anthony Akinbola at Carbon 12 and a 20th-anniversary group exhibition at Gallery Isabelle. Key highlights include interactive screen-printing workshops with Shilpa Gupta and the unveiling of her public art installation, "Still A Sky We Hold," alongside curated tours and artist talks.
The artist Jack Milroy has launched a new solo exhibition titled 'Bibliophilia' at Shapero Modern in London, featuring his signature 3D cut-out artworks. The 87-year-old artist transforms books and everyday objects, such as sardine tins, into intricate sculptures where illustrated figures like birds and fish appear to escape their physical confines. The show marks Milroy's first collaboration with the gallery, which is uniquely situated beneath an antiquarian bookshop, providing a thematic contrast between preserved rare volumes and Milroy’s "vandalised" artistic interpretations.
Denver’s art scene is preparing for a busy spring and summer season with a series of exhibition openings, market events, and institutional announcements. Key highlights include the selection of six fellows for the 2026 Clyfford Still Museum Institute Residential Fellowship, a nationwide open call for the Dairy Arts Center’s 2027 season, and several new gallery shows featuring artists such as Stacey Steers, Kim Dickey, and Deanne Gertner. Local advocacy is also in focus as the RiNo Art District supports Colorado Senate Bill 26-133, which aims to establish a formal legal structure for artist-led companies.
The Egyptian art scene is hosting a diverse array of exhibitions this April, headlined by the Egyptian debut of the global blockbuster "Beyond Van Gogh: The Immersive Experience" at District 5 in New Cairo. This digital spectacle, directed by Mathieu Saint-Arnaud, utilizes 360-degree projections to bring over 300 of Vincent van Gogh's masterpieces to life. Simultaneously, local institutions like the Sharjah Art Gallery at AUC and the Italian Cultural Institute are showcasing contemporary talent, including the graduating class of AUC and a solo exhibition by Italian-Egyptian artist Sarah Zaki.
Dr. Ionit Behar has been appointed as the Marilyn and Larry Fields Curator at the Museum of Contemporary Art (MCA) Chicago, effective February 9, 2026. Born in Israel and raised in Uruguay, Behar brings a global perspective shaped by her upbringing in an academic environment and her experience as an immigrant in the United States. Her curatorial philosophy emphasizes the museum as a space for intellectual discovery and emotional resonance rather than a mere repository of information.
The Los Angeles-based collective Diva Corp is challenging traditional art world hierarchies through a series of provocative interventions and exhibitions. Their recent solo show at Pio Pico, titled 'The Meeting,' gained notoriety for requiring visitors to surrender their phones before viewing a single painting, 'Untitled (Young adults are having less sex than ever), 2026.' This practice, alongside performances designed to circulate through digital retelling and social rumor, highlights the group's focus on the 'afterlife' of an artwork and the social friction it generates.