Hopkins Bloomberg Center exhibition to explore American art as cultural diplomacy

The Johns Hopkins University Bloomberg Center is launching a new exhibition titled "Artistic Generosity and the American Artist Abroad," showcasing four decades of American art commissioned for U.S. embassies worldwide. Opening April 7 at the Irene and Richard Frary Gallery, the show features site-specific commissions, prints, and photographs from the Foundation for Art and Preservation in Embassies (FAPE) collection, including works by Frank Stella, Ellsworth Kelly, and Julie Mehretu.

New and relaunched satellite fairs spread across Los Angeles during Frieze

A wave of new and relaunched satellite art fairs is debuting in Los Angeles to coincide with Frieze Los Angeles, offering lower-cost alternatives for galleries and artists. Newcomers like the Indianapolis-based Butter Art Fair, the photography-focused Show LA, and the New York-centric Enzo Art Fair are positioning themselves as intimate, artist-centric, or zero-fee options. These ventures aim to capitalize on the influx of global collectors while bypassing the high overhead costs associated with major international fairs.

Savannah artists finding big ways in small places to stage exhibitions

Savannah artists are creating new exhibition spaces in small, unconventional venues to counter the city's lack of affordable studio and gallery space. Following the closure of several local galleries, nonprofit Arts Southeast has been fostering resilience, with new spaces like Cute Tomatoes Gallery, Pocket Space (hosted by Norwood Gallery), and Camaleon opening in 2025. These artist-run initiatives feature rotating shows, including a group exhibition of 19 female artists at Norwood Gallery and a multidisciplinary venue at Camaleon directed by SCAD graduate Alex Mendi.

9 Up-And-Coming Gallerists Chart the Path To—and Beyond—Showing at Art Basel Miami Beach

Nine emerging galleries from around the world are showing in the Positions sector of Art Basel Miami Beach 2025, a dedicated platform for up-and-coming exhibitors. The article profiles several of these gallerists, including Allann Seabra and Ian Duarte of Verve in São Paulo, and Mauricio Aguirre of N.A.S.A.L. in Mexico City and Guayaquil. They discuss their gallery's growth, key milestones such as artists participating in the 36th Bienal de São Paulo, and their hopes for gaining international exposure and deepening understanding of their local art scenes.

How Gretchen Andrew’s AI art is revealing the societal scars of ‘facetuning’

Gretchen Andrew, a former Silicon Valley software engineer turned artist, has created a series titled "Facetune Portraits: Universal Beauty" that critiques unattainable beauty standards perpetuated by social media and AI. Using images of Miss World contestants, she employs the apps Facetune and Body Tune to digitally alter the photos, then works with creative robotics company Matr Labs to produce oil paintings. An oil paint printer creates the original image, and an XY-axis drawing robot adds brushstrokes based on discrepancies between the original and AI-modified versions, resulting in unsettling portraits that highlight the 'scars' of digital manipulation. The series won the Acquisition Award at Untitled Art Miami Beach and has been shown at Hope 93 gallery in London and Heft Gallery in New York, with a major institutional acquisition pending.

Phillips’ Evening Sale of Modern & Contemporary Art More than Doubles Auction Total from the Previous Year

Phillips’ Evening Sale of Modern & Contemporary Art achieved a total that more than doubled the previous year's auction result, driven by strong demand for works spanning the 19th to 21st centuries. The sale opened with three lots exceeding their high estimates, including record prices for Lee Bontecou's rare 'Untitled' (1985-2001), which set a new record for any two-dimensional work by the artist after nearly five minutes of bidding. Other records were set for Pat Passlof, P.S. Krøyer, and Joseph Yaeger. Top lots included Andy Warhol's 'Sixteen Jackies' ($16.2 million), Claude Monet's 'La Route de Vétheuil, effet de neige' ($9.9 million), and Jackson Pollock's 'Untitled' ($9.2 million). The sale also featured works from The Collection of Ambassador John L. Loeb, Jr., which achieved a combined $8.4 million, with two Vilhelm Hammershøi works acquired by prominent institutions.

At the Venice Biennale, the Armenian Pavilion Transforms into an Artist's Workshop: Works Are Born in Front of the Public

Alla Biennale di Venezia il Padiglione dell’Armenia si trasforma in bottega d’artista: le opere nascono di fronte al pubblico

The Armenian Pavilion at the 2026 Venice Biennale will transform into a functioning artist's studio, where sculptor Zadik Zadikian will create works in real time before the public. Titled "The Studio," the project is curated by gallerist Tony Shafrazi and curator Tina Chakarian, and will operate daily from May 6 to November 22 at the Tesa 41 of the Arsenale. Zadikian, born in Yerevan in 1948 and now based in the US, will work with traditional Armenian plaster techniques alongside his son Aram and studio assistants, emphasizing the process of making over the finished object.

Fragility and Resistance of an Iranian Artist on Display in Rome

Fragilità e resistenza di un’artista dell’Iran in mostra a Roma

The Galleria Anna Marra in Rome is hosting "Assemblages," the first Italian solo exhibition of Iranian artist Sepideh Salehi. The show features works that blend collage, Japanese paper, photography, and drawing to depict Iranian women living in the United States who have shared experiences of displacement and political upheaval. Salehi’s figures often avert their gaze or conceal their faces, symbolizing a "calligraphy of refusal" and a quiet resistance against the historical traumas of the 1979 Islamic Revolution and the Iran-Iraq war.

Art Gallery of Swan Hill Opens Three Powerful First Nations Exhibition

The Art Gallery of Swan Hill in Victoria, Australia, will open three significant First Nations exhibitions on 29 May 2026. The shows are: 'JXSH MVIR: Forever I Live', the first major solo retrospective of the late Yorta Yorta, Gunditjmara and Barkindji artist Josh Muir, co-curated by his partner and mother; 'Gulgawarnigu | Thinking of Someone. Something', a touring digital portrait and landscape exhibition by young Indigenous artists from Roebourne, Western Australia, developed through a partnership with NEO-Learning and Big hART; and 'Big Place', a new exhibition drawn from the gallery's permanent collection featuring works from Western Australia, the Northern Territory, the Tiwi Islands and South Australia.

art basel abbas ruanne abou rahme brown bell gallery

An exhibition titled "Prisoners of Love: Until the Sun of Freedom" by artists Basel Abbas and Ruanne Abou-Rahme is on view at the Bell Gallery at Brown University until May 31. The show centers on a historical misattribution: the poem "Enemy of the Sun," found in the cell of Black Panther George Jackson after his 1971 murder, was long thought to be his work but was actually written by Palestinian poet Samih al-Qasim. Through a video installation featuring interviews with former political prisoners in Palestine, the artists explore what they call "radical kinship" between Black radical thinkers in the U.S. and Palestinian activists. Curators Kate Kraczon and Thea Quiray Tagle, who were terminated from Brown last December, collaborated on the project, which also draws on archival research into mass incarceration.

Tickets to See the Bayeux Tapestry Will Cost As Much As $45 A Piece

The British Museum has announced ticket pricing for its upcoming exhibition of the Bayeux Tapestry, a 230-foot embroidered cloth depicting the Norman invasion of 1066. Standard adult tickets will cost £33 (about $45) for peak times, with off-peak and super off-peak options at £27 and £25 respectively. The exhibition runs from September 10, 2025, to July 11, 2027, and marks the first time the tapestry has left France for the UK in over 900 years. Each ticket grants a 40-minute viewing slot, and members receive two free visits. The museum is also planning a complementary outdoor installation by garden designer Andy Sturgeon.

Palate Cleansers at Frieze NY

Hyperallergic's coverage of Frieze New York and concurrent art fairs in the city frames the experience as overwhelming yet punctuated by standout works. Senior Editor Valentina Di Liscia compares the fair to an assembly-line salad, finding reprieve in art that evokes lush canopies, diaphanous portraiture, and ancestral gardens. The issue also includes dispatches from Future Fair, 1-54, TEFAF, NADA, and Independent Art Fair, alongside a tribute to Austrian performance artist Valie Export, who died at age 85, remembered for her radical feminist guerrilla performances that challenged the male gaze.

Comment | Museums are civic institutions. It’s time we acted like it

Lindsay C. Harris, director of the Oakland Museum of California (OMCA), publishes a commentary calling for museums to act as true civic institutions. She outlines concrete internal commitments OMCA has made, including voluntarily recognizing a staff union, adopting a pay equity philosophy with a minimum wage of $30.88 per hour, implementing transparent financial practices, and shifting investments toward socially responsible funds. Externally, she advocates for centering community voices, building social cohesion through inclusive programming, and measuring institutional impact through visitor surveys.

Comment | Museums must be the leaders in a moral revolution

Dutch historian Rutger Bregman, in his 2025 BBC Reith Lectures and book 'Moral Ambition,' argues that Europe risks becoming a stagnant, museum-like relic and calls for a moral revolution to counter societal decline driven by unserious leadership. He positions museums, with their high public trust and status as democratic civic spaces, as crucial leaders in this revolution, urging them to move beyond passive neutrality and actively establish ethical standards, combat misinformation, and engage with urgent societal issues like authoritarianism and climate crisis.

Dizzy, Nauseous Columbus Art Museum Workers Issue Complaints About Chemical Fumes

Workers at the Columbus Museum of Art have filed a complaint with OSHA, reporting symptoms like headaches, nausea, and dizziness believed to be caused by fumes from a chemical floor sealant used during renovations. The sealant, GT 275, is intended for outdoor or well-ventilated use and carries warnings about inhalation risks, with a former employee expressing concern over potential long-term health effects from exposure.

Next edition of Getty's PST Art initiative will focus on Los Angeles’s connections around the Pacific Rim

Next edition of Getty's PST Art initiative will focus on Los Angeles’s connections around the Pacific Rim

The Getty Trust has announced the theme and timeline for the fourth edition of its PST Art initiative, focusing on Los Angeles's cultural and historical connections across the Pacific Rim. The program will launch in September 2030, with a research phase beginning immediately and funding applications for Southern California cultural organizations due by June 2026. The initiative will explore exchanges spanning centuries, from Chinese porcelain in Spanish missions to Japanese influences on architecture and contemporary Korean pop culture.

Chehel Sotoun Damaged in Isfahan, Iran

chehel sotoun damaged iran isfahan

The 17th-century Chehel Sotoun Palace in Isfahan, a UNESCO World Heritage site, has sustained significant damage following airstrikes in the region. Reports and video footage indicate that the palace's grand windows were shattered and its historic doors blasted open after a strike targeted a nearby government building. This incident follows a similar attack just one week prior that damaged the Golestan Palace in Tehran, marking a troubling trend of collateral damage to Iran's most significant cultural landmarks.

San Francisco De Young Museum Sexual Harassment Lawsuit

san francisco de young museum sexual harassment lawsuit

Ezra Iturribarria, a long-time security guard at the De Young Museum in San Francisco, has filed a lawsuit alleging severe sexual harassment and retaliation. The complaint names the city, the Corporation of the Fine Arts Museums, and supervisor Patrick Smithwick, detailing instances of verbal abuse, unwanted sexual advances, and physical intimidation. Iturribarria claims that after reporting the behavior, the museum conducted a 'sham investigation' and allowed the supervisor to continue contacting her, eventually forcing her to take a leave of absence.

grant william penn foundation support low income disabled museum goers philadelphia

The William Penn Foundation has awarded $7.6 million in grants to six Philadelphia-based cultural institutions to enhance accessibility for low-income families and individuals with disabilities. The funding is allocated based on the volume of visitors using the ACCESS card program, which provides deeply discounted admission to residents receiving public assistance or those with disabilities. Key recipients include the Philadelphia Museum of Art, the Academy of Natural Sciences, and the Franklin Institute, along with Art-Reach, the organization managing the program.

smithsonian wall text citizen historians trump review

A collective of volunteers and historians, operating under the name Citizen Historians for the Smithsonian, has documented over 50,000 wall labels across the Smithsonian Institution's 21 museums. This grassroots effort was launched in response to the Trump administration's directives to review and remove what it deems "divisive narratives" or "improper ideology" from federal cultural institutions. The tension escalated at the National Portrait Gallery when a label for Donald Trump’s portrait was edited to remove references to his two impeachments, leading to a "guerrilla teaching" protest by Georgetown historian James Millward.

qubbet al hawa egypt tombs pottery discovered

A research team from Egypt’s Supreme Council of Antiquities has unearthed a significant cache of artifacts at the Qubbet Al-Hawa necropolis near Aswan. The discovery includes two chambers containing 160 well-preserved pottery vessels, many inscribed with text, alongside a courtyard filled with Middle Kingdom jewelry, bronze mirrors, and kohl containers. These finds were located within rock-cut burial shafts that served as resting places for ancient Egyptian elite.

jeffrey epstein metropolitan museum art costume institute

A newly released tranche of documents from the US Department of Justice reveals a $5,000 donation from Jeffrey Epstein's foundation, Enhanced Education, to the Metropolitan Museum of Art's Costume Institute Benefit (the Met Gala) in 2014. The check was part of millions of pages made public under the Epstein Files Transparency Act.

walker art center closure ice protest

The Walker Art Center in Minneapolis will close on Friday, January 23, to participate in the Day of Truth and Freedom protest, a statewide general strike organized by local labor unions and community groups in response to increased ICE presence in Minnesota. The museum is the largest institution to join over 300 small businesses, cultural organizations, and nonprofits in shuttering for the day, citing its institutional values of community care and staff support. The closure follows ICE's Operation Metro Surge, which intensified enforcement in the Twin Cities, and the January 7 killing of U.S. citizen Renée Good by ICE agent Jonathan Ross, which sparked nationwide protests and lawsuits against the Department of Homeland Security.

belgian authorities return gilded sacrophagus to egypt

Egypt has recovered two ancient artifacts from Belgium after a decade-long effort, announced on December 2 by the Egyptian Ministry of Tourism and Antiquities. The objects—a painted and gilded Ptolemaic sarcophagus (305–30 B.C.E.) and a wooden beard from a Middle Kingdom statue—were seized by Belgian authorities in 2015 following an Interpol alert, as they were displayed in a Brussels antiques gallery without legal documentation. After a drawn-out diplomatic and legal process, the artifacts were returned in a ceremony at the Royal Museums of Art and History in July, attended by senior Egyptian culture ministers.

stolen snuff boxes recovered cognacq jay museum paris

Five of seven valuable 18th-century snuffboxes stolen from Paris’s Cognacq-Jay Museum in November 2024 have been recovered. Paris Musées announced the return, crediting a police investigation with assistance from the Paris Criminal Investigation Department. The boxes were taken by masked thieves during a daylight robbery from the exhibition “Pocket Luxury.” Two of the recovered boxes were on loan from the Louvre, two from the British royal family’s Royal Collection Trust, and one from the Victoria and Albert Museum. Two more boxes, one from the V&A and one from the Royal Collection, remain missing. The stolen items, decorated with gold, precious stones, mother-of-pearl, or enamel, are estimated to be worth at least €1 million ($1.16 million).

huge library of ashurbanipal

The British Museum houses the Library of Ashurbanipal, a collection of approximately 30,000 cuneiform tablets from the Assyrian Empire, discovered in the 19th century. Created by King Ashurbanipal (r. 669–631 BCE), the library contains texts on astronomy, medicine, history, and literature, including the Epic of Gilgamesh. The tablets survived a fire set by invading Babylonians and Medes, which hardened them. Recent excavations in Nineveh have uncovered more tablets and a 20-foot-tall winged bull statue, while the British Museum's Ashurbanipal Library Project, now led by curator Jon Taylor, focuses on digitizing and studying medical texts.

estruscan exhibition legion honor san francisco

San Francisco's Legion of Honor museum will present "The Etruscans: From the Heart of Ancient Italy" in May 2026, the first major U.S. exhibition on Etruscan civilization since 2009. The show features 180 antiquities from 30 international museums, many never before seen in the United States, and culminates a decade of research led by curator Reneé Dreyfus. Highlights include objects from the Regolini-Galassi tomb, a recently unearthed bronze sculpture from San Casciano dei Bagni, and the longest known Etruscan inscription making its U.S. debut.

louvre director new security plan heist

Louvre director Laurence des Cars defended the museum's security protocols in a New York Times interview following a recent robbery. She revealed that a comprehensive security review had already been initiated, including a master plan to add 100 cameras to the museum's perimeter, and that several companies had bid on the project before the theft occurred. However, she acknowledged that implementation has been slow due to the museum's scale and public procurement rules, with the full camera system not expected to be operational until the end of next year.

british museum tobacco deal health pact

The British Museum has ended a 15-year sponsorship deal with Japan Tobacco International (JTI) after concerns that the partnership violated the World Health Organization's Framework Convention on Tobacco Control (FCTC), which the UK signed in 2004. The decision followed pressure from the Department of Health and Social Care and the Department for Culture, Media and Sport, which provides the museum with around £75 million annually. The sponsorship had funded acquisitions of over 2,400 Japanese objects, a curatorial post, an African heritage tour, and diversity training, while giving JTI access to museum galleries for private events and filming, which critics said allowed the tobacco company to launder its reputation and meet policymakers.

trump cuts museums funding aam report

A new survey from the American Alliance of Museums (AAM) reveals that one-third of American museums have lost government grants and contracts since President Donald Trump took office. Based on responses from 511 museum directors, the report documents funding cuts from federal agencies including the Institute of Museum and Library Services (IMLS), the National Endowment for the Humanities (NEH), and the National Endowment for the Arts (NEA). These losses have forced museums to defer infrastructure improvements, cancel programming for underserved communities, and lay off staff. Some institutions have taken legal action, and a court ruling in May halted further dismantling of the IMLS. The Mellon Foundation has offered emergency grants, but two-thirds of surveyed museums have been unable to replace lost funding, with a median grant loss of $30,000.