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What’s on now at San Francisco museums, December 2025

This article provides a comprehensive guide to current and upcoming exhibitions at San Francisco museums in December 2025. Highlights include "Printing Color: Chiaroscuro to Screenprint" closing January 4, "Rave into the Future: Art in Motion" closing January 12 at the Asian Art Museum, and the upcoming San Francisco Art Week from January 17 to 25. The Legion of Honor features "Manet and Morisot" through March 1, offering a deep dive into the artistic dialogue between Édouard Manet and Berthe Morisot, alongside "Drawn to Venice" opening January 24. The de Young Museum presents "Boom and Bust: Photographing Northern California," while the Museum of the African Diaspora showcases "Unbound: Art, Blackness and the Universe" and "Continuum: MoAD Over Time." A tribute to Lawrence Ferlinghetti, including his exhibition at the Legion of Honor, is also featured.

The Year AI Captured Art

The article surveys the visual art landscape of 2025, arguing that the year's defining throughline is the increasing centrality of artificial intelligence—a technological revolution most people didn't ask for but cannot escape. It highlights several exhibitions and works that engage with AI in different ways: Seth Price's show at Isabella Bortolozzi in Berlin, which uses generative images from the pandemic era overlaid with gestural paint strokes; Charmaine Poh's video "GOOD MORNING YOUNG BODY" (2023) at Palais Populaire, where she deploys deepfake technology to have her twelve-year-old self speak back to internet trolls; and Philippe Parreno's show at Haus der Kunst, which poeticizes how generative technologies interact with humans and nature. The article also notes the rise of AI-generated "slop" online and its incursion into the physical art world, as well as market shifts where larger galleries are increasingly acquiring Instagram-friendly emerging artists directly.

Napoles Marty wins Frieze Los Angeles Impact Prize

Napoles Marty, a US painter and sculptor based between Connecticut and Rhode Island, has won the 2026 Frieze Los Angeles Impact Prize. The award includes $25,000 and a solo stand at the fair, which opens in late February at Santa Monica Airport. Marty, whose work draws on dream imagery and his Cuban heritage, was selected by a jury including collectors Allison K. Berg and Maisha C. Clark. He will collaborate with fair organizers and Diana Nawi, curator of special projects at the Los Angeles County Museum of Art, on his presentation. Marty was previously a member of the sixth cohort of Nxthvn, a Connecticut-based arts incubator founded by artist Titus Kaphar and impact investor Jason Price.

Glasstire’s Best of 2025

Glasstire's staff and contributors have compiled their personal "best of" lists for 2025, highlighting standout Texas-based exhibitions, events, and artworks. Notable mentions include Victoria Gonzales' solo show "Stay" at the Moncrief Cancer Institute, curated by Chris Wicker, which explores memory through dreamlike paintings; the exhibition "Feeling Color: Aubrey Williams and Frank Bowling" at the Modern Art Museum of Fort Worth, praised for its bold experimentation with color and texture; the community-driven group show "A Good Gathering" at The Pool in Fort Worth; and the Lorne Michaels Collection exhibition at the Harry Ransom Center, offering an inside look at the Saturday Night Live creator's archive. The list also features the Corsicana Artist and Writer Residency's open studios and a performance by Houston Contemporary Dance Company.

Artist Olafur Eliasson brings the outside world thrillingly to life inside the art gallery

Icelandic-Danish artist Olafur Eliasson's major survey exhibition 'Presence' has opened at the Gallery of Modern Art (GOMA) in Brisbane, Australia. Curated by Geraldine Kirrihi Barlow, the show synthesizes three decades of Eliasson's immersive installations, photography, and sculpture, including iconic works like 'Riverbed' (2014) and 'The cubic structural evolution project' (2004), both from QAGOMA's permanent collection. A spectacular new installation also titled 'Presence' features a pulsing artificial sun using mirrors and monofrequency light to create an illusion of infinite space.

Olafur Eliasson’s exhibition ‘Presence’ challenges visitors’ senses and perception

A new Olafur Eliasson exhibition, 'Olafur Eliasson: Presence,' opens December 6, 2025, at Brisbane’s Gallery of Modern Art (GOMA) and runs through July 12, 2026. The immersive show transforms GOMA’s ground floor with multi-sensory installations spanning over three decades of the artist’s career, including early works like 'Beauty' (1993) and 'Riverbed' (2014), alongside new commissions such as the large-scale 'Presence 2025' and the magnetic sculpture 'Lost compass' (2013). Visitors are invited to become co-creators, navigating environments that play with light, mist, mirrors, and even a LEGO city.

The Best New York City Exhibitions of 2025

Hyperallergic's staff and contributors present their picks for the best New York City exhibitions of 2025, highlighting a year marked by major museum reopenings, including the Studio Museum in Harlem after a seven-year hiatus and the Frick's expansion. Notable shows include Amy Sherald's 'American Sublime' at the Whitney Museum, Rashid Johnson at the Guggenheim, Wifredo Lam at MoMA, and surveys of Indigenous design at the Ford Foundation Gallery, Seydou Keïta at the Brooklyn Museum, and hometown heroes like Jack Whitten at MoMA and Coco Fusco at El Museo del Barrio. The list also features Saya Woolfalk at the Museum of Arts and Design, Nayland Blake at Matthew Marks Gallery, and Ben Shahn at the Jewish Museum.

Diana Al-Hadid’s Norm-Resisting Survey Exhibition at MSU Broad Art Museum

The Eli and Edythe Broad Art Museum at Michigan State University is presenting a survey exhibition titled “unbecoming” by Syrian-American artist Diana Al-Hadid, curated by Dr. Rachel Winter. The show features Al-Hadid’s sculptural wall panels made from polymer gypsum, steel, plaster, metal leaf, and pigment, many of which break rectilinear forms and reveal their fragile internal structures. The works incorporate recognizable imagery—silhouettes, bodies, art-historical references—that dissolves into the surface, creating tension and inviting viewers to question fixed meanings. The article also recounts a personal encounter with the artist, highlighting the humor and resistance embedded in her practice.

The Best Art Shows of 2025

A roundup of the best art shows of 2025 highlights standout exhibitions across New York galleries and museums. Notable shows include Reverend Joyce McDonald's first major exhibition at the Bronx Museum, Laura Owens' interactive takeover at Matthew Marks Gallery, and Harkawik's refrigerator-mounted photo display featuring 280 artists. Other featured shows include Maxwell Gallery's unsold works, Elisabeth Kley's curator-driven show at White Columns, Cady Noland's sculpture at Gagosian, and Falcon Art Collective's group show in an unfinished midtown building. The article also mentions Alannah Farrell's trans-themed work in Chinatown, Bradford's blue-field paintings at Canada gallery, and the reopening of institutions like the Frick Collection.

A brush with… Kader Attia—podcast

Kader Attia, the Algerian-French artist born in 1970, is the subject of a podcast interview that explores his three-decade career across photography, collage, sculpture, installation, and sound. Attia, who lives in Berlin and Paris, discusses his central concept of "repair" and how it connects to violence, injury, colonialism, and political issues. He reflects on his Algerian-French identity, his travels in Congo and Mexico, and his influences from Michelangelo to writers like Karima Lazali, Édouard Glissant, and Aimé Césaire. The podcast also highlights his current exhibitions, including "Shattering and Gathering our Traces" at Lehmann Maupin in New York, "The Lost Paradise" at Centro Andaluz de Arte Contemporáneo in Seville, and "A Descent into Paradise" at Museo Amparo in Puebla, Mexico, as well as his participation in the Bienal de São Paulo and the 24th Paiz Art Biennial.

Inside the Brighton studio of painter David Shrigley, as an exhibition of his work opens in London

The article offers a behind-the-scenes look at British artist David Shrigley’s Brighton studio, where he prepares for a London exhibition titled 'Exhibition of Old Rope' at Stephen Friedman Gallery. Shrigley, known for his humorous, naive-style paintings and conceptual approach, describes his process of working from word lists generated by assistants, producing up to 12 paintings a day, and embracing absurdity and chance. The studio, a former office building he bought two years ago, is filled with recent large-scale works, a guitar collection, and studio paraphernalia, reflecting his playful yet disciplined practice.

The 10 Best Booths at Untitled Art, Miami Beach 2025

Untitled Art, Miami Beach 2025 opened for VIP day on December 2nd under the Miami sun, featuring 160 galleries from 29 countries—a slight decrease from 2024's 176 exhibitors. The fair introduced a new Artist Spotlight sector for solo booths and a curated Nest sector led by Jonny Tanna, grouping 36 emerging galleries like Cierra Britton Gallery and Sorondo in an open-format layout. Highlights include Carvalho's booth with works by Élise Peroi, Rosalind Tallmadge, Yulia Iosilzon, and Rachel Mica Weiss, and SGR Galería's solo presentation of Colombian artist Lorena Torres. The fair's director, Clara Andrade Pereira, emphasized championing emerging talent and strengthening community.

‘I’ve always been interested in the invisible’: Woody De Othello on his new solo show at Pérez Art Museum Miami

Miami-born artist Woody De Othello presents his first solo museum exhibition in his hometown, titled "coming forth by day," at the Pérez Art Museum Miami (PAMM). The show, named after the Egyptian Book of the Dead, explores ritual objects and spirituality across the African diaspora, connecting Othello's ceramic works to ancestral beliefs. In an interview with The Art Newspaper, Othello discusses how his Haitian Catholic upbringing and Miami's multiculturalism shape his practice, and he acknowledges the vulnerability of delving into African religious traditions that may be taboo within his family.

Art, fashion and nature join forces

The article features a conversation between Los Angeles-based artist Sam Falls and Edoardo Zegna, chief marketing, digital and sustainability officer at the Italian luxury menswear brand Zegna, during Miami Art Week. Falls creates works that blend Land Art and plein air photography by leaving materials in natural environments, while Zegna discusses the brand's century-long stewardship of Oasi Zegna, a 100 sq. km forest in the Italian Alps. Zegna has created an invitation-only pop-up space called Villa Zegna in the Design District showcasing Falls's works, and Falls also has pieces at 303 Gallery's stand at Art Basel Miami Beach and in the Ruinart Lounge.

December Book Bag: from a photographic record of a lost nightclub to the tale of an accidental art heist

This article presents a roundup of four new art-related book releases for December. It covers Liz Johnson Artur's photographic monograph 'PDA' documenting a queer Black club night in London from 2011 to 2021; a survey of William Nicholson's career edited by Simon Martin, accompanying an exhibition at Pallant House Gallery; a monograph on Sandy Skoglund's surreal installations tied to a show at the McNay Art Museum; and Whit Rummel and Noah Charney's true-crime memoir 'The Accidental Picasso Thief' about a stolen Picasso painting that ended up in a forklift operator's home.

Here’s Your Guide to the 13 Must-See Gallery and Museum Shows in Miami This Week

CULTURED magazine has published a guide to 13 must-see gallery and museum shows in Miami this week, highlighting exhibitions across the city during Art Basel Miami Beach. Featured shows include Studio Lenca's first solo show in Miami at David Castillo Gallery, Jeffrey Deitch's pop-up exhibition in the Miami Design District, Aneta Grzeszykowska's "DISORDER" at Voloshyn Gallery, a posthumous survey of Richard Hunt at the Institute of Contemporary Art Miami, Woody De Othello's hometown museum solo at Pérez Art Museum Miami, Shayla Marshall's installation at a Walgreens storefront organized by the Bass and Bakehouse Art Complex, and Lawrence Lek's "NOX Pavilion" at the Bass, among others.

5 Standout Shows to See at Small Galleries This December

Maxwell Rabb's article highlights five standout exhibitions at small galleries in December 2025, featuring artists Marco Emmanuele at LABS Contemporary Art in Bologna, Anuk Rocha at Nibelungen Gallery in Antwerp, and a group show titled "The Beautyful Ones" at DADA Gallery in Lagos, among others. Emmanuele uses a spatula and glass-sand mixtures for textured paintings, while Rocha's figurative works focus on clothing as identity markers, and the Lagos show presents Black artists' visions of a hopeful future.

Sixteen must-see exhibitions in South Florida during Miami Art Week

The article highlights sixteen must-see exhibitions in South Florida during Miami Art Week, including a comprehensive museum survey of Joyce Pensato at the Institute of Contemporary Art Miami, a group show of Brazilian women artists titled "Mulheres: Proposals from Brazil" at ArtNexus Space, and Jack Pierson's exploration of queer Miami at the Bass Museum of Art. Other featured shows include Lawrence Lek's NOX Pavilion at the Bass, among others, spanning painting, photography, sculpture, and multimedia installations.

Woody De Othello Opens the Door of His California Studio Ahead of a Major Exhibition in Miami

Woody De Othello, a self-described '90s kid from North Miami Beach now based in Oakland, California, is preparing for his largest museum exhibition to date at the Pérez Art Museum Miami (PAMM), on view through June 28, 2026. The exhibition, titled 'Coming Forth by Day,' marks a homecoming for the artist, whose Funk Art–inflected ceramic and bronze sculptures of animated household objects—telephones, clocks, fans—have gained significant attention. Othello's work, which blends cartoonish aesthetics with personal narrative, has been featured in biennials at the Whitney Museum of American Art and the Orange County Museum of Art. He works out of two East Bay studios, one a former gym for painting and ceramics, the other a woodshop for frames and pedestals, and has been represented by San Francisco dealer Jessica Silverman since 2018.

A brush with… Mary Kelly—podcast

This podcast episode features an in-depth conversation with pioneering conceptual and feminist artist Mary Kelly, now 84 and based in Los Angeles. She reflects on her groundbreaking works such as *Post-Partum Document* (1973-77) and *Interim* (1984-89), her move to Beirut in the 1960s, the influence of May 1968, and her lifelong commitment to non-figurative art after encountering Franz Kline's work at age 15. The episode also covers her current exhibition *We don't want to set the world on fire* at Pippy Houldsworth Gallery in London, running until January 2026.

16 New Auction Records Set in November 2025

New York's fall auction week in November 2025 saw major houses Sotheby's, Christie's, and Phillips collectively bring in over $2 billion, signaling renewed market confidence after an uneven spring. The top lot was Gustav Klimt's *Portrait of Elizabeth Lederer* (ca. 1914–16), which sold for $236.36 million at Sotheby's—the second-highest price ever paid at auction and a new record for the artist. Other notable records included Frida Kahlo's *El sueño (La cama)* (1940), which became the most expensive artwork by a woman artist sold at auction, fetching $54.66 million. In total, 16 new artist auction records were set during the week.

Sculptor Alma Allen officially selected to represent US at 2026 Venice Biennale

The US State Department has officially confirmed that sculptor Alma Allen will represent the United States at the 2026 Venice Biennale, following earlier delays caused by a 43-day government shutdown. Allen's exhibition, titled "Alma Allen: Call the Breeze," will run from May 9 to November 22, 2026, at the US Pavilion, organized by commissioner Jenni Parido of the American Arts Conservancy and independent curator Jeffrey Uslip. The show will feature around 30 sculptures, including new site-specific works, and the state department announcement explicitly aligns the presentation with President Donald Trump's "America first" ideology, framing the artworks as symbols of collective optimism and American excellence.

Boulder County art shows on exhibit this week

This week's Boulder County art listings feature a wide array of exhibitions across more than 20 galleries and museums. Highlights include the Boulder Museum of Contemporary Art's "MediaLive: Data Rich, Dirt Poor," exploring value and values through environmental and cultural lenses, and BMoCA at Frasier's "Interiors" by Jordan Wolfson, showcasing two decades of oil paintings, graphite drawings, and charcoal works. Other notable shows include "Camp: Queer Arts and Crafts and the Beauty of Imperfection" by Allyson McDuffie at Kin Studio and Gallery, "Love Letters to Life" by Roddy MacInnes at East Window, and "Sacred Mythologies" at NoBo Art Center. The listings also include ongoing exhibitions at the Museum of Boulder, Canyon Theater and Gallery, and several commercial galleries featuring local and international artists.

"The Great Camouflage" Rockbund Museum of Art / Shanghai

"The Great Camouflage" at the Rockbund Museum of Art (RAM) in Shanghai, curated by X Zhu-Nowell and Kandis Williams, is a multilevel exhibition that responds to global political and social exhaustion. Anchored in Black feminist thought and taking Suzanne Césaire's writings as a starting point, the show revisits revolutionary attitudes and builds new networks of solidarity across Asia, Africa, and Latin America, deliberately decentering Euro-American narratives. It features works by artists including Christine Tien Wang, Hao Jingban, and Wang Tuo, and highlights figures such as Amy Ashwood Garvey, Eslanda Robeson, Shirley Graham Du Bois, and Grace Lee Boggs.

Art Basel Hong Kong announces new section dedicated to work made in past five years

Art Basel Hong Kong (ABHK) has announced a new section called Echoes, debuting at its 2026 edition (March 25–29), which will showcase works made within the last five years. The inaugural Echoes presentation will feature 10 booths by 13 galleries, including Flowers Gallery (Hong Kong/London) and a joint booth by Capsule Shanghai and Klemm’s (Berlin). The fair also revealed its full list of curators—all Asia-based for the first time—including Mami Kataoka (director of Mori Art Museum) heading the Encounters section, and Hong Kong video artist Ellen Pau curating the film programme. Additionally, the fifth annual M+ façade commission will be by Pakistani-American artist Shahzia Sikander, presenting a hand-painted animation titled "3 to 12 Nautical Miles." ABHK 2026 is expected to host 240 galleries from 41 countries and territories.

Art Basel unveils gallery line-up and first highlights for its 2026 Hong Kong edition

Art Basel has announced the gallery lineup and first highlights for its 2026 Hong Kong edition, which will feature 240 leading galleries from 41 countries and territories. Over half of the participating galleries operate in the Asia-Pacific region, including 29 with spaces in Hong Kong. A new sector called Echoes debuts, spotlighting recent works by up to three artists per presentation. The Encounters sector will be curated for the first time by a collective of four Asia-based curators led by Mami Kataoka. The fair also introduces a Film Program curated by media artist Ellen Pau and a Conversations Program directed by Venus Lau. For the fifth year, Art Basel and M+ will co-commission a monumental public artwork for the M+ Facade, this time by Shahzia Sikander. The fair runs March 27–29, 2026, with preview days on March 25 and 26 at the Hong Kong Convention and Exhibition Centre.

Best art exhibits to see in the Bay Area this fall

The article highlights several notable art exhibitions opening in the Bay Area this fall, including 'Rave into the Future: Art in Motion' at the Asian Art Museum, featuring immersive dance culture works and ceramics by Sahar Khoury and Maryam Youssif; Selva Aparicio's solo show at Gallery Wendi Norris, where she carves rug designs into the floor and uses cicada wings and hair in her installations; Andrew Owen's photography exhibition 'In Light Years' at Small Works, capturing California's landscapes and environmental scars; Caterina Fake's installation 'Bed for Dreaming' at the Jones Institute, an experimental home gallery where guests can sleep in an ancient bed; and the farewell celebration at Altman Siegel Gallery after 16 years of operation.

Sculptor Alma Allen reportedly selected to represent US at 2026 Venice Biennale

Sculptor Alma Allen has reportedly been selected to represent the United States at the 2026 Venice Biennale, replacing Robert Lazzarini, who was dropped after political interference and delays linked to the Trump administration's cuts to the National Endowment for the Arts. The selection process has been fraught, with the State Department directly choosing Lazzarini without NEA involvement, and his proposal—featuring distorted renderings of US national symbols—collapsed amid claims of political meddling. Allen, a Mexico-based artist formerly represented by Kasmin and now in talks with Perrotin, is less established than recent US pavilion artists like Jeffrey Gibson or Simone Leigh, but has a strong practice in stone, wood, and bronze sculpture.

Hmm, what shall we see at Paris Photo 2025?

Paris Photo 2025, the 28th edition of the international photography fair, returns to the Grand Palais from 13-16 November, hosting 179 galleries from 33 countries. Artistic director Anna Planas emphasizes a program spanning photography's full history, from 19th-century works to contemporary digital and blockchain-based pieces. Highlights include a solo installation by Hasselblad Award winner Sophie Ristelhueber, a darkroom demonstration by photographer Renato D'Agostin, and the 'Emergence' sector featuring Prix Maison Ruinart winner Marine Lanier. The fair also offers conversations, performances, and book signings with artists like Todd Hido and Wolfgang Tillmans, plus an exhibition of Latin American photography from the Estrellita B Brodsky collection.

Pursuing ‘a different economy’, London gallery Herald St will open new space in Bologna

London gallery Herald St, known for nurturing artists like Nicole Wermers, Cary Kwok, and Pablo Bronstein over the past 20 years, will open a new space in Bologna, Italy, in early 2025. Co-founder Nicky Verber cites the city's strong local collector base, excellent institutions such as Mambo (Museo d'Arte Moderna di Bologna), and its connectivity to Venice, Milan, and Florence as key draws. The gallery has deepened ties with Bologna through a 2020 group exhibition, signing local artist Francis Offman in 2021, and participating in Arte Fiera. The new space, located in the medieval center, will feature three exhibition rooms and open with a show by abstract painter Matt Connors, hosting three to four exhibitions annually compared to five or six in London.