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Art Galleries Emanate a Warm Glow in Winter

Winter on Cape Cod presents a challenge for local artists and galleries, as off-season landscapes often go unsold. However, several gallery owners are embracing the season with experimental programming: Liz Carney of Four Eleven Gallery in Provincetown is hosting a group show titled "Long Blue Shadow" and planning artist residencies and a "Knitney Biennial." Gary Marotta Fine Art and Schoolhouse Gallery remain open on weekends, while Susie Nielsen's Farm Projects in Wellfleet features a group exhibition of works on paper. These gallerists find that winter visitors are more engaged, fostering richer conversations and a stronger sense of community.

Guide to Seattle Art Museum’s ‘Farm to Table’ exhibit

The article provides a guide for families visiting the Seattle Art Museum's (SAM) current exhibition 'Farm to Table,' which explores the journey of food from farm to table through French paintings and sculptures. It offers practical tips for parents to engage children, such as using open-ended questions like 'What’s going on here?' and turning the visit into a treasure hunt, highlighting specific works like 'Still Life with Brioche' and 'The Gleaners.'

Barbican Immersive announces 2026 exhibition from Liam Young

Barbican Immersive, the touring exhibition arm of London's Barbican Centre, has announced its 2026 exhibition "In Other Worlds," the first UK solo show by artist, director and BAFTA-nominated producer Liam Young. The exhibition will debut at the Barbican Centre from 21 May to 6 September 2026 as part of the Barbican's Summer season, before touring internationally. It features films, costumes, props, miniature models, comics, tapestries, and soundscapes that imagine hopeful futures amid environmental and technological challenges. Highlights include the world premiere of Young's film "World Machine" (2026), which envisions an AI-powered planetary supercomputer, alongside earlier works such as "Planet City" (2021), "The Great Endeavour" (2023), and "After the End" (2024).

Climate report from Getty’s PST Art programme urges cultural organisations to confront exhibitions’ impacts

The Getty has released a comprehensive climate impact assessment of its PST Art initiative, titled Art & Science Collide (2024-25), based on its inaugural Climate Impact Program (CIP). Developed with climate adviser Laura Lupton and artist Debra Scacco, the program provided webinars, guidance, and networking to participating institutions, with over two-thirds completing a climate impact report. Key findings show that air travel and air freight of art are the most carbon-intensive activities, and shifting to sea freight could reduce total emissions by 18%. Many institutions reduced waste through simple, low-cost changes, with some committing to permanent sustainability practices.

INTERSTATE art exhibition set to open this week

Central Washington University's Sara Spurgeon Gallery is hosting a national juried exhibition titled “INTERSTATE: Where I-90 meets I-82,” opening November 6 in Ellensburg. Juror Alexis L. Silvia, Curatorial Assistant at the Frye Art Museum in Seattle, selected works by 46 artists from across the United States, including Brandin Barón, Neil Berkowitz, Shivani Bhalla, and others. The exhibition runs through December 6, with an opening reception from 5 to 7 p.m. following a 4 p.m. presentation.

Grace Rosario Perkins: Circles, Spokes, Zigzags, Rivers

The Whitney Museum of American Art in New York is presenting "Grace Rosario Perkins: Circles, Spokes, Zigzags, Rivers," an exhibition of nine recent paintings and a large-scale sculpture by the Akimel O’odham/Diné artist (b. 1986, Santa Fe). The show runs from October 18, 2025, to February 8, 2026, and is organized by senior curator Adrienne Edwards and curatorial assistant Rose Pallone. Perkins’s densely layered works incorporate acrylic, spray paint, found materials, and textual fragments, drawing on petroglyphs, ancestral storytelling, and personal experience to explore themes of grief, love, and hope while resisting reductive representations of Indigenous identity.

Straight-line storytelling: how will the British Museum display the Bayeux Tapestry?

The British Museum (BM) is planning to display the Bayeux Tapestry from September 2026 to July 2027, following a loan agreement with the French government. The tapestry, owned by the French state, will return to England for the first time in nearly a thousand years after its dedicated museum in Bayeux closed for renovations. The BM's Sainsbury Exhibitions Gallery is long enough to accommodate the 70-meter embroidered strip in a single straight line, a key factor in securing the loan over other contenders like the Victoria and Albert Museum. Conservators will display the tapestry at a 60-degree angle with low lighting to minimize fading, and visitors will likely follow an audio-guided tour with 25 minutes to view the 58 scenes.

On View in the RSM Art Gallery: The Gleanings by Joetta Maue

RSM Gallery is presenting "The Gleanings," a solo exhibition by multidisciplinary artist Joetta Maue featuring photography, installation, and embroidery. The show runs from October 16 to November 25, 2025, with an artist talk and opening reception on October 16 and a Reading Room Event on November 4 where visitors are invited to share books and excerpts. Maue's work explores the sublime within everyday life, focusing on overlooked fragments, ephemeral light, and the traces of the body across space and time, with embroideries that transcribe her research notations and a large wall installation titled "Sojourn" mapping geographies of artist residencies.

The new ARTE Museum at Chelsea Piers is a must-see immersive experience: How to get tickets

ARTE Museum New York has opened at Chelsea Piers, a 52,000-square-foot immersive digital art experience created by the Korean art-tech studio d’strict. The exhibition, themed 'Eternal Nature,' features multisensory rooms with lifelike digital waterfalls, blooming flowers, ocean waves, jungle animals, and a tornado, using cutting-edge projection mapping and interactive technology that responds to movement, sound, and scent. Visitors can also enjoy an interactive animal sketching station and unwind at the ARTE Tea Bar. The museum has locations in Miami, Las Vegas, and Dubai as well.

Victoria & Albert Museum to expand Gilbert Galleries to explore looting and provenance

The Victoria and Albert Museum (V&A) in London will revamp its Gilbert Galleries, dedicated to the Rosalinde and Arthur Gilbert Collection, expanding from four to seven galleries. Set to open in March, the redesigned space by Citizens Design Bureau will include a new room focused on Nazi and Soviet looting and provenance research. Highlights include 200 gold boxes, micro-mosaics, and two silver-gilt gates looted from Kyiv’s Pechersk Lavra monastery after the Russian Revolution, acquired by William Randolph Hearst in 1935. The expansion is part of the V&A’s Future Plan development programme, funded by the Gilbert Trust for the Arts and The National Lottery Heritage Fund.

October at the Torch Theatre gallery: Local artist Sam Farmer’s first exhibition

Local artist Sam Farmer, a former primary school teacher from Pembrokeshire, will hold her first-ever art exhibition at the Joanna Field Gallery inside the Torch Theatre in Milford Haven this October. Titled "Under Pembrokeshire Skies: Seascapes and Stones," the show features paintings inspired by the Welsh landscape and the concept of Cynefin—a sense of rootedness and belonging. Many of the works also appear in her recently published children's book, "Little Puffin’s Pembrokeshire Home." The exhibition runs from October 4 through the end of the month.

UM Museum Announces Fall 2025 Exhibitions

The University of Montana's Montana Museum of Art and Culture (MMAC) will present three solo exhibitions by Montana artists this fall: Sara Mast's "Standing in the River" (opening Oct. 16), Manette Rene Bradford's "Unsettled Lands" (opening Nov. 13), and a posthumous show for Rand Robbin (opening Dec. 4). The exhibitions span painting, glass sculpture, collage, drawing, and printmaking, with each artist offering a distinct perspective on landscape, nature, and Montana's artistic traditions.

Bowdoin College Museum of Art Announces Major Exhibition and Long-Term Loan Partnership with Wyvern Collection

The Bowdoin College Museum of Art (BCMA) has announced a major exhibition and long-term loan partnership with the Wyvern Collection, a prestigious London-based private collection of medieval art. The first exhibition, "Medieval Art from the Wyvern Collection: Global Networks and Creative Connections," will open this fall, featuring more than 57 artworks on long-term loan combined with objects from BCMA's own holdings. The show highlights cross-cultural connections across a vast geographic range—from Japan to Mexico, northern Europe to Africa—challenging traditional Eurocentric views of the Middle Ages.

At West Chelsea Contemporary, Two Artists Bring Classical Archetypes Into the Present

West Chelsea Contemporary in Austin, Texas, is presenting “LUX ÆTERNA,” a joint exhibition featuring more than 40 works by Swiss visual artist Simon Berger and British artist Gary James McQueen. Berger is known for portraits created from hammered laminated safety glass, while McQueen, nephew of the late fashion designer Alexander McQueen, works with lenticular prints that shift optically. The show includes two collaborative pieces that combine their respective mediums, exploring themes of classical mythology, perception, and the nature of light.

Piecing together ancient Andean stories at Krannert Art Museum

Krannert Art Museum has reopened its reimagined exhibition 'Fragmented Histories: Andean Art before 1600' after a year-long closure, following nearly a decade of collaborative research. Co-curators Allyson Purpura and Kasia Szremski worked with pre-contact Andean art historians and Peruvian archaeologists to restore context to looted artifacts from the Fred Olsen Collection, donated in 1967. The exhibition is organized into four themes—Unfinished Stories, The Mobile Life of Objects, Powerful Images, and Object Biographies—and includes digital displays that acknowledge the violent histories of looting and aim to share knowledge with descendant communities in Peru.

FSU MoFA exhibition examines Indigenous relationships with water

Florida State University Museum of Fine Arts (MoFA) has opened "Water Ways: Indigenous Ecologies and Florida Heritage," an exhibition examining Indigenous relationships with water through historical artifacts and contemporary art. Curated by Elizabeth A. Cecil, the show features works by Harold García V (El Quinto), Samboleap Tol, and Wilson Bowers, alongside ancient cypress dugout canoes, ceramics, tools, and a mask from the New Orleans Museum of Art. The exhibition runs from September 18, 2025, to March 14, 2026, with accompanying events including artist talks, a symposium, and a book club.

Longtime Charleston artist opens new downtown gallery as a 'space where everyone is welcome'

Longtime Charleston artist and educator Leo Twiggs has opened a new downtown gallery called the Twiggs Gallery, described as a 'space where everyone is welcome.' The gallery, located on King Street, will showcase Twiggs's own work alongside that of other regional artists, with an emphasis on community engagement and accessibility.

'Radical' female ceramicists share their stories at the Ackland Art Museum

On August 27, the Ackland Art Museum at the University of North Carolina hosted a panel titled "Artist Conversation: Radical Ceramicists in North Carolina," featuring three female ceramicists: Hitomi Shibata, Isys Hennigar, and Jessica Dupuis. The event was part of programming around the museum's exhibition "Radical Clay," which highlights work by female Japanese ceramicists. Panelists discussed the historical marginalization of women in ceramics—Shibata noted that in 1990s Japan, studios refused to hire women, while Hennigar explained that until the early 20th century in North Carolina, female artists were only allowed to be decorators, not master ceramicists. The conversation also explored how ceramic pieces reflect their geographic origins and the importance of local artistic communities, such as Seagrove, N.C., which has the largest community of potters in the U.S.

Marcy Bernstein at Ceres Gallery in New York

Ceres Gallery, a pioneering feminist gallery in New York, opens its 43rd season with two exhibitions: "Marcy Bernstein: Evocative Abstractions" and Carlyle Upson's "Submerged," running from September 2 to September 27, 2025. Bernstein's mixed media paintings on recycled surfaces feature bold brushstrokes and layered textures exploring geometry, symbolism, and nature, while Upson's work is also on view. The season includes public programs such as an opening reception, an author talk and book signing with Michael G. Garber, and a closing reception.

Northwest Village Network shows work of 30 area artists

Thirty local artists, primarily from Northwest Philadelphia and members of the Northwest Village Network (NVN), will hold an exhibition at the Center on the Hill in September. The show features collage, painting, drawing, mixed media, and photography, with participants ranging from seasoned professionals to newcomers. Artists include Ron Lieberman, a former New York Times illustrator; Sara Allen, who photographs her aging body; and Dr. Claire EB. Robinson, a retired OB/GYN turned photographer. The exhibition is hosted at the Presbyterian Church of Chestnut Hill, which houses the Center on the Hill, a program for active adults.

Guest Artist Exhibition Opens at Center for the Visual Arts

The University of Toledo Department of Art will host a free public exhibition of photographs and installation works by guest artist Margaret LeJeune, opening August 25 at the Center for the Visual Arts. Titled "Drawn from Memory: Mapping Salt and Time," the exhibition examines ecological shifts in Dare County, North Carolina, including the transformation of coastal forests into ghost forests due to saltwater intrusion and rising sea levels, while also addressing histories of colonialism, enslaved Africans and their descendants, and Indigenous displacement. LeJeune will give an artist talk on September 24, and the show runs through October 10.

4,000-year-old Ancient Egyptian handprint discovered by Cambridge museum

Researchers at the Fitzwilliam Museum in Cambridge, UK, have discovered a 4,000-year-old handprint on the base of an ancient Egyptian "soul house"—a clay model of a building used in burial rituals. The handprint was found during preparations for the museum's upcoming exhibition "Made in Ancient Egypt" (3 October–12 April 2026), when senior conservator Julie Dawson examined the object under different lighting. The soul house, excavated at Deir Rifa north of Luxor, dates to Egypt's First Intermediate Period or Middle Kingdom and was likely left by the artisan who moved it to dry before firing.

Ferris State alumni, faculty, and students recognized among leading regional artists in 2025 West Michigan Area Show

Ferris State University's Kendall College of Art and Design (KCAD) alumni, faculty, and students have been recognized in the 2025 West Michigan Area Show, a juried exhibition hosted by the Kalamazoo Institute of Arts. The 64th annual competition drew nearly 500 entries from 14 Michigan counties, with 64 selected for inclusion. Eleven pieces by artists with KCAD connections were featured, and three received distinguished awards from juror Hubert Massey, a Detroit-based artist and educator. Notable winners include Lee Ann Frame, who won the Ward H. and Cora E. Nay Director’s Purchase Prize and the Southwest Michigan Printmakers Excellence in Printmaking Award, and Tatsuki Hakoyama, who received The Martin Maddox Prize for Imaginative Realism. Other participants include professor emeritus Jay Constantine, alumni Beth Purdy and Jackson Wrede, and students Sydney Donath and Kaylee Dirkmaat.

Museum Announces 2025-26 Exhibitions

The Fairfield University Art Museum has announced its 2025-26 exhibition season, featuring three shows tied to the United States semiquincentennial. Two exhibitions open in fall 2025: "Stitching Time: Social Justice Collaboration Quilts Project" and "Give Me Life: CPA Prison Arts Program," showcasing art by incarcerated individuals from Louisiana State Penitentiary and York Correctional Institution; and "Monuments: Commemoration and Controversy," organized by The New York Historical, examining public monuments as sites of debate over national identity and race. In spring 2026, the museum will present "For Which it Stands…," curated by Executive Director Carey Mack Weber, focusing on depictions of the American flag across the last century.

Artist Paul Rucker’s Klan Robes Expose America’s Racist Underbelly

Artist Paul Rucker's exhibition "Rewind Resurrection" returns to New York a decade after its debut, featuring his iconic Klan robes reimagined in bold fabrics like pink, Kente cloth, and camouflage. The show, which was censored at York College of Pennsylvania in 2017 following the Charlottesville white supremacist rally, includes KKK memorabilia, data visualizations of prison proliferation, and wooden relief sculptures honoring victims of racial violence. It is Rucker's first New York show, self-funded in a rented Chelsea gallery, and he hopes an institution will acquire the entire installation.

Denja Harris Plays With Yarn in New Exhibit at OMA

Fiber artist Denja Harris opens her solo exhibition "The Space Between: Texture Studies" at the Oceanside Museum of Art (OMA) on June 28. The show features large-scale tufted works that Harris describes as "painting with yarn," alongside three-dimensional soft sculptures stuffed with scrap materials. Harris, who began repurposing fabrics as a middle schooler and later taught herself tufting during the pandemic, uses primarily deadstock and vintage yarn to create layered, colorful pieces that blend high-pile textures with smooth organic shapes.

52 Artists Selected for Annual Artspace111 Juried Exhibition

Artspace111 in Fort Worth has announced the 52 artists selected for its 2025 Texas Juried Exhibition, the gallery's 12th annual showcase. Texas artist Jon Flaming served as juror, choosing 55 artworks from across the state. The exhibition opens July 26 and runs through August 23, with $15,000 in prizes awarded, including the $10,000 Edmund Craig Memorial Award, which offers a future exhibition opportunity at the gallery.

Ferris State alum and rising artist Jackson Wrede continues emergence with inaugural solo exhibition

Ferris State University Kendall College of Art and Design alum Jackson Wrede held his first solo exhibition, "Menagerie," at the Birmingham Bloomfield Art Center earlier this year. The show featured 25 recent paintings spanning realist portraits, landscapes, still lifes, and symbolist works inspired by Japanese art and pop culture. Wrede, who earned his MFA in 2021, has quickly gained recognition, winning the Quinquagenary Grand Prize at the Swope Art Museum’s 79th Wabash Valley Exhibition and the Grand Prize at the 44th Michigan Fine Arts Competition, which led to this solo opportunity. He also received a Certificate of Excellence in the Portrait Society of America’s International Portrait Competition and first place in the PSA’s 2024 Members Only competition.

Monica Rodriguez: Californiana

Monica Rodriguez's exhibition "Californiana" at the de Saisset Museum explores the colonization of California from 1542 to 1846, focusing on the missionization period (1769–1833) when Native Californians were forced into labor within the Alta California Mission system. The installation features twenty-one adobe bells planted with native California plants, architectural plans, and photorealist drawings of historical texts from the Mission Library Collection, all critiquing the colonial mindset and its enduring impact on the land and people.

“Lives of the Gods: Divinity in Maya Art” at the Kimbell Art Museum, Fort Worth

The Kimbell Art Museum in Fort Worth presents "Lives of the Gods: Divinity in Maya Art," co-organized with the Metropolitan Museum of Art, marking the first major Maya exhibition in the U.S. in a decade. Featuring 95 works, the show includes 50 objects never before seen in the U.S. and 17 recent archaeological discoveries, with contributions from 23 lenders including the Museo Nacional de Arqueología y Etnología in Guatemala and the INAH – Museo Nacional de Antropología in Mexico City. The exhibition is organized thematically around Creations, Day, Night, Rain, Maize, Knowledge, and Patron Gods, and highlights recent scholarship in Maya glyph decipherment, archaeology, and art interpretation.