New Schwarzman Center art exhibits highlight student experiences

Five new exhibitions opened at the Yale Schwarzman Center on April 7, featuring work from 53 young artists including New Haven high school students, Yale undergraduates, and graduate students. The shows explore themes of identity, unity, memory, nature, and emotion through visual art, photography, installation, digital work, and multimedia. Highlights include "Call-to-Connect," an interactive payphone installation by Soleil Piverger; "The View From Here: Accessing Art Through Photography," a smartphone photography exhibition in collaboration with the Yale Center for British Art; and "Rooted in Heritage: Art Across Yale’s Cultural Centers," curated by Carlynne Robinson, featuring works reflecting multicultural communities at Yale.

Students take the lead: Inside a peer-led tour at Janet Turner Print Museum

Jasmine Lezema, an art history major and museum intern at the Janet Turner Print Museum, has organized a peer-led exhibition tour titled "Through an Art Historian’s Lens," scheduled for Wednesday from 5 to 5:30 p.m. The tour focuses on printmaking at Chico State and encourages students to engage deeply with artworks. Lezema selected three pieces from the current exhibition that personally resonated with her, drawing on her art history training to interpret symbolism, materials, and context. The museum’s director, Rachel Skowoski, and education assistant, Dylan Charlton, emphasize that student interns are empowered to shape programming around their interests, making this tour a product of that philosophy.

For Chicago, With Chicago

DePaul Art Museum (DPAM) in Chicago is presenting the exhibition "For Chicago, With Chicago," running from May 21-31, 2026. The show features works from the museum's collection, including pieces by Melissa Ann Pinney, Josh Dihle, and Claudio Dicochea, and was curated with input from DePaul students, staff, alumni, and the public. The exhibition is organized by DPAM interns, fellows, and delegates, highlighting a collaborative, community-driven approach.

High-quality youth artwork shines at Sovereign Young Artist Competition exhibition

The Sovereign Art Foundation and Gibraltar Cultural Services announced the winners of the 2026 Sovereign Young Artist Competition at an awards ceremony on April 16. The exhibition showcases finalists in two age categories, with winners including Aimee Linares (SAF Judges’ Prize), Amelie Romero (SAF Public Vote Prize), Sebastian Andlaw (Alwani Foundation Award), Shelli Abudarham (Ministry of Culture Award), and Tyrone Vera (AquaGib Second Prize). The top student winner received £800, with £2,000 awarded to their school's art department.

Europe: China’s censorship of cultural institutions must be challenged - ARTICLE 19

The Victoria and Albert Museum (V&A) in London has reportedly removed maps and images from exhibition catalogues on multiple occasions following pressure from its Chinese publisher, C&C Offset Printing. The publisher cited directives from China's General Administration of Press and Publication (GAPP), which enforces the Chinese Communist Party's official narratives on sensitive topics like territorial borders.

MUSE: A Student Exhibition

Walsh Gallery, in partnership with the College of Human Development, Culture, and Media, is hosting MUSE: A Student Exhibition from April 22 to May 11, 2026. The exhibition marks the return of a long-standing tradition that was paused during the COVID-19 pandemic, showcasing the work of student artists and welcoming the SHU community free of charge.

Exhibition | Julien Carreyn, 'Exposition personnelle' at Crèvecoeur, Paris–Beaune, France

French artist Julien Carreyn is preparing his sixth solo exhibition, titled 'Exposition personnelle,' at the Crèvecoeur gallery in Paris. The show will feature a selection of small black-and-white photographs centered on themes of holidays and family, a possible miniature painting, a long, non-linear text, and a series of Polaroids depicting jewelry, installed across the gallery's spaces at 5 and 7 rue de Beaune.

Why is contemporary art afraid of the present?

Warum fürchtet sich die Gegenwartskunst vor der Gegenwart?

The article critiques the 2024 Whitney Biennial, which emphasizes themes of compassion, vulnerability, and community. It argues that the exhibition feels like a capitulation to reality, failing to confront the rise of contemporary fascism and the political urgency of the present moment.

What the renovation of the Pergamon Museum costs

Was die Sanierung des Pergamonmuseums kostet

The Pergamon Museum in Berlin is undergoing a major renovation with a total budget of €1.5 billion for both construction phases, including cost risks. The Federal Office for Building and Regional Planning (BBR) has announced that current projections indicate the overall costs will not be exceeded. Phase A, which includes the hall housing the famous Pergamon Altar, is expected to open on June 4, 2027, with a potential cost increase of up to 5% over the originally approved €489 million. Phase B, covering the Ishtar Gate and Babylonian Processional Way, has seen its cost forecast reduced by €27 million to €722.4 million, with an additional €295.6 million set aside for risks and price increases. The museum will fully reopen only in 2037.

Erster Teil des Pergamonmuseum öffnet im Juni 2027

The first section of Berlin's Pergamon Museum will reopen to the public on June 4, 2027, after years of renovation. The Prussian Cultural Heritage Foundation (SPK) announced the date, ending months of uncertainty. The museum has been completely closed since autumn 2023 for comprehensive refurbishment, and the reopening will finally make the famous Pergamon Altar accessible again. However, the south wing, housing the Ishtar Gate and Babylonian Processional Way, will remain closed until 2037, with full museum access expected that year.

Berlin Modern Museum Construction Delayed Until 2030

Museumsbau Berlin Modern verzögert sich bis 2030

The completion of Berlin Modern, a major new museum in Berlin, has been delayed again until 2030 due to moisture damage and microbial infestation found in parts of the raw structure. The Stiftung Preußischer Kulturbesitz (SPK) announced an estimated eight-month postponement, though no construction stop was required. The museum, designed by Herzog & de Meuron, is being built near Potsdamer Platz to expand the Neue Nationalgalerie's exhibition space. Costs have risen from an initial €200 million to a projected €507 million.

In Rome, the extension of the Galleria Borghese provokes a revolt

À Rome, l’extension de la Galerie Borghèse provoque une fronde

The Galleria Borghese in Rome has sparked controversy by initiating a feasibility study for a new building attached to its 17th-century villa. Museum director Francesca Cappelletti, in office since 2020, cites the need to increase visitor capacity, improve security, and create spaces for mediation, conferences, and temporary exhibitions. The museum, which saw nearly 630,000 visitors in 2025, operates with strict two-hour time slots capped at 180 people, often sold out in high season. Engineering firm Proger has offered to fund the study for €875,750 in exchange for institutional visibility, and Rome's mayor Roberto Gualtieri has declared the project of public interest.

Kanal-Centre Pompidou sans tête

Yves Goldstein, the general director of the Brussels branch of the Centre Pompidou, has announced his departure just before the scheduled opening of Kanal-Centre Pompidou on November 28. Goldstein stated that his mission is nearly complete and that the museum's daily management phase requires a different leader. A call for applications will be launched by the board of directors, with the selection made by the board of the Fondation Kanal based on profiles proposed by a jury led by president Michèle Sioen. The new director will face immediate challenges, including negotiating a new management contract with the Brussels Region for 2029-2033 and securing an increased annual subsidy, currently set at €10 million, which is deemed insufficient.

Maximilien Durand reconduit au Louvre

Maximilien Durand, aged 50, has been reappointed for a three-year term as head of the Department of Byzantine and Eastern Christian Arts at the Louvre Museum in Paris. He has been preparing the department's opening since 2022. Durand previously served as director of the Musée des Tissus in Lyon and deputy director of collections at Paris Musées. His role includes overseeing collections, acquisitions, loans, and exhibitions, as well as a national expertise mission. Separately, Sophie Jugie moved to the Musées de France service after her non-renewal as head of the Sculptures department.

Un agent du Louvre devant le juge

A Louvre agent appeared before a judge. The article, published in Le Journal des Arts on May 2, 2026, covers multiple art world stories including the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, a resized project for Bourges 2028 by Yann Galut, a new contemporary gallery at Angers Cathedral, the abandonment of the Frigos artist site in Paris, and auctioneer Hubert L'Huillier's emergency sales.

L’architecte du Musée Gandur

The article covers several art news items from the May 2, 2026 issue of Le Journal des Arts, including the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, an interview with Bourges mayor Yann Galut about the resized Bourges 2028 project, the unveiling of a contemporary gallery at Angers Cathedral, the abandonment of the Frigos artist site in Paris, and a profile of auctioneer Hubert L'Huillier.

Olivia Bourrat revient au Quai Branly

Olivia Bourrat, a 45-year-old chief heritage curator trained at the École du Louvre, the INP, and the Sorbonne, has been appointed director of the heritage and collections department at the Musée du quai Branly-Jacques Chirac in Paris. She succeeds Anne-Solène Rolland, and returns to the museum after previous stints there, as well as at France-Muséums, the Louvre Abu Dhabi, the French Ministry of Culture, and Paris Musées.

Hervé Barbaret s’éloigne de France-Muséums

Hervé Barbaret, aged 60, will step down as director general of France-Muséums on April 30, returning to the Cour des comptes (Court of Auditors). He had led the organization since 2019. Barbaret, a former student of the École Nationale d'Administration (ENA) and a senior counselor, previously served as general administrator of the Louvre, overseeing the Louvre-Lens project, the Department of Islamic Arts, and Louvre Abu Dhabi. He also directed the Mobilier national and was secretary general of the Ministry of Culture. France-Muséums coordinates French museum expertise internationally, from Louvre Abu Dhabi to a project in New Delhi. His successor has not yet been announced.

Une vétérane pour diriger un des musées du Smithsonian

Lynda Roscoe Hartigan, 75, will become the director of the Smithsonian American Art Museum (SAAM) in Washington, D.C., on September 8, ending a 17-month vacancy. Hartigan, currently the director of the Peabody Essex Museum in Salem, began her career at SAAM as chief curator, where she developed collections of modern, contemporary, African American, and self-taught art.

Ouverture du Musée des Tissus

The Musée des Tissus (Museum of Fabrics) has opened its doors, marking the return of a specialized textile museum in Paris. The article also covers several other art-world developments: American Rousseau works returning to Paris, the outsourcing of museum reception services as a growing model, the New Museum's expansion, and Art Brussels adapting to contemporary trends.

The New Entrance of the Louvre

La nouvelle entrée du Louvre

The article, titled "La nouvelle entrée du Louvre," reports on the upcoming redesign of the main entrance to the Louvre Museum in Paris. It also covers several other art-world stories: the return of American Rousseau works to Paris, the growing trend of outsourcing museum reception services, the New Museum's expansion, the troubled Musée des Tissus project, and Art Brussels adapting to contemporary trends.

The British Museum bets on 'total immersion' to display the Bayeux Tapestry, which will be presented flat

Le British Museum mise sur « l’immersion totale » pour exposer la tapisserie de Bayeux qui sera présentée à plat

The British Museum has announced plans for an exceptional exhibition of the Bayeux Tapestry, which will be displayed flat for the first time in its history, rather than hung vertically as it has been for decades in Bayeux. The 70-meter-long 11th-century embroidery depicting the Norman conquest of England will be shown in London from September 10, 2026, to July 11, 2027, with tickets priced between £25 and £33. The museum promises an 'immersive' experience featuring raking light, digital devices, and loaned objects to contextualize the 58 scenes and 626 characters.

« La Dame à la licorne » : le portrait idéal du divin Raphaël

The Metropolitan Museum of Art in New York is hosting the first-ever exhibition dedicated to Raphael in the United States, running until June 28. The show brings together over 200 works by the celebrated Renaissance master, including the enigmatic portrait *La Dame à la licorne* (1505–1506), which exemplifies Raphael's signature qualities of grace, light, and harmony.

RTRU* (*Raudive Technoculture Research Unit) at KAJE

The exhibition "RTRU* (*Raudive Technoculture Research Unit)" is on view at KAJE in Brooklyn from April 4 to May 17, 2026. Curated by the Riga Technoculture Research Unit (Zane Onckule and Elizaveta Shneyderman), the show features works by Ka Baird, Scott Benzel, Valdis Celms, Cal Fish, Jason Isolini, Voldemārs Matvejs, Karlīna Mežecka, Adriana Ramić, Konstantīns Raudive, and Ieva Rubeze. The press release and checklist are available, and images of the exhibition are provided courtesy of the artists and the gallery.

24 Hours with Jewel at the 2026 Venice Biennale Festival

Singer-songwriter Jewel has transformed into a multimedia artist, presenting a solo exhibition titled '24 Hours with Jewel' at the 2026 Venice Biennale. The show features 34 new works, including paintings, sculptures, and kinetic installations, with the centerpiece 'Heart of the Ocean'—an eight-foot kinetic sculpture created in collaboration with scientists from NASA, NOAA, Stanford, and UC Berkeley that translates real-time oceanographic data into light and sound. V Magazine followed Jewel for 24 hours as she prepared for her Biennale debut, documenting her day from rooftop meditations and water taxi rides with her son to private patron tours and an opening night performance in a custom Schiaparelli dress.

Newfields Returns To The Runway With New Fashion Exhibit

Newfields has opened a new fashion exhibition titled "Body / Beyond: Fashion That Transforms," its first fashion-focused show in over three years. The exhibition features 25 pieces spanning from the 1950s to the 1990s, including designs by Christian Dior, Balmain, Thierry Mugler, Vivienne Westwood, Jean Paul Gaultier, Rei Kawakubo, and Martin Margiela. Highlights include a conical bra cup maxi dress worn by Madonna and three newly acquired works for the museum's collection.

Gallery at the heart of Changfeng mixed-use development opens to the public

Jia Art, a new gallery designed by Foster + Partners, has opened in Shanghai's Putuo District as part of the Changfeng mixed-use development. The 5,000-square-meter building features flexible exhibition, event, and educational spaces, with a design inspired by spring blessing flowers found in the local park. Its petal-like form, tubular glass ribs, and central glass skylight create a dynamic, light-filled environment that houses both contemporary and traditional art.

James Welling’s “Cento” exhibit brings ancient art and color to Fairfield University

James Welling's exhibition "Cento" has opened at Fairfield University, showcasing the artist's exploration of ancient art and color through a series of photographic works. The exhibit draws on classical sculpture and architectural fragments, reimagining them with vibrant, abstract color treatments that blend historical references with contemporary photographic techniques.

Trace how artists carry stories, identities and cultural influences across borders in this exhibition

Architect and Interiors India reports on an exhibition that explores how artists transport stories, identities, and cultural influences across borders. The show features works that examine migration, diaspora, and the fluid exchange of ideas between different regions and traditions.

Landscape and Imagery Help MOWA Celebrate the Country’s 250th Birthday

The Museum of Wisconsin Art (MOWA) in West Bend has opened a new exhibition titled "The American Landscape: Beyond the Horizon," celebrating the role of Wisconsin artists in capturing the state's contributions to the United States ahead of the country's 250th birthday. The show features over 60 works, 60% from the museum's permanent collection and 40% borrowed from artists and collectors, including pieces by John Stuart Curry, Lois Ireland, Georgia O'Keeffe, Native American artists like Helen Lonetree and Lila Greengrass Blackdeer, and contemporary works by incarcerated artist M. Winston. Guest curator Rafael Salas, a professor at Ripon College, also includes three of his own works.