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Rediscovering Roger Fry, the overlooked Bloomsbury artist who helped bring Cézanne and Van Gogh to the world

The Charleston museum in Firle, East Sussex, will mount a major solo exhibition of paintings by Roger Fry (1866-1934) from 15 November 2025 to 15 March 2026. Fry, a central figure in the Bloomsbury Group, was a polymath who introduced Post-Impressionists like Cézanne, Van Gogh, and Gauguin to British and American audiences, co-founded the Omega Workshops and the Burlington Magazine, taught at Cambridge, and curated at the Metropolitan Museum of Art. The show brings together nearly 80 works, over 60 from private collections, including portraits of friends like E.M. Forster and Vanessa Bell, and landscapes that reveal his experimental range from Gauguin-esque outlines to Cubism.

At Art Basel Miami Beach, a new space reimagines art in the digital age

Art Basel Miami Beach will debut a new curated space called Zero 10, dedicated to digital and new media art, at its upcoming fair in the Miami Beach Convention Center. The centerpiece is an interactive installation by American artist Beeple featuring robot dogs with human heads modeled after public figures like Andy Warhol, Jeff Bezos, and Elon Musk, which will photograph fairgoers and offer NFTs. The space, curated by Eli Scheinman, includes works by pioneers such as Manfred Mohr and Larva Labs, alongside galleries like Pace Gallery and platforms like Art Blocks, exploring themes of AI, robotics, and generative systems. The name references Kazimir Malevich's 1915 exhibition '0,10', signaling a push into new artistic terrain.

Tehching Hsieh: ‘I didn’t try to be a superman, my work is not about heroism’

Tehching Hsieh, the pioneering performance artist known for his extreme durational works, has opened his first retrospective, 'Lifeworks 1978-99', at Dia Beacon. The exhibition follows his gift of 11 major works to the institution last year and features six spaces designed to convey the relative time of his performances—including his five one-year pieces (Cage Piece, Time Clock Piece, Outdoor Piece, Rope Piece, No Art Piece) and the Thirteen Year Plan—using spatial measurements to represent 'art time' and 'life time'.

A Story of South Asian Art: Mrinalini Mukherjee and Her Circle

The Royal Academy of Arts in London presents "A Story of South Asian Art: Mrinalini Mukherjee and Her Circle," a visually thrilling exhibition running from 31 October 2025 to 24 February 2026. Curated by Tarini Malik, the show pivots around the work of Mrinalini Mukherjee (1949-2015), placing her in dialogue with key figures of the Indian cultural scene, including her parents Benode Behari Mukherjee and Leela Mukherjee, as well as artists Gulammohammed Sheikh and Nilima Sheikh. The exhibition highlights Mukherjee's hemp sculptures like 'Adi Pushp II' (1998-99) and bronze works such as 'Forest Flame IV' (2009), and emphasizes the importance of art schools and places—Santiniketan, Baroda (Vadodara), and New Delhi—in shaping her practice.

The Top 10 Exhibitions to See Around the World This November

This article presents a curated list of the top 10 exhibitions to see around the world in November, highlighting key shows such as 'Project a Black Planet' at MACBA, which explores Pan-Africanism through art and culture, Sylvie Fleury's installation 'She-Devils On Wheels Headquarters' in New York, and Araya Rasdjarmrearnsook's survey at Jameel Arts Centre. Other featured exhibitions include Karolina Jabłońska's paintings of pickled beets and severed limbs, among others, each offering unique perspectives on identity, gender, and mortality.

Inside the Jewish Museum’s $14.5m renovation in New York City

The Jewish Museum in New York City reopened its third and fourth floors on October 24 after a $14.5 million renovation led by United Network Studio and New Affiliates Architecture. The redesigned 20,000-square-foot space features thematic galleries displaying centuries-old artifacts alongside works by Mark Rothko, Robert Motherwell, and contemporary artists, as well as a new Robert and Tracey Pruzan Center for Learning with art studios and a children's archaeological dig. A highlight is the display of 139 Hanukkah lamps from the museum's collection, arranged geographically in a 50-foot vitrine.

Exhibition explores two transformative decades of innovative art created in Japan, for the world

The exhibition "Prism of the Real: Making Art in Japan 1989-2010" at the National Art Center, Tokyo, examines two transformative decades of Japanese art framed by the death of Emperor Hirohito in 1989 and the 2011 Tohoku earthquake and Fukushima disaster. It features works by artists such as Yasumasa Morimura, Tadasu Takamine, Lieko Shiga, and Shimabuku, alongside international figures like Pierre Huyghe and Rirkrit Tiravanija, challenging fixed notions of national identity and highlighting global exchanges.

A rare jewellery box identified in Vermeer paintings sheds new light on the artist’s connections

New research by curator Alexandra van Dongen of Rotterdam’s Boijmans Van Beuningen Museum reveals that a rare Indo-Portuguese jewellery casket depicted in two Johannes Vermeer paintings—Mistress and Maid and A Lady Writing (both 1664-67)—is a real, surviving object. Van Dongen tracked down the sole known example in the Távora Sequeira Pinto collection in Porto, with help from Amsterdam dealer Dickie Zebregs. Her findings, published in the book De tastbare wereld van Johannes Vermeer, suggest the casket likely belonged to Vermeer’s patron Maria de Knuijt, a wealthy Dutch East India Company shareholder who may have asked the artist to include it in her paintings.

Miami collectors donate 36 works by African and diaspora artists to Tate

Miami-based collectors Jorge and Darlene Pérez have donated 36 works by 15 artists from Africa and the African diaspora to Tate. The gift includes photographs by Seydou Keïta, paintings by Cheri Samba, a hanging piece by El Anatsui, and works by Joy Labinjo, Wangechi Mutu, Rotimi Fani-Kayode, Buhlebezwe Siwani, Bruce Onobrakpeya, and Gavin Jantjes. The donation also comes with a multi-million dollar endowment to support curatorial research on African and Latin American art, funding a dedicated curatorial post currently held by Osei Bonsu.

The Modern Art Museum of Fort Worth presents Rashid Johnson: A Poem for Deep Thinkers

The Modern Art Museum of Fort Worth presents "Rashid Johnson: A Poem for Deep Thinkers," the artist's largest exhibition to date and his first major museum survey in over a decade. The show brings together nearly ninety works spanning Johnson's career, including painting, sculpture, film, installation, a site-specific piece, an outdoor sculpture, and live performances. Co-curated by Naomi Beckwith of the Solomon R. Guggenheim Museum and Andrea Karnes of the Modern Art Museum of Fort Worth, the exhibition takes its title from a poem by Amiri Baraka and explores themes of race, masculinity, empathy, self-care, family, and emotional life.

Sasha Gordon Finds Beauty and Empathy in the Shadows of the Human Mind

Sasha Gordon, a rising young artist from New York's art scene, debuted her solo exhibition "Haze" at David Zwirner's 19th Street gallery in Chelsea. The show, which drew long lines and significant attention, features hyperrealistic paintings that explore identity, memory, and the subconscious through an Asian diasporic lens. Gordon, who rose to fame during the pandemic and is co-represented by David Zwirner and Matthew Brown (Zwirner's son-in-law), discusses her evolving technique and her shift away from explicitly autobiographical work toward more open-ended, timeless figures.

George Rouy Bends Flesh and Bone in 'Shadowing'

British artist George Rouy has opened a solo exhibition titled 'SHADOWING' at Almine Rech's venue in Château de Boisgeloup, Gisors, France, running through November 23. The show is staged inside Pablo Picasso's former sculpture studio and features new paintings that explore the tension and flux of the human body, with figures emerging and dissolving in bruise-colored palettes and expressive brushwork. The exhibition is supported by Hannah Barry Gallery and Hauser & Wirth.

Curator Conversation: Behind The Honest Eye

On October 25, 2025, co-curators Clarisse Fava-Piz, Claire Durand-Ruel Snollaerts, and Nerina Santorius will host a conversation at the Joslyn Art Museum in Omaha, Nebraska, offering a behind-the-scenes look at the exhibition "Pissarro’s Impressionism." The talk will explore Camille Pissarro’s life and legacy, from his Caribbean roots to his role in Impressionism, and detail how over 80 works were assembled for the first major U.S. retrospective of the artist in over 40 years. The event is sold out in person but will be livestreamed.

James Turrell’s New Skyspace Is Opening in Denmark—and It’s Monumental

James Turrell's largest Skyspace to date, titled "As Seen Below – The Dome," will open at ARoS Aarhus Art Museum in Denmark on June 19, 2026, timed for the summer solstice. The dome-shaped underground chamber, over 50 feet high and 130 feet in diameter, frames the sky and is housed within a grassy mound as part of the museum's subterranean expansion, The Next Level. The project, first announced in 2015, faced financial and technical delays, including a supplier bankruptcy, and required additional funding of 6.7 million kroner this year.

Ojibwe artist George Morrison’s family relishes his first solo exhibit at The Met

The Metropolitan Museum of Art in New York is hosting the first solo exhibition of Ojibwe artist George Morrison, titled "George Morrison: An Ojibwe Artist in the Modernist World." The show features over 50 works spanning his career, including paintings, drawings, and sculptures, and is drawn from public and private collections. Morrison's family, including his son and grandchildren, have been deeply involved in organizing the exhibition and have expressed pride in seeing his work recognized at such a prestigious institution.

'It's about world-making': Tavares Strachan on his expansive new Lacma exhibition

Tavares Strachan's new solo exhibition, *The Day Tomorrow Began*, has opened at the Los Angeles County Museum of Art (Lacma), running until 29 March 2026. Co-organized with the Columbus Museum of Art, the show features 20 new works across neon, ceramics, bronze, painting, text, and performance, exploring invisible histories and challenging white-centric narratives. The exhibition includes a spotlight on his *Encyclopedia of Invisibility* (2018), bronze sculptures referencing the Haitian Revolution, and a neon piece contrasting James Baldwin and Mark Twain. Strachan, who trained as a cosmonaut and collaborates with MIT scientists, also unveils a permanent participatory speakeasy called *Bar Room* in Columbus.

Rare wooden Alexander Calder mobile heads to Christie’s

Christie’s has secured the consignment of Painted Wood (1943), a rare wooden mobile by Alexander Calder, which will lead its 20th Century Evening Sale next month. Specialists estimate the work will sell for between $15 million and $20 million, the highest auction estimate ever placed on a Calder piece. The mobile comes from the collection of prominent Latin American art collector Patricia Phelps de Cisneros and was featured in Calder’s landmark 1943 retrospective at the Museum of Modern Art in New York, where he became the youngest artist to receive a solo exhibition at the museum.

Remembering Sylvio Perlstein, the Belgian art collector and jeweller, who died aged 94

Sylvio Perlstein, the Belgian art collector and jeweller, died at age 94 in Antwerp, where he was born in 1931. A third-generation gem-cutter from a diamond dynasty, he fled the Nazis with his Jewish family to Brazil as an infant, reinventing himself as "Sylvio." His collecting began as an adolescent in Rio, where he bought a strange painting from a florist. Over decades, he amassed a major collection of 20th-century avant-garde art, befriending artists like Man Ray and Yves Klein, and acquiring works by René Magritte, Marcel Broodthaers, and Pablo Picasso. He was known for his discerning eye, seeking works that were "esquisito"—weird, strange, and different—rather than conventionally beautiful.

Indigenous artists transform works at Metropolitan Museum in unsanctioned augmented reality project

On Indigenous Peoples’ Day (13 October), 17 Native artists staged an unsanctioned augmented reality intervention inside the Metropolitan Museum of Art’s American Wing. The project, titled ENCODED: Change the Story, Change the Future (through 31 December), digitally overlays cosmological figures, pow-wow dancers, and ivy onto 19th-century paintings and sculptures, challenging the museum’s narratives. Co-curated by filmmaker Tracy Renée Rector and an anonymous Indigenous co-curator in collaboration with the non-profit Amplifier, the intervention coincides with the American Wing’s centenary.

An exhibition in New York City takes on censorship in the art world

Art at a Time Like This, a non-profit organization, has opened the exhibition 'Don’t Look Now' in New York City's Nolita neighborhood (October 10–25), featuring 24 contemporary artists whose work has been censored or blacklisted. Participants include Marilyn Minter, Shepard Fairey, Dread Scott, Danielle SeeWalker, and Yvonne Iten-Scott, whose pieces were removed from shows, rescinded from residencies, or targeted by officials due to political content. The exhibition responds to the Trump administration's crackdown on free speech in the culture sector, including mass layoffs at the NEA and NEH, proposed funding cuts, and canceled shows at institutions like the Smithsonian.

$45 million Basquiat painting heads to auction for the first time.

Sotheby's will auction Jean-Michel Basquiat's painting *Crowns (Peso Neto)* (1981) in its contemporary evening sale in New York this November, with an estimate of $35–$45 million—the highest ever for a Basquiat work from 1981. The painting, making its auction debut, was featured in Basquiat's breakthrough solo show at Annina Nosei Gallery in 1982 and later exhibited at documenta 7 in 1983 and the artist's retrospective at Fondation Louis Vuitton in 2018. It will tour London and Paris before being presented at Sotheby's new New York headquarters in the historic Breuer building.

Sotheby’s to sell painting from Jean-Michel Basquiat’s first solo show

Sotheby's will offer Jean-Michel Basquiat's early painting *Crowns (Peso Neto)* (1981) as the top lot in its Contemporary Evening Sale on 18 November, held at the auction house's new headquarters in the Breuer Building. The work, estimated at $35–40 million, was created in the basement of dealer Annina Nosei's gallery and featured in Basquiat's first solo show in 1982, marking a pivotal moment in his rise from street artist to market star. It comes from a European private collection and has never been auctioned before.

Two years on from 7 October attacks, Israeli museum directors are in ‘complete isolation’

Two years after the 7 October 2023 attacks, Israeli museum directors report feeling isolated from the international art world. Tania Coen-Uzzielli, director of the Tel Aviv Museum of Art, says most international collaborations were put on hold, delayed, or cancelled. The museum, which has a history of political activism, closed partially during protests against judicial reforms and has taken a public stance to end the war and suffering in Gaza. Meanwhile, the Tel Aviv-Yafo City Museum, which opened just after the attacks, shifted to documenting wartime reality and supporting artists, but has received no direct support from international colleagues. The National Library of Israel repeatedly deinstalled and secured its collections during Iranian missile attacks, reopening when safe.

From royal visitors to extortionate eBay sales: new book offers rare behind-the-scenes glimpse of Vermeer blockbuster

The Rijksmuseum's 2023 Vermeer exhibition, widely considered the most successful show of the century, drew 650,000 visitors and assembled 28 of the artist's 37 known paintings. A new book, *Closer to Vermeer: New Research on the Painter and his Art*, reveals behind-the-scenes details: the initial plan for a broader thematic show was abandoned in favor of a focused Vermeer-only presentation; nine paintings could not be borrowed, including *The Concert* (stolen in 1990) and *The Astronomer* (on loan to Louvre Abu Dhabi); the Herzog Anton Ulrich Museum refused to lend *Girl with a Wine Glass*, even rejecting an offer of buses for schoolchildren. The book also discloses that the Dutch king and queen visited multiple times during regular hours, that a quarter of visitors felt context was missing, and that over 3,500 complaints were filed about photography. The most expensive resold ticket on eBay reached $2,724.

New Frida Kahlo museum, focused on the artist's youth and family life, opens in Mexico City

A new museum dedicated to Frida Kahlo, Museo Casa Kahlo, opened on 27 September in Mexico City's Coyoacán neighborhood, a five-minute walk from the iconic Casa Azul. Housed in the historic Kahlo family home acquired in 1930 and passed down through generations, the museum draws on the private archive of Isolda Kahlo, Cristina Kahlo's daughter, which includes letters, everyday objects, and personal effects. The intimate space focuses on Kahlo's youth and family life, featuring immersive audiovisual elements, a re-created darkroom of her father Guillermo, and a basement studio where Kahlo once painted. A notable highlight is a recently uncovered mixed-media mural from around 1949, hidden for years under white paint.

Hong Kong’s latest art auctions see turnover lingering at 8-year low

Hong Kong's major auction houses—Christie's, Phillips, and Sotheby's—held their seasonal modern and contemporary art evening sales over the past weekend, with total turnover lingering at an eight-year low. Despite the overall downturn, a handful of records and last-minute withdrawals improved the success ratio, and several lots drew vigorous bidding, such as Salvo's "Mattino di primavera (Spring Morning)" which sold for HK$4 million (five times its low estimate) and Firenze Lai's "Basic Knot" which fetched HK$477,300 (nearly four times its low estimate).

Artist Lindsay Adams explores Black experience and artistry in her latest exhibition

The Frary Gallery at the Johns Hopkins University Bloomberg Center in Washington, D.C., will host its first solo exhibition, titled "Ceremony," by award-winning painter Lindsay Adams, opening October 29. The show features paintings and drawings that explore Black histories, movement, and world-building, including a large diptych titled "Kind of Blue (1959)" inspired by Miles Davis' iconic album. Archival materials by Billie Holiday, Josephine Baker, and other Black artists from the Johns Hopkins Sheridan Libraries will also be on view to provide historical context.

Daegu Photo Biennale tackles the Anthropocene

The Daegu Photo Biennale in South Korea, now in its 10th edition, tackles the Anthropocene through the lens of symbiosis, featuring three main exhibitions: 'The Pulse of Life', 'The Origin of the World', and a solo show by Rinko Kawauchi titled 'M/E On this Sphere Endlessly Interlinking'. Artistic director Emmanuelle de l’Ecotais, a former curator at Centre Pompidou and Musée d’Art Moderne de Paris, leads the biennale, which includes 80 artists in the main exhibition and 75 in the special exhibition, alongside emerging artist showcases, a symposium, a photobook exhibition, and a portfolio review, all spread across 4,000 square meters at the Daegu Culture and Arts Center.

The first US solo exhibition of late Japanese artist Yoshida Chizuko comes to Portland Art Museum - Oregon Public Broadcasting

The Portland Art Museum has opened the first solo U.S. exhibition of late Japanese artist Yoshida Chizuko (1924-2017), featuring over 100 woodblock prints and paintings, many never before displayed publicly. The exhibition, curated by Asian art curator Jeannie Kenmotsu, highlights Yoshida's avant-garde work that pushed the boundaries of painting and printmaking within Japan's male-dominated postwar art world.

Picasso Achieves HK$197 Million Breaking Artist's Asia Auction Record at Christie's Hong Kong Evening Sale - Christie's

Christie's Hong Kong held its 20th/21st Century Evening Sale on 26 September 2025 at The Henderson, achieving a total of HK$565,649,000 (US$73,038,183). The top lot was Pablo Picasso's *Buste de femme*, which sold for HK$196,750,000 (US$25,404,911) after over 15 minutes of bidding, setting a new auction record for the artist in Asia. Zao Wou-Ki's *17.3.63* also performed strongly, achieving HK$85,200,000. The sale saw 92% of lots sold, with the overall hammer price 116% above the low estimate, and works by Chinese, Southeast Asian, Korean, and Japanese artists all sold out.