The High Line in New York has selected Vietnamese artist Tuan Andrew Nguyen to create its next plinth commission, titled *The Light That Shines Through the Universe*, opening spring 2026. The 27-foot sandstone sculpture reimagines one of the Bamiyan Buddhas, destroyed by the Taliban in 2001, replacing the lost hands with melted brass artillery shells. The work is an "echo" meant to invoke memory of the lost cultural treasures.
A Moscow court designated the feminist art collective Pussy Riot as an extremist organization on December 15, following a lawsuit from Russia's Ministry of Justice. Founder Nadya Tolokonnikova, currently living in exile, condemned the ruling, warning that owning a balaclava, having a song on a computer, or liking a post could lead to prison time. She learned of the lawsuit while finishing her durational performance "Police State" at the Museum of Contemporary Art Chicago, which she described as a warning about surveillance authoritarianism. Tolokonnikova co-founded Pussy Riot in 2011 and was previously imprisoned for performing anti-Putin songs at a Moscow cathedral.
The article examines Gustav Klimt's iconic painting *The Kiss* (1907–1908) within the turbulent sociopolitical context of Vienna before World War I. It describes the city as a hotbed of ethnic tensions, anti-Semitism, and artistic ferment, where Klimt, alongside figures like Sigmund Freud and Gustav Mahler, explored repressed sexuality and decadence. The painting is presented as a symbol of this era, blending Symbolism, Japanese art, and Art Nouveau, and reflecting Klimt's role as a co-founder of the Vienna Secession, which broke with traditional aesthetics to pioneer modernism.
A retired General Services Administration official, Mydelle Wright, has accused the Trump administration of attempting to demolish four historic federal buildings in Washington, D.C., including the Wilbur J. Cohen Federal Building. The allegation was made in a supplemental declaration filed in a lawsuit brought by preservation groups. Wright claims the White House is soliciting demolition bids without GSA involvement, which she says has sole authority over such processes. The Cohen building houses significant New Deal-era murals by Ben Shahn, Philip Guston, and Seymour Fogel, and has been described as "the Sistine Chapel of the New Deal." The Trump administration has halted a planned green renovation and listed the building for accelerated disposition, raising fears of demolition and loss of the artworks.
Art Basel launched its inaugural Art Basel Awards ceremony at the New World Center in Miami Beach during Art Basel Miami Beach week. The awards, first introduced in New York in May, recognized 36 medalists across categories including Icon, Established, Emerging, Patron, Institution, Curator, and Media & Storytelling. Top winners included Cecilia Vicuña (Icon), Nairy Baghramian and Ibrahim Mahama (Established), Mohammad Alfaraj and Saodat Ismailova (Emerging), and Meriem Bennani (BOSS Award). The event was hosted by musician and collector Kasseem "Swizz Beatz" Dean, with performances by cellist Kelsey Lu and recorded narration by actor Emma D'Arcy. Each artist received $50,000, and established artists will debut commissions at Art Basel in Switzerland next year.
In 1995, artist Red Grooms created the Tennessee Foxtrot Carousel, a working carousel featuring 36 figures from Tennessee history, installed at the base of Nashville's Broadway. After financial troubles forced its closure in 2003, the Tennessee State Museum acquired and dismantled it in 2004, storing it for years. Though the museum moved to a new $160 million building in 2018, the carousel remained in storage. Now, the museum has issued a request for information seeking partners to restore and operate the carousel, as reported by the New York Times.
A conservation plan is underway to protect 26 square kilometers of New Mexico desert near Abiquiu that inspired Georgia O’Keeffe’s iconic paintings. The land, owned by a charitable arm of the Presbyterian Church, is being safeguarded through a partnership with the New Mexico Land Conservancy and the state government, with a $920,000 award from a state conservation trust. The protected area includes sandstone bluffs, grasslands, and views of Cerro Pedernal, while preserving access for film productions and ranchers.
Francis Ford Coppola sold a collection of seven personal watches at Phillips New York in early December 2025, raising millions to offset financial losses from his film Megalopolis (2024). The sale was led by a unique watch he co-designed with F.P. Journe, known as the FFC, which sold for $10.8 million—ten times its estimate and a world record for the brand. Other timepieces, including a Patek Philippe and a Breguet, also far exceeded their high estimates.
Artnet News analyzed the 10 most expensive lots sold at auction in 2024, drawing on the Artnet Price Database. The top lot was René Magritte's *L'Empire de Lumières* (1954), which sold for $121.2 million at Christie's New York in November, setting a new auction record for the artist and becoming the only work to break nine figures this year. Other notable sales included Ed Ruscha's *Standard Station, Ten-Cent Western Being Torn in Half* (1964) at $68.3 million, Claude Monet's *Nymphéas* (1914–17) at $65.5 million, and Jean-Michel Basquiat's *Untitled (ELMAR)* (1982) at $46.4 million. Seven of the top 10 lots sold in New York, with Hong Kong, London, and Vienna also represented.
Stevenson Gallery is closing its Johannesburg branch after 17 years, with the last day on December 12. The final exhibition, Tofo Bardi's "Underground: Nothing to Hold," will close early. The gallery's Cape Town and Amsterdam locations will remain open. Founded in Cape Town in 2003 by Michael Stevenson, the Johannesburg outpost opened in 2008 and moved several times before settling in Parktown North in 2019.
An exhibition of work by late Arte Povera artist Marisa Merz, planned for the Fridericianum museum in Kassel, Germany, has been canceled by her daughter Beatrice Merz. Beatrice, president of the Fondazione Merz, called off the show in protest of Documenta's newly adopted Code of Conduct, which uses the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism. The exhibition was originally scheduled to open in August 2025 and was replaced with a Robert Grosvenor survey. The cancellation was confirmed by Andreas Hoffmann, managing director of Documenta and the Fridericianum.
British Ghanaian artist Larry Achiampong responded to controversy after two of his pan-African flags from the "Relic Traveller: Phase 1" series replaced a portrait of Queen Elizabeth II in the UK Foreign Office. The flags, titled "Pan African Flag For The Relic Travellers’ Alliance (Motion)" and "Pan African Flag For The Relic Travellers’ Alliance (Community)", were hung by Deputy Prime Minister David Lammy. Conservative MP Lee Anderson criticized the move, while Achiampong dismissed the outrage as "deeply problematic" in an interview with the Guardian.
Russia’s justice ministry is seeking to have Pussy Riot, the feminist punk rock art collective, designated as an extremist organization, with a hearing set for December 15 at Moscow’s Tverskoy Court. The lawsuit, filed by prosecutor general Alexander Gutsan, aims to ban the group’s activities in Russia, marking the first time Pussy Riot faces official allegations of extremism. The move coincided with a performance of Police State by member Nadya Tolokonnikova at the Museum of Contemporary Art Chicago, where she transformed the theater into a replica Russian prison cell for a five-day immersive piece. Tolokonnikova, who was previously imprisoned by Russia on religious hatred charges, has been placed on the country’s wanted list, and other members have received lengthy prison sentences for spreading alleged "fakes" about the Russian military.
A long-lost painting by Peter Paul Rubens, unseen for four centuries, was sold at auction in Versailles for €2.94 million ($3.4 million), nearly double its high estimate. Created in 1613, the work depicts Jesus Christ on the cross and was discovered in a private Paris townhouse by auctioneer Jean-Pierre Osenat. The painting was authenticated by German art historian Nils Büttner through X-ray imaging and pigment analysis, and its provenance traces back to the 19th-century French painter William-Adolphe Bouguereau.
Santina Semadar Panetta, a Canadian artist, is pioneering Neo-Pointillism, a contemporary evolution of the 19th-century pointillist style. She creates vibrant, intricate paintings that blend portraiture and landscape, using bold color palettes and meticulous technique. Panetta is the only Canadian artist selected for the Biennale di Palermo, Biennale di Mantova, and the Biennale of the Nations in Venice, and her work was recently featured at the LA Art Show. In an interview, she discusses her shift from journalism to art, inspired by the events of September 11, 2001, and her academic training at Académie Art et Beaux, which led her to develop a philosophical and rhetorical approach to Neo-Pointillism.
Vanity Fair has commissioned and will publish an abstract nude portrait of journalist Olivia Nuzzi, titled "How to Disappear," by artist Isabelle Brourman, in its Dec. 2 Hollywood Issue. The painting, which depicts Nuzzi nude with Americana symbols swirling around her, was created after the two met during Donald Trump's criminal trial and will also be exhibited at Art Basel Miami Beach as part of Jeffery Deitch's presentation "The Great American Nude."
The son of late Palestinian businessman Uthman Khatib, Prince Castro Ben Leon, is suing LitFin Capital, the Prague-based litigation funder that financed his family's legal battle to recover 135 Russian avant-garde paintings allegedly stolen by Israeli Russian Mozes Frisch. The paintings, attributed to El Lissitzky, Kazimir Malevich, and Wassily Kandinsky, are valued at $323 million. A Paris court secured the works in January after they were seized from Paris-based authenticators ArtAnalysis, which had been holding them for Frisch. Castro claims LitFin is now refusing to pay legal bills unless it gains control of the lawsuits, violating their funding agreement. LitFin denies the allegations, stating it has always honored its contractual obligations.
On Thursday night, Sotheby’s concluded a week of evening sales with a three-part modern art auction that achieved $304.6 million, far exceeding its pre-sale estimate of $211.3–$289.3 million. The evening featured 13 works from the collection of Cindy and Jay Pritzker, which sold for $109.5 million, followed by the 'Exquisite Corpus' Surrealist sale from Selma Ertegun’s collection totaling $98 million, and a multiple-owner modern art auction that brought in $97 million. The standout was Frida Kahlo’s self-portrait *El sueño (La cama)* (1940), which sold for $55 million, setting records for Kahlo, a Latin American artist, and a female artist at auction. Vincent van Gogh’s *Piles de romans parisiens et roses dans une verre (Romans parisiens)* (1887) achieved $62.7 million after a seven-minute bidding war.
Phillips held its modern and contemporary evening sale in New York on Wednesday, following Christie’s and Sotheby’s auctions that had already generated nearly $1.4 billion. The 33-lot sale achieved $67.3 million, a 24% increase from the equivalent sale last year, with a 94% sell-through rate. Headlining lots included an untitled Joan Mitchell painting ($14.3 million), a Francis Bacon diptych ($16 million), and a juvenile triceratops skeleton that sold for $5.3 million, exceeding its high estimate. Only two lots failed to sell, and notable results included works by Ruth Asawa, Firelei Báez, Jean-Michel Basquiat, and Max Ernst.
Gustav Klimt's 1908 landscape painting *Blumenwiese* (Blooming Meadow) sold for $86 million at Sotheby's, slightly above its $80 million-plus estimate. The work was part of the Leonard A. Lauder Collection, a major consignment also featuring pieces by Matisse, Munch, and Martin. Lauder had acquired the painting in 1985, drawn to Viennese modernism and Klimt's Attersee period. The sale marks the second-highest price ever for a Klimt landscape, trailing the $104.5 million record set by *Birch Forest* in 2022.
The Panama Papers leak has revealed that the 1997 sale of the Victor and Sally Ganz collection at Christie's New York was secretly orchestrated by billionaire currency trader Joseph Lewis. Lewis had already purchased the top works from the collection through a Christie's subsidiary, Spink & Son, months before the auction, and structured a guarantee that shared profits above $168 million. The sale, which set a private collection auction record at $206 million, included Pablo Picasso's "Women of Algiers (version O)" fetching $31.9 million. The documents also confirm that a Modigliani painting involved in a Nazi restitution case belongs to the Nahmad family.
A 1969 Fender Competition Mustang guitar owned by Nirvana frontman Kurt Cobain is being auctioned by Christie's in March, with an estimated price of $2.5–$5 million. The guitar was used on the albums *Nevermind* and *In Utero*, as well as in the music video for "Smells Like Teen Spirit" and numerous live performances. It is part of the Jim Irsay Collection, assembled by the late Indianapolis Colts owner, which includes instruments from John Lennon, Jimi Hendrix, Prince, and others.
Coreen Simpson, an 83-year-old photographer born in Brooklyn in 1942, is the subject of a new eponymous monograph published by Aperture as part of its Vision and Justice Book Series. The book surveys five decades of her work, spanning street photography, fashion photography, studio portraits in Harlem, images of the early hip-hop scene, and later collage experiments. Simpson is known for merging fashion and social photography, capturing both celebrities like Muhammad Ali, Toni Morrison, and Jean-Michel Basquiat, as well as unnamed individuals in her series “Nitebirds/Nightlife,” all with a frontal, confident gaze that emphasizes the subject's self-presentation.
Scope Art Show Miami has announced its 2025 edition, themed "Be Here Now," which will take place December 2–7. The fair will feature 95 galleries from 18 countries and territories, including over 30 first-time exhibitors, along with large-scale installations, performances, and collaborative activations. Highlights include a reprisal of The Better Together Bar by Chris Allen Darsow and Al Hamm, a monumental installation by Victor Quiñonez (Marka27) titled "Elevar La Cultura" (2025), Shepard Fairey's "Phone Booth" presented by Mortal Machine Gallery, and Dan Witz's hyperrealist painting "Crown Heights" (2025).
British artist Anish Kapoor's iconic sculpture *Cloud Gate* (2006), known as "the Bean," in Chicago's Millennium Park became the site of a controversial photo op on Monday, when dozens of U.S. Border Patrol agents, led by chief Gregory Bovino, gathered in front of the 110-ton piece just after dawn. The agents, armed and in fatigues, reportedly shouted "Little Village"—a predominantly Mexican American neighborhood where Border Patrol had deployed tear gas in a raid over the weekend—instead of "cheese" for the photo. Local officials, including Chicago governor J.B. Pritzker and alderman Mike Rodriguez, condemned the action, and Kapoor himself expressed horror, likening the agents to "SS Nazi troops" and calling the incident a "fascist battle cry of intimidation." Chicago artist Michael Rakowitz also denounced the shoot as a "horrible invasion and occupation."
Two French parliamentarians, Jean-Paul Matteï and Philippe Juvin, have proposed a new tax regime on art as part of France's 2026 budget, which would make France the only major art market to impose a wealth tax on the mere possession of artworks. The French art world has strongly opposed the proposal, with 27 signatories including Art Basel, auctioneer Drouot, visual artists' rights organization ADAGP, the Association for the International Diffusion of French Art (ADIAF), and the Comité Professionel des Galeries d’Art (CPGA). Critics argue the tax is technically unenforceable, would drive collectors away, and harm the broader art ecosystem.
Newly released emails from Jeffrey Epstein, published by House Republicans, show the disgraced financier discussing Leonardo da Vinci's *Salvator Mundi* with journalist Michael Wolff. In a May 2019 exchange, Epstein referenced the $450.3 million painting—the most expensive artwork ever sold at auction—and suggested its sale was linked to a real estate deal involving a Russian billionaire and Saudi Crown Prince Mohammed bin Salman. Epstein also mentioned that his "art guy" thought the painting wasn't very good.
The descendants of Norman Rockwell have publicly condemned the U.S. Department of Homeland Security (DHS) for using reproductions of Rockwell's paintings on social media to promote anti-immigrant rhetoric. Since August, DHS posts on X, Instagram, and Facebook have featured Rockwell's works such as "Salute the Flag" (1971), "Working on the Statue of Liberty" (1946), and "And Daniel Boone Comes to Life on the Underwood Portable" (1923), overlaid with captions like "Protect our American way of life" and "Protect your homeland and defend your culture." The Rockwell family responded with an op-ed in USA Today, arguing that the artist would have been "devastated" by this misuse, and provided context about his later civil rights-themed works.
Brian Eno, the renowned musician and artist, is selling a cache of paintings for £500 each (around $666) through his London gallery, Paul Stolper. The online sale begins November 12, following a two-day performance where Eno created over 400 works using stencils, spray paint, and found objects like dried pasta and wooden blocks. The paintings, measuring about 5 by 7 inches, are priced individually, with four-block assemblages available for £3,000. An exhibition accompanies the sale from November 14 through January 17 at Paul Stolper.
A painting long attributed to Moïse Kisling, titled *Kiki de Montparnasse* and held by Japan's Yamada Bee Company Group, has been identified as a forgery by notorious art forger Wolfgang Beltracchi. The discovery, reported by NHK, follows a wave of Beltracchi-linked fakes uncovered in Japanese museums and collections, including a purported Marie Laurencin portrait in Tokyo and a forgery of Heinrich Campendonk's *Girl with Swan* at the Museum of Art, Kochi. Beltracchi admitted to forging the Kisling around 1990, claiming he studied the artist deeply.