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Indigenous artists transform works at Metropolitan Museum in unsanctioned augmented reality project

On Indigenous Peoples’ Day (13 October), 17 Native artists staged an unsanctioned augmented reality intervention inside the Metropolitan Museum of Art’s American Wing. The project, titled ENCODED: Change the Story, Change the Future (through 31 December), digitally overlays cosmological figures, pow-wow dancers, and ivy onto 19th-century paintings and sculptures, challenging the museum’s narratives. Co-curated by filmmaker Tracy Renée Rector and an anonymous Indigenous co-curator in collaboration with the non-profit Amplifier, the intervention coincides with the American Wing’s centenary.

New London venue to focus on global majority arts—and host ‘necessary conversations’

A new cultural centre called Ibraaz is opening on 15 October in a historic Grade II-listed mansion at 93 Mortimer Street in London’s Fitzrovia. The inaugural exhibition is Ibrahim Mahama’s installation *Parliament of Ghosts*, which fills the ballroom with colonial furniture and plinths evoking Ghana’s past. The multi-disciplinary art space is entirely funded by the Kamel Lazaar Foundation and led by Lina Lazaar, who previously founded Jeddah Art Week and worked at Sotheby’s. Ibraaz will host talks, performances, film screenings, and exhibitions, and includes a bookshop, café, screening room, and a library-in-residence by the Otolith Group.

LACMA Expands Local Access Initiative with New Museum Partners and Exhibitions

The Los Angeles County Museum of Art (LACMA) has expanded its Local Access program, adding three new museum partners: the California State University, Dominguez Hills (CSUDH) University Art Gallery, the Millard Sheets Art Center at the LA County Fair, and the Ontario Museum of History & Art. Supported by the Art Bridges Cohort Program, the initiative brings exhibitions sourced from LACMA's permanent collection to communities across Southern California. The program's latest exhibition, 'Act on It! Artists, Community, and the Brockman Gallery in Los Angeles,' opens at the Vincent Price Art Museum on September 27, exploring the legacy of the historic Brockman Gallery and its role in the Black Arts Movement.

Comment | Museums can't get enough of anniversary exhibitions—but surely there's better ways to serve the public

The article critiques the growing trend of museums mounting anniversary exhibitions to celebrate the birth or death of famous artists, using the centennial of Robert Rauschenberg as a prime example. Nearly 100 organizations worldwide are participating in Rauschenberg-related shows, from the Menil Collection in Houston to the Grey Art Museum in New York. The author notes similar patterns in 2024 for James Ensor and in 2023 for Ellsworth Kelly and Pablo Picasso, with museums often resorting to highly specific or gimmicky themes to differentiate their offerings.

Pearlstein Gallery Opens Fall Exhibition Exploring Systems and Structures in Contemporary Art

The Leonard Pearlstein Gallery at Drexel University's Antoinette Westphal College of Media Arts & Design has announced its Fall 2025 exhibition, "Of the Grid: Systems + Structures in Contemporary Art," running from October 14 to December 15. The show features 36 artists working across media including photography, video, drawing, weaving, sculpture, embroidery, printmaking, painting, book arts, and interactive installation, with works that use the grid as a formal, conceptual, or narrative device. Co-curated by gallery director Mark Stockton and Cindy Stockton Moore, the exhibition includes a dynamic mix of Philadelphia-based and international artists, with highlighted pieces such as Jacob C. Hammes's IKEA-hacked fountain, Anne Schaefer's optical color window installation, and a suspended quilt by Jody Graff.

A ‘town square for the arts and humanities’: The new Princeton University Art Museum shares opening details

The Princeton University Art Museum will open its new building to the public with a 24-hour celebration from 5 p.m. on Oct. 31 to 5 p.m. on Nov. 1, 2025. The event includes tours, artmaking, live performances, film screenings, poetry readings, and yoga, all free of charge. Planning began in 2012, and the museum has also scheduled preview days for Princeton students, faculty, staff, and members before the public opening.

The Disturbing Lessons of the 1937 ‘Degenerate Art’ Show

The article examines the historical context and enduring relevance of the 1937 Nazi-organized 'Degenerate Art Show' (Entartete Kunst) in Munich, which displayed hundreds of works by modern artists like George Grosz, Wassily Kandinsky, and Paul Klee as examples of moral and cultural corruption. It traces the concept's roots in 19th-century Social Darwinism, its adoption by Adolf Hitler and the Nazi Party to denigrate modern art, and the gradual escalation of cultural purification policies after Hitler seized power in 1933, including the firing of museum directors and the construction of the Haus der Deutschen Kunst.

With works by Munch and Mamma Andersson, the British Museum reveals the darkness of Nordic noir

The British Museum in London will open a free exhibition titled "Nordic Noir" on October 9, featuring over 150 works by 100 artists. The show begins with Edvard Munch, including his woodcut "Gammel fisker (Old fisherman, 1897)", and moves chronologically to explore how Nordic artists responded to political transformations since 1944. Curated by Jennifer Ramkalawon, the exhibition highlights works by contemporary artists such as Yuichiro Sato, Anna Zimmerman, Maria Nordin, Per Kirkeby, and the Norwegian radical collective GRAS, many of which have never been seen outside the Nordic region.

UC Davis Artist, Sociologist, Ph.D. Student Reflect on ‘Breathe' Exhibition at Manetti Shrem Museum

Three UC Davis scholars—artist and professor Margaret Laurena Kemp, a sociologist, and a Ph.D. student—reflect on the exhibition 'Breath(e): Toward Climate and Social Justice' at the Manetti Shrem Museum. The show, curated by Glenn Kaino and Mika Yoshitake, combines climate change and social justice themes through works like Jin-me Yoon's video installation 'Turning Time (Pacific Flyways),' 2022. Kemp incorporates the exhibit into her course, using breathwork and dance to engage students with Black literature and visual art, culminating in a student performance at the museum on November 13.

Martin Parr steps out from behind the camera lens in informal autobiography

Martin Parr, the renowned British documentary photographer, has released an informal autobiography titled "Utterly Lazy and Inattentive: Martin Parr in Words and Pictures," written with author Wendy Jones. The book traces his career from early black-and-white work inspired by Garry Winogrand and Tony Ray-Jones to his signature vivid color series like "The Last Resort" (1983-85) and "Small World" (1987-94), which drew controversy for their satirical take on British leisure and global tourism. Parr, who was diagnosed with cancer in 2021, continues to be active, with his photographs of Bristol Pride currently on display at Bristol Museum and Art Gallery through March 2026.

New Frida Kahlo museum, focused on the artist's youth and family life, opens in Mexico City

A new museum dedicated to Frida Kahlo, Museo Casa Kahlo, opened on 27 September in Mexico City's Coyoacán neighborhood, a five-minute walk from the iconic Casa Azul. Housed in the historic Kahlo family home acquired in 1930 and passed down through generations, the museum draws on the private archive of Isolda Kahlo, Cristina Kahlo's daughter, which includes letters, everyday objects, and personal effects. The intimate space focuses on Kahlo's youth and family life, featuring immersive audiovisual elements, a re-created darkroom of her father Guillermo, and a basement studio where Kahlo once painted. A notable highlight is a recently uncovered mixed-media mural from around 1949, hidden for years under white paint.

NEXT in the Gallery: October arts are all about play

October arts in Pittsburgh focus on play and legacy, with several gallery openings and retrospectives. GalleriE CHIZ hosts "Celebrating the Art and Life of Ellen Chisdes Neuberg" on Oct. 3, showcasing the late artist and gallery owner's bold Abstract Expressionist works. The Pittsburgh Glass Center presents "Idea Furnace Retrospective" (Oct. 3, 2025–Jan. 19, 2026), featuring alumni like Renee Cox and Alisha Wormsley. James Wodarek's "Industria Nova" at Atithi Studios reimagines industrial forms, while the Cooley Gallery pairs "Felt-Occurrence" with "Continuing a Legacy of Classical Painting," linking three generations of American landscape artists from Frank DuMond to James Sulkowski.

Hong Kong’s latest art auctions see turnover lingering at 8-year low

Hong Kong's major auction houses—Christie's, Phillips, and Sotheby's—held their seasonal modern and contemporary art evening sales over the past weekend, with total turnover lingering at an eight-year low. Despite the overall downturn, a handful of records and last-minute withdrawals improved the success ratio, and several lots drew vigorous bidding, such as Salvo's "Mattino di primavera (Spring Morning)" which sold for HK$4 million (five times its low estimate) and Firenze Lai's "Basic Knot" which fetched HK$477,300 (nearly four times its low estimate).

Top Art Exhibits at Chicago Museums | 2025 Guide

Chicago museums are presenting a diverse slate of fall 2025 exhibitions, including a major Yoko Ono retrospective at the Museum of Contemporary Art Chicago, the National Museum of Mexican Art's 39th annual Día de Muertos exhibit, a landmark Elizabeth Catlett retrospective at the Art Institute of Chicago, a Marvel's Spider-Man interactive show at the Griffin Museum of Science & Industry, and Italian artist Diego Marcon's U.S. debut at The Renaissance Society.

In a new biography, Vanessa Bell is cast as the Bloomsbury Group's leading light—and as central to 20th-century visual culture

Wendy Hitchmough’s new biography, *Vanessa Bell: The Life and Art of a Bloomsbury Radical*, argues that Vanessa Bell (1879–1961) was a central figure in 20th-century visual culture, both as an artist and designer. The book details how Bell navigated sexism through collaboration and anonymity, with works like *Dancing Couple* only attributed to her in 1999. Hitchmough, a former curator of Charleston, presents Bell’s life with a matter-of-fact tone, weaving in the complex personal and professional entanglements of the Bloomsbury Group, including her relationships with Clive Bell, Roger Fry, and Molly MacCarthy.

Tate Britain’s Lee Miller exhibition seeks to go beyond her mythology

Tate Britain is opening a major survey of American photographer Lee Miller (1907-77), running from 2 October 2025 to 15 February 2026. Curated by Hilary Floe, the exhibition aims to refocus attention on Miller’s artistic output rather than her storied personal life—her roles as a Surrealist, fashion photographer, war correspondent, and muse to figures like Man Ray, Pablo Picasso, and Jean Cocteau. The show presents the UK’s largest survey of her work, deliberately selecting images based on artistic merit rather than biographical illustration.

Powerhouse Museum builds ‘tower to stars’ for $18 million opening show

The Powerhouse Museum in Parramatta is constructing a six-storey tower inside its largest exhibition hall for an $18 million opening show titled "Task Eternal," set for September 2026. The exhibition explores humanity's fascination with stars, flight, and space, featuring 290 loans from international institutions including the British Museum and NASA, as well as Australian astronaut Katherine Bennell-Pegg's spacesuit on public display for the first time. Designed by Beijing-based firm OPEN architecture, the show includes a steel tower inspired by Ted Chiang's novella "Tower of Babylon," with installations by Thai artist Torlarp Larpjaroensook and US artist James Turrell.

Princeton University Art Museum Announces Inaugural Exhibitions in New Building

Princeton University Art Museum will open its new building on October 31, 2025, with two inaugural exhibitions: *Princeton Collects* and *Toshiko Takaezu: Dialogues in Clay*. *Princeton Collects*, curated by director James Steward and the museum’s curatorial team, features approximately 150 works donated during a “campaign for art” that began in 2021, including pieces by Sean Scully, Willem de Kooning, Joan Mitchell, and Zanele Muholi. *Toshiko Takaezu: Dialogues in Clay* highlights the pioneering ceramic artist and longtime Princeton professor, showcasing her “closed forms” alongside works by her teachers and contemporaries.

An exhibition at Cranbrook Museum of Art spotlights overlooked perspectives from the midcentury modern movement

The Cranbrook Museum of Art has opened a new exhibition that highlights underrepresented voices and overlooked perspectives within the midcentury modern movement. The show features works by artists and designers who were historically marginalized or excluded from the dominant narrative of midcentury modernism, including women and people of color.

11 must-see works in MAM's new Bradley Collection exhibition

The Milwaukee Art Museum (MAM) has opened a new exhibition titled "The Bradley Collection of Modern Art: A Bold Vision for Milwaukee" in the Baker/Rowland Galleries, celebrating the 50th anniversary of Peg Bradley's donation of nearly 400 works to the museum. The show features highlights from the collection, including pieces by Wassily Kandinsky, Raoul Dufy, and Ernst Ludwig Kirchner, alongside works by American artists like Georgia O'Keeffe and Andy Warhol. The exhibition offers visitors a chance to see these works in a new setting and learn more about Bradley as a collector and philanthropist.

Simone Leigh’s largest exhibition yet to explore ‘art made under fascism’

Simone Leigh will present her largest-ever exhibition at the Royal Academy of Arts in London in late 2027, featuring new monumental bronze and ceramic sculptures alongside film installations. The show, curated by Tarini Malik, will explore the theme of architecture and art created under fascist regimes, with Leigh citing the current political climate in the United States as a driving influence. Leigh, who represented the US at the 2022 Venice Biennale and won the Golden Lion, has noted that some artist commissions have been stalled or canceled due to anti-DEI policies.

Thaddaeus Ropac is betting on Milan—will it pay off?

Austrian dealer Thaddaeus Ropac opened a new gallery in Milan on September 20, capitalizing on Italy's newly reduced 5% VAT on art imports—the lowest in the EU—and an influx of wealthy expats from London following the UK's abolition of non-dom tax status. The gallery occupies the first floor of the historic Palazzo Belgioioso, with Elena Bonanno di Linguaglossa appointed as director. Ropac's move follows his earlier successful expansions into Seoul and Pantin, which proved prescient.

LACMA Expands Local Access Initiative with New Museum Partners and Exhibitions

LACMA has expanded its Local Access initiative by adding three new museum partners: the California State University, Dominguez Hills (CSUDH) University Art Gallery, the Millard Sheets Art Center at the L.A. County Fair, and the Ontario Museum of History & Art. Supported by the Art Bridges Cohort Program, these institutions join four existing partners in creating exhibitions sourced from LACMA’s permanent collection. The program’s latest exhibition, "Act on It! Artists, Community, and the Brockman Gallery in Los Angeles," will open at the Vincent Price Art Museum on September 27. Local Access, launched in 2021, was the first Art Bridges Cohort Program in the Western United States.

Ai Weiwei: ‘Nothing scares me anymore—being terrified does not help’

Chinese artist and activist Ai Weiwei has unveiled a major new commission in Kyiv, Ukraine, titled 'Three Perfectly Proportioned Spheres and Camouflage Uniforms Painted White,' on view until November 30. The site-specific installation, commissioned by the non-profit cultural platform Ribbon International, features three spheres wrapped in camouflaged fabric dotted with animal images, responding to escalating global armed conflicts. Ai recently traveled to the front line of the war in eastern Ukraine near Kharkiv, meeting Ukrainian fighters and cultural figures, and also planted sunflower seeds and buttons in a field there as a ceremonial act.

Is This the Breaking Point for Museums?

Museums across the West are facing a severe funding crisis as governments slash public support. In the U.S., President Donald Trump’s deep cuts to the National Endowment for the Arts (NEA), National Endowment for the Humanities (NEH), and the Institute for Museum and Library Services (IMLS) have resulted in hundreds of millions of dollars in lost funding, while stock market volatility and increased endowment taxes further strain budgets. In Europe, Berlin cut €130 million from cultural funding in December 2024, and other countries face similar pressures, forcing museums to confront dwindling subsidies and shifting philanthropy.

Marianne and Edward Gibson Art Museum opens at SFU Burnaby campus

The Marianne and Edward Gibson Art Museum, a new 12,100-square-foot facility on the Simon Fraser University Burnaby campus in British Columbia, has officially opened to the public. Designed by Siamak Hariri of Hariri Pontarini Architects, the museum features B.C.-sourced mass timber beams, floor-to-ceiling windows, and a layout that integrates with the surrounding forest. Its inaugural exhibition, "Edge Effects," includes works by artists such as Debra Sparrow, Cindy Mochizuki, Patrick Cruz, Lorna Brown, and Jin-me Yoon, and the museum also houses approximately 5,900 works from the Simon Fraser University Art Collection.

Calder Gardens opens this weekend in Philadelphia

Calder Gardens, a new art space dedicated to the work of Alexander Calder, opens this weekend in Philadelphia on Benjamin Franklin Parkway, across from the Rodin Museum. Designed by Herzog & de Meuron with gardens by Piet Oudolf, the building is mostly underground and emphasizes a multi-sensory experience, including curated scents, textured surfaces, and no wall labels. The space will display 50 years of Calder's mobiles, stabiles, paintings, and drawings, rotating works without a fixed schedule.

Christie's specialist's Post-War to Present highlights

Christie's specialists highlight key works from their upcoming 'Post-War to Present and Photographs' sale, including Joan Mitchell's 'Peinture II' (1964) from the collection of Vivian Fusillo, Matthew Wong's '5:22 PM', Alejandro Obregón's 'Chivo expiatorio', and a lifetime print by Francesca Woodman. The sale coincides with Mitchell's centennial and a landmark Jack Whitten exhibition, with the auction scheduled for 18 September 2025.

Elizabeth Catlett, a Master Artist With a Message, Gets Her Due at the Art Institute of Chicago

The Art Institute of Chicago has opened a major solo exhibition titled "Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies," surveying 75 years of the artist's work. Catlett, who died in 2012, was a Black American artist who spent six decades in Mexico, creating prints and sculptures that depicted Black women and addressed social injustice. The show includes iconic works like "Target Practice" and "Sharecropper," and runs through January 4, 2026.

Sotheby’s secures $120m Pritzker and $400m Lauder collections, with works by Matisse, Munch and Van Gogh

Sotheby’s has secured two major private collections for its autumn New York sales: the Pritzker collection, estimated at $120 million, and the Lauder collection, valued at around $400 million. The Pritzker collection includes Vincent van Gogh’s *Romans Parisiens* (1887) with a $40 million estimate, while the Lauder collection features Gustav Klimt’s *Portrait of Elisabeth Lederer* (1914-16) estimated at over $150 million, along with works by Matisse, Munch, and Martin. The sales will take place at Sotheby’s new headquarters in the Breuer Building this November.