The Marcel Duchamps That Got Away: On Collecting His Work and the Sprawling MoMA Show

The article recounts the author's personal experience as a collector who passed up the opportunity to buy a complete set of Marcel Duchamp's readymades at a 2002 Phillips de Pury and Luxembourg auction. The set, editioned by dealer Arturo Schwartz in 1964, included iconic works like *Fountain* and *Bicycle Wheel*, but the sale was a financial failure, with many pieces bought-in or selling for far below expectations. The author later acquired some of the unsold works privately. The piece is framed around the concurrent Duchamp exhibitions at the Museum of Modern Art and Gagosian.

venus over manhattan closing adam lindemann

Adam Lindemann announces the closure of Venus Over Manhattan, the gallery he founded in 2012 after a career as a contemporary art collector and writer. The gallery opened with a show titled "À Rebours," inspired by a novel about a decadent aristocrat, and featured works by Warhol, Hammons, and others—a show that famously saw a Dalí stolen from the wall. Over its 14-year run, Venus Over Manhattan mounted exhibitions including a Maurizio Cattelan show during a market lull, a Calder installation with spotlights and fans, and a show mixing African masterpieces with works by Koons, Prince, and Hirst. Lindemann reflects on the challenges of opening a gallery against advice, the theft that made international news, and the quiet validation he received from artists like David Hammons.

A Duchamp Retrospective at MoMA Presents an Artist Who Challenged the Very Definition of Art

The Museum of Modern Art (MoMA) has launched a major retrospective of Marcel Duchamp, marking the first comprehensive North American survey of the artist’s work in over 50 years. Co-organized with the Philadelphia Museum of Art and the Centre Pompidou, the exhibition traces Duchamp’s evolution from his early Cubo-Futurist paintings to his revolutionary "Readymades" and optical experiments. The show features seminal works such as Nude (Study), Sad Young Man on a Train and explores his various personas, including his female alter ego, Rrose Sélavy.

Do We Have Duchamp All Wrong? A Brilliant MoMA Retrospective Reintroduces One of Modernism’s Greats

The Museum of Modern Art has launched a massive retrospective of Marcel Duchamp, featuring over 300 works spanning the artist's career from the early 1900s to the late 1960s. Organized in collaboration with the Philadelphia Museum of Art, the exhibition eschews a heavy-handed narrative in favor of a methodical, factual presentation. Key highlights include the controversial "Genre Allegory" (1943) and his iconic readymades, alongside his early experiments in painting like "Nude Descending a Staircase (No. 2)."

Are We Too Reverent of Marcel Duchamp?

The Museum of Modern Art has launched a major retrospective of Marcel Duchamp, co-organized with the Philadelphia Museum of Art. The exhibition tracks the artist's evolution from his early Cubist experiments and the scandal of 'Nude Descending a Staircase' to his radical invention of the readymade, exemplified by the infamous urinal, 'Fountain'. The show presents a comprehensive look at 'The Duch' through a reverential, church-like atmosphere, concluding with his later years as a dapper, enigmatic figure of the avant-garde.

art duchamp jill magid cory arcangel maya man darren bader

Marcel Duchamp remains one of the most influential figures in contemporary art, a century after his readymades like *Fountain* (1917) challenged definitions of art. MoMA is opening a major retrospective on April 9, co-organized by Ann Temkin and Michelle Kuo, exploring Duchamp's conceptual legacy. The article profiles four contemporary artists—including Cory Arcangel—who are extending Duchamp's ideas into digital and conceptual realms, such as Arcangel's modified Nintendo game *Super Mario Clouds* (2002).

Marcel Duchamp - Hommage à Caissa (for the Marcel Duchamp Fund of the American Chess Foundation), 1966

Marcel Duchamp - Hommage a Caissa (for the Marcel Duchamp Fund of the American Chess Foundation) , 1966

This rare 1966 silkscreen poster commemorates the "Hommage à Caissa" exhibition at New York’s Cordier & Ekstrom Gallery, a fundraiser organized by Marcel Duchamp for the American Chess Foundation. The event featured contributions from 36 iconic artists, including Salvador Dalí, Jasper Johns, and Alexander Calder, and is famously remembered for Andy Warhol’s uninvited "guerrilla attack" appearance with the Velvet Underground. The poster's design incorporates RSVP cards sent to participating artists, some featuring personal notes and autographs.

Readymades, replicas, reiterations: MoMA show explores Marcel Duchamp the inventor

The Museum of Modern Art (MoMA) in New York is launching the first major U.S. survey of Marcel Duchamp in over 50 years, organized in collaboration with the Philadelphia Museum of Art. The exhibition features approximately 300 works, including iconic pieces like "Nude Descending a Staircase, No. 2" and "Fountain," organized in a strict linear chronology. This approach highlights Duchamp’s practice of remaking and replicating his own work, presenting replicas only at the point in time they were physically created rather than as stand-ins for lost originals.

marcel duchamp retrospective 2026 moma philadelphia museum

The United States will host its first major Marcel Duchamp retrospective in over 50 years, opening at the Museum of Modern Art in New York on April 16, 2026, before traveling to the Philadelphia Museum of Art in fall 2026 and then to the Grand Palais in Paris in 2027. Organized by MoMA’s Ann Temkin and Michelle Kuo and the Philadelphia Museum’s Matthew Affron, the exhibition features nearly 300 objects spanning Duchamp’s entire career, including iconic works such as *Nude Descending a Staircase, No. 2* (1912) and *Fountain* (1917). The show aims to reveal lesser-known aspects of Duchamp’s practice, emphasizing his transatlantic life between France and the United States.

Art, Death, Duchamp

Marcel Duchamp, known for his nonchalant attitude toward the material status of his artworks, paradoxically exerted meticulous control over their afterlife. The article examines his detailed instructions for the posthumous installation of his secret sculptural environment *Étant donnés* (1946–66) at the Philadelphia Museum of Art, including a four-ring binder of notes specifying everything from architectural dimensions to lightbulb wattage. It also highlights his earlier role as cofounder of the Société Anonyme, Inc., where he balanced artistic control with delegation, selecting artists like Louis Eilshemius for exhibitions despite their differing sensibilities.

Marcel Duchamp & Sturtevant | Dialogues are mostly fried snowballs

Thaddaeus Ropac Milan is hosting a landmark exhibition titled "Dialogues are mostly fried snowballs," marking the first-ever joint presentation of Marcel Duchamp and Sturtevant. The show stages a cerebral confrontation between Duchamp’s original readymades, such as "Porte-bouteilles" and "Trébuchet," and Sturtevant’s radical repetitions of his work. By showcasing these pieces alongside archival materials and films, the exhibition traces how Sturtevant used Duchamp’s style as a medium to investigate the canonization and "understructure" of conceptual art.

Hube Guide: What to Do in New York During Frieze

Frieze Art Fair returns to New York from May 13th to 17th, 2026, at The Shed for its 15th edition, featuring over 65 galleries from 26 countries. The fair emphasizes Latin American practices and includes a Focus section curated by Lumi Tan highlighting younger galleries and experimental works. Notable presentations include Reika Takebayashi’s ecological dreamscapes, Bruno Cançado’s meditations on Brazilian vernacular architecture, and Abraham González Pacheco’s graphite works. Beyond the fair, performances and installations extend to institutions like the Whitney Museum of American Art and Dia Art Foundation. The article also previews concurrent exhibitions: "Costume Art" at the Metropolitan Museum of Art (May 2026–January 2027), a David Hammons and Jannis Kounellis show at White Cube (May 1–June 13, 2026), and Carol Bove’s exhibition at the Guggenheim (March 5–August 2, 2026).

Ai Weiwei on Censorship

The art world mourns the passing of Celeste Dupuy-Spencer, a prominent artist and activist known for her politically charged paintings and human rights advocacy, who died at the age of 46. Simultaneously, dissident artist Ai Weiwei has released a new book titled 'On Censorship,' which reflects on his career-long struggle against state persecution and the nuances of freedom of expression. Other notable developments include Gagosian's announcement of a new Upper Manhattan space dedicated to Marcel Duchamp and the detention of artist Criselda Vasquez’s father by ICE.

In Minor Keys: how Venice's international exhibition was brought to life after the death of artistic director Koyo Kouoh

The 61st Venice Biennale's international exhibition, titled "In Minor Keys," was realized after the sudden death of its artistic director, Koyo Kouoh, in May 2025. A team of five of Kouoh's collaborators, known as "la squadra di Koyo Kouoh," worked with her before her death and finalized the exhibition's themes, artist list, and scenography. The exhibition features 111 invited artists, duos, collectives, and artist-led organizations, with the team emphasizing that this remains Kouoh's vision rather than a replacement.

Marcel Duchamp Is Stripped Bare at MoMA

The Museum of Modern Art in New York has opened "Marcel Duchamp," the first retrospective of the artist on this continent in over 50 years. Curated by Ann Temkin, Michelle Kuo, and Matthew Affron, the exhibition is organized strictly chronologically and features Duchamp's most famous works—including his revolutionary readymades like *Fountain* (1917) and *Bicycle Wheel* (1913)—often shown only in photographic reproduction or as later refabricated copies, replicas, and miniatures from his *Box in a Valise* series. The show highlights how Duchamp's original objects have been lost or dematerialized, forcing viewers to confront the very definition of an artwork.

Marcel Duchamp and the MoMA Exhibition That Didn’t Ask Questions

Marcel Duchamp's 1917 readymade *Fountain* and its radical questioning of art's definition are the focus of a new retrospective at the Museum of Modern Art (MoMA) in New York, curated by Matthew Affron, Michelle Kuo, and Ann Temkin. The exhibition, the first major Duchamp show in the U.S. since 1973, assembles three hundred objects and presents them chronologically, tracing Duchamp's evolution from early paintings to his conceptual breakthroughs. The article highlights how *Fountain* was originally submitted to a no-jury exhibition by the Society of Independent Artists, sparking a debate that ultimately led to its rejection and Duchamp's resignation, a pivotal moment in art history.

Marcel Duchamp at MoMA: Five Revelations From the Artist’s First North American Survey in Over 50 Years

The Museum of Modern Art in New York has launched a major retrospective of Marcel Duchamp, marking the artist's first comprehensive North American survey in over half a century. The exhibition traces Duchamp’s evolution from his early satirical drawings and avant-garde paintings to his revolutionary experiments with movement and mechanization, featuring iconic works like "Nude Descending a Staircase" and "L.H.O.O.Q." alongside technical diagrams and studies for "The Large Glass."

In the Principality of Monaco, an exhibition where the great painter Poussin dialogues with contemporary art

Nel Principato di Monaco una mostra dove il grande pittore Poussin dialoga con l’arte contemporanea

The Nouveau Musée National de Monaco presents an exhibition titled "Le Sentiment de la Nature," which juxtaposes works by 17th-century French painter Nicolas Poussin and his followers with pieces by about thirty contemporary and 20th-century artists. The show is organized into six thematic sections—storms and nights, forests and gardens, seas and waterfalls, deserts and volcanoes, mountains, and flowers and butterflies—each exploring the ancient concept of "miracula naturae" (wonders of nature). Featured contemporary artists include Nan Goldin, Andreas Gursky, Thomas Demand, Sarah Moon, Mimmo Jodice, Giulio Paolini, Giorgio Andreotta Calò, and Fausto Melotti, with works spanning photography, painting, video, and sculpture. The exhibition runs until May 25, 2026, and is accompanied by a catalog published by Italian publisher Humboldt Books in collaboration with the museum.

A brush with… Tai Shani—podcast

Tai Shani, a London-based artist born in 1976, is the subject of a podcast episode in the "A brush with…" series. She discusses her multidisciplinary practice, which draws on cultural forms, historical events, and theoretical ideas to create fantastical, utopian worlds infused with contemporary political and social themes. Shani reflects on the gendered nature of her mediums, the influence of works like John Everett Millais's *Ophelia* and Valie Export's exhibition at Camden Art Centre, and the revolutionary potential of art in an era of right-wing politics. The episode also covers her upcoming exhibitions: *The Spell or The Dream* at Somerset House (August–September 2025), *Gathering* in London (September–November 2025), a sculpture at Dulwich Picture Gallery's new sculpture park, and her High Line commission in New York, on view through March 2026.

First Impressions of a Venice Biennale Torn Apart by the Present

The 61st Venice Biennale, titled "In Minor Keys," opens amid turmoil: its curator Koyo Kouoh died of cancer during planning, and the festival jury resigned after a controversial statement about excluding Israel and Russia from prizes, replaced by a Eurovision-style people's choice award. The main exhibition, completed by a team of five collaborators using Kouoh's plans, features over 110 artists and collectives, with highlights including works by Big Chief Demond Melanchon, Tammy Nguyen, Guadalupe Maravilla, Ayrson Heráclito, and a section focused on Michael Armitage's Nairobi Contemporary Art Institute.

MoMA Delivers with First American Marcel Duchamp Retrospective in 50 Years

The Museum of Modern Art (MoMA) has launched a comprehensive retrospective of Marcel Duchamp, marking the first major American survey of the artist's work in five decades. The exhibition follows a chronological path through Duchamp’s radical career, featuring early pen-and-ink drawings, his transition through Cubism and Dadaism, and his revolutionary "readymades" like the urinal titled Fountain. Highlights include the rare gathering of all three versions of Nude Descending a Staircase and documentation of his final, secretive installation, Étant donnés.

Guadeloupean artist Kelly Sinnapah Mary wins French art prize at Art Basel Miami Beach

Guadeloupean artist Kelly Sinnapah Mary has won the CPGA-Villa Albertine Étant Donnés Prize at Art Basel Miami Beach, awarded annually to a French artist exhibiting at the fair. Her work *The Book of Violette: Marie-Anne* (2025) was displayed at James Cohan's booth and sold for $80,000 to a US-based foundation. The prize is presented by France’s gallery association, the Comité Professionnel des Galeries d'Art (CPGA), in partnership with Villa Albertine.

Philadelphia Art Museum Announces 2026 Exhibitions

The Philadelphia Art Museum has announced its slate of exhibitions for 2026, prominently featuring Marcel Duchamp's iconic mixed-media work "Étant donnés: 1° la chute d'eau, 2° le gaz d'éclairage . . . (Given: 1. The Waterfall, 2. The Illuminating Gas . . . ), 1946-1966." The announcement includes details about the work's complex media assemblage and its acquisition history as a gift from the Cassandra Foundation in 1969.