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ArtReview Podcast | Episode 7: Zineb Sedira

The ArtReview Podcast episode 7 features artist and photographer Zineb Sedira in conversation with digital editor Alexander Leissle. Sedira discusses Algerian cinema, the Scopitone, and her new Tate Britain Commission titled "When Words Fall Silent, Cinema Speaks," a site-specific installation in the Duveen Galleries open until January 2027. The episode explores three works chosen by Sedira, including Agnès Varda's "Salut les Cubains" (1963) and William Klein's "The Pan-African Festival of Algiers" (1969), as lenses into her practice and themes of displacement, identity, and cinema as a tool of resistance.

Venice Biennale 2026: How Do You Critique a Posthumous Exhibition?

The article, published by ArtReview, examines the upcoming 61st Venice Biennale (2026), titled *In Minor Keys*, which was conceived by artistic director Koyo Kouoh before her death from cancer in May 2025 at age 57. The exhibition, based on Kouoh's drafted concept and completed by a curatorial team including Rory Tsapayi, Siddhartha Mitter, Marie Hélène Pereira, Gabe Beckhurst Feijoo, and Rasha Salti, adopts a musical metaphor of "minor-ness" and aims to avoid the pitfalls of previous Biennales by focusing on soul frequencies and dissonant harmony rather than direct commentary on world crises. The author, Martin Herbert, questions how critics will respond to a posthumous exhibition of this unprecedented scale, noting that previous artistic directors like Robert Storr, Cecilia Alemani, Christine Macel, and Adriano Pedrosa have faced varied critical receptions.

Ursula Launch: Celebrating Firelei Báez and Issue 16 with Casa Dragones

Hauser & Wirth is hosting a launch event during the opening weekend of Firelei Báez's solo exhibition 'Feet squelching on wet grass, nourished by uncertainty' at its 22nd Street gallery in Chelsea, celebrating the release of Ursula issue No. 16. The issue features a portfolio by Báez titled 'The Earth That Remains,' a cover story on collector Eileen Harris Norton, and contributions on Elsa Schiaparelli, Christopher Harris, Alice B. Toklas, and LACMA director Michael Govan. The free event includes Casa Dragones tequila and access to Báez's exhibition alongside 'Carol Rama. I See You You See Me.'

Bodies in Motion, Bodies at Rest: Ali Cherri in Conversation with Kaelen Wilson-Goldie

This article presents a conversation between artist Ali Cherri and writer Kaelen Wilson-Goldie, marking the second installment of a collaborative series between TextWork by Fondation Pernod Ricard and Mousse Magazine. The series features in-depth dialogues between artists from the TextWork program and magazine contributors, expanding on the traditional interview format, and is set to continue until 2027.

La Biennale de Venise s’ouvre dans un climat houleux

The 61st Venice Biennale opened amid intense controversy after its president, Pietrangelo Buttafuoco, announced the return of the Russian pavilion, which had been absent since the start of the Ukraine war. The European Commission suspended its €2 million subsidy for the 2028 edition, and the entire Biennale jury resigned on April 30. Buttafuoco later declared the Russian pavilion would remain closed, but protests erupted during the pre-opening days (May 6–8), drawing 28,000 professionals. Pussy Riot members, Femen activists, and the Free Nations League staged demonstrations, while the Israeli pavilion remained open despite a letter signed by nearly 200 artists calling for its exclusion.

A Milano c’è una mostra di un importante artista australiano in cui si ragiona sul rumore

Marco Fusinato, the Australian artist who represented his country at the 59th Venice Biennale, returns to Italy with a solo exhibition at the Padiglione d’Arte Contemporanea (PAC) in Milan. Titled "The only true anarchy is that of Power," the show brings together installations, performances, and sound recordings from recent years, all centered on the concept of noise. Curated by Diego Sileo, the exhibition features three ongoing projects, including the monumental performance-installation DESASTRES, first presented at the Venice Biennale in 2022 and later staged at festivals such as Berlin Atonal and Unsound Krakow. The work combines randomized sound and images, using electric guitars, mass amplification, and intense feedback to create an immersive, hallucinatory experience where chaos and control coexist.

Uzbek Artist Saodat Ismailova Makes Her U.S. Museum Debut at the Smithsonian

Uzbek artist Saodat Ismailova is making her U.S. museum debut at the Smithsonian Institution. The exhibition introduces her multimedia works, which often explore Central Asian history, spirituality, and female identity, to an American audience for the first time.

Taiwan Strips National Prize from Sakuliu Pavavaljung After Sexual Assault Conviction

Taiwan’s National Culture and Arts Foundation has revoked the National Award for Arts from Indigenous Paiwan artist Sakuliu Pavavaljung, following his conviction for sexual assault. The Supreme Court upheld a four-and-a-half-year prison sentence for forcible sexual intercourse involving a female student in 2021. Pavavaljung, who received the award in 2018, must return the NTD 1 million prize. The case gained traction after artist Kuo Yu Ping disclosed it on social media in December 2021, leading to additional victims coming forward. His planned exhibition for Taiwan at the 59th Venice Biennale was canceled in 2022.