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Exhibition Opening: Body Vessel Clay: Black Women, Ceramics & Contemporary Art

The Ford Foundation Gallery in New York will host 'Body Vessel Clay: Black Women, Ceramics & Contemporary Art,' curated by Dr. Jareh Das, from September 10 to December 6, 2025. The exhibition brings together over fifty works by three generations of Black women artists, including Simone Leigh, Magdalene Odundo, and Ladi Kwali, spanning ceramics, film, photography, and archives, and traces the influence of Nigerian potter Ladi Dosei Kwali on contemporary practice.

The Six Female Artists With Major Solo Shows This Fall

Six female artists—Karen Barbour, María Berrío, Ana Cláudia Almeida, Adebunmi Gbadebo, Sasha Gordon, and Olivia van Kuiken—are each opening major solo exhibitions in September. The article profiles their distinct practices, from Barbour's abstract dot-filled dreamscapes and Berrío's collaged visions to Gbadebo's sculptures using human hair and indigo dye. It includes first-person accounts from the artists about their creative processes, with exhibitions at venues such as Harkawik and Matthew Brown.

Body Vessel Clay: Black Women, Ceramics & Contemporary Art

The Ford Foundation Gallery in New York presents "Body Vessel Clay: Black Women, Ceramics & Contemporary Art," opening September 10, 2025. The exhibition features over fifty works across ceramics, film, photography, and archives, bringing together three generations of Black women artists. It highlights the legacy of Nigerian potter Ladi Dosei Kwali (1925-1984) and traces how Black women artists have transformed ceramics over seventy years. Curated by Dr. Jareh Das, the U.S. debut includes new works by Adebunmi Gbadebo, Simone Leigh, and Anina Major, following critical acclaim at Two Temple Place in London and York Art Gallery in 2022.

In Minor Keys: The 61st Biennale di Arte Venezia Opens Under Koyo Kouoh (1967–2025).

The 61st Biennale di Arte Venezia opens under the posthumous curatorial vision of Koyo Kouoh (1967–2025), the late Cameroonian-born curator who reshaped contemporary African and diasporic art discourse. The central exhibition, spanning the Giardini and Arsenale, features 111 participants including artists, collectives, and artist-led organizations from across the Global South, with works in textiles, film, sculpture, and performance that interrogate colonialism, migration, and ecological repair. The Biennale is also marked by a pronounced presence of African and diasporic narratives across national pavilions, including several first-time pavilions from the African continent.

‘When you’re working with clay, you’re working with the earth’: Studio’s new exhibition offers ‘Clay as Care’

The Clay Studio in Philadelphia has opened a new exhibition titled "Clay as Care: Ceramic Art and Wellbeing," which explores the therapeutic and restorative benefits of working with ceramics. The show features four artists—Adebunmi Gbadebo, Jennifer Ling Datchuk, Ehren Tool, and Maia Chao—each using clay to address personal healing journeys, from fertility struggles to military trauma. The exhibition includes interactive elements like communal clay for visitors and is part of a research project in partnership with the University of Pennsylvania Center for Neuroaesthetics, Jefferson University Art Therapy Department, and Drexel University Art Psychotherapy team, collecting data on the show's impact on wellness.