filter_list Showing 3 results for "Adrien-Jean Le Mayeur" close Clear
search
dashboard All 3 trending_up market 2museum exhibitions 1
date_range Range Today This Week This Month All
Subscribe

asia rising morgan stanley artnet

Artnet News and Morgan Stanley have collaborated on a report analyzing the art market's recovery after COVID-19, with a focus on Asia's emergence as a powerful engine. Using data from the Artnet Price Database and Artnet Analytics, the report shows that China (including Hong Kong) has become a dominant force, overtaking the U.S. and U.K. in fine-art auction sales. By 2020, China reclaimed the top-selling global fine-art auction market position, and as of mid-2021, it remains neck and neck with the U.S. The report also examines the role of Hong Kong, which has consistently contributed over 40% of China's fine-art sales, driven by its unique economic policies and integration into the global art market.

sothebys modern contemporary art singapore pacita abad

Sotheby’s held its annual modern and contemporary art sale in Singapore on Sunday, achieving $13.1 million across 62 lots with a 94% sell-through rate. The top lot was Adrien-Jean Le Mayeur de Merpres’s *Weavers* (1953) at $1.2 million, followed by Takashi Murakami’s *Blue Signals* (2017) at $1.06 million. New artist records were set for Pacita Abad, whose *Assaulting the eye with Ecstasy* (1984) sold for $389,400, and Singaporean artist Anthony Poon, whose *Colour Waves* (1986) fetched $129,800. Bidders came from Southeast Asia, the US, the UAE, Europe, South Korea, Japan, India, and China.

Singapore Art Week captures the many sides of this multi-faceted city

Singapore Art Week (SAW) 2026 showcases the city-state's multifaceted identity through a diverse range of artistic offerings. Highlights include the second iteration of Wan Hai Hotel, adapted from Shanghai's Rockbund Art Museum, which explores themes of water, migration, and diaspora with artists like Ho Tzu Nyen, Dawn Ng, and Robert Zhao Renhui. The premier art fair Art SG (23-25 January) runs alongside S.E.A. Focus, aiming to boost market access and solidify Singapore as a hub for Southeast Asian art.