The Hammer Museum in Los Angeles has announced the prize winners for its 2025 Made in L.A. biennial. Ali Eyal received the $100,000 Mohn Award, Carl Cheng won the $25,000 Career Achievement Award, and Greg Breda was selected by public vote for the $25,000 Public Recognition Award. The winners were chosen by a jury of curators from prominent institutions.
Scope Art Show Miami has announced its 2025 edition, themed "Be Here Now," which will take place December 2–7. The fair will feature 95 galleries from 18 countries and territories, including over 30 first-time exhibitors, along with large-scale installations, performances, and collaborative activations. Highlights include a reprisal of The Better Together Bar by Chris Allen Darsow and Al Hamm, a monumental installation by Victor Quiñonez (Marka27) titled "Elevar La Cultura" (2025), Shepard Fairey's Phone Booth presented by Mortal Machine Gallery, and a hyperrealist painting by Dan Witz titled "Crown Heights" (2025).
Scope Art Show Miami has announced its 2025 edition, themed "Be Here Now," which will take place December 2–7. The fair will feature 95 galleries from 18 countries and territories, including over 30 first-time exhibitors, along with large-scale installations, performances, and collaborative activations. Highlights include a reprisal of The Better Together Bar by Chris Allen Darsow and Al Hamm, a monumental installation by Victor Quiñonez (Marka27) titled "Elevar La Cultura" (2025), Shepard Fairey's "Phone Booth" presented by Mortal Machine Gallery, and Dan Witz's hyperrealist painting "Crown Heights" (2025).
A Winston Churchill painting, *Churchill’s Marrakech* (circa 1935), sold for $1.3 million at Heffel Fine Art Auction House in Toronto, more than double its high estimate of $600,000. The work was the top lot in a 27-lot sale of deaccessioned works from the Hudson’s Bay Company corporate collection, which realized $4.9 million in total hammer price. Churchill had gifted the painting to his wife, Lady Clementine Ogilvy Spencer-Churchill, who donated it to Hudson’s Bay in 1956.
Wie teuer Kunstauktionen wirklich sind
Art auction houses often promote transparency through public bidding, but the final hammer price is merely the starting point for a complex web of additional costs. Buyers frequently face buyer's premiums, value-added taxes, and resale right royalties (droit de suite) that can inflate the final invoice by up to 50 percent beyond the initial bid.
Wie teuer Kunstauktionen wirklich sind
Art auction houses often promote price transparency, but the final hammer price is merely the starting point for a complex web of additional costs. Buyers are frequently hit with buyer's premiums, value-added taxes, and resale right royalties (droit de suite) that can inflate the final invoice by as much as 50 percent beyond the initial bid.