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Lost bunny paintings by JFK's photographer found in ABQ storage

A trove of paintings by Eddie Johnson, an obscure artist who photographed President John F. Kennedy in 1962 as assistant to Elaine de Kooning, has been discovered in a storage unit in Albuquerque, New Mexico. The archive, saved from disposal by the artist's estate, includes a major series of bunny-themed works created between 1972 and 1995, all based on a worn plush toy. Artist Matthan Cowart organized the exhibition "Hares on the Mountain" at his gallery Desert Mystery Center, pairing Johnson's bunny paintings with works by 11 living artists including David Altmejd and Ed Haddaway.

How Delilah Montoya’s art confronts ICE detention abuses

The Albuquerque Museum is hosting a retrospective of Chicana artist Delilah Montoya, titled "Delilah Montoya: Activating Chicana Resistance." The exhibition's centerpiece is "Detention Nation," an immersive installation created in collaboration with the Sin Huellas Artist Collective that simulates the conditions of ICE detention centers. The work features cyanotype images of detainees on prison cots, chain-link fencing, and displays of meager government-issued personal items alongside the official National Detainee Handbook.

Modern Art and Politics in Germany 1910–1945

The article examines the complex and often fraught relationship between modern art and political power in Germany from 1910 to 1945. It details how avant-garde movements like Expressionism, Dada, and the Bauhaus initially flourished, only to be systematically suppressed and labeled "degenerate" by the Nazi regime after 1933.

Albuquerque exhibition depicts German art made during the tragic ascent of authoritarianism

The Albuquerque Museum has opened a landmark exhibition titled "Modern Art and Politics in Germany 1910–1945: Masterworks from the Neue Nationalgalerie, Berlin," featuring German and European art from the early 20th century. The show traces the trajectory from the German Empire through World War I, the Weimar Republic, Nazi rule, and World War II, including works by Max Beckmann, George Grosz, Hannah Höch, Ernst Ludwig Kirchner, Paul Klee, and others. Many pieces were originally condemned as "degenerate art" by the Nazis. The exhibition, which has three U.S. stops, is currently in Albuquerque after appearing at the Kimbell Art Museum in Fort Worth and will travel to the Minneapolis Institute of Art.

Cara and Diego Romero: Tales of Futures Past Comes to Albuquerque Museum

The Albuquerque Museum will present "Cara and Diego Romero: Tales of Futures Past" from November 1, 2025, through February 8, 2026. This is the first national traveling exhibition to bring together the work of acclaimed contemporary artists Cara Romero (Chemehuevi) and Diego Romero (Cochiti), featuring 40 works including Diego’s pottery and lithographs and Cara’s photographs from her Indigenous Futurism series. The exhibition, organized by the Figge Art Museum in Davenport, Iowa, includes the debut of Cara Romero’s large-scale photographs "Four Horsewomen I and II" and a documentary by Kaela Waldstein. Public events include an opening panel moderated by artist and scholar Deborah Jojola.

Albuquerque Museum Presents German Modernism Amid Empire, Democracy, and Dictatorship

The Albuquerque Museum will present "Modern Art and Politics in Germany 1910-1945: Masterworks from the Neue Nationalgalerie, Berlin" from August 23, 2025, to January 4, 2026. The exhibition features over 70 paintings and sculptures tracing German modern art from the early 20th-century avant-garde through the Weimar Republic to the Nazi dictatorship, including works by Max Beckmann, Otto Dix, George Grosz, Hannah Höch, Wassily Kandinsky, Paul Klee, and Salvador Dalí, many rarely shown in the U.S.

New Exhibition Explores Albuquerque’s “Big I” as a Crossroads of Culture, Memory, and Movement

A new group exhibition titled 'At the East of My Past and the West of My Future' opens at the South Broadway Cultural Center Gallery in Albuquerque, running from May 28 to July 17. Curated by multidisciplinary artist Watermelon7, the show features 14 artists who reinterpret the city's iconic Big I interchange as a symbol of movement, identity, and transformation. Inspired by Jack Kerouac's 'On the Road' and Route 66, the works explore personal and collective journeys through paintings, mixed-media pieces, and installations.

Cara and Diego Romero: Tales of Futures Past

The Figge Art Museum in Davenport, Iowa, is presenting "Cara and Diego Romero: Tales of Futures Past," an exhibition featuring the work of photographer Cara Romero (Chemehuevi) and potter Diego Romero (Cochiti). The show highlights the artistic dialogue between the married couple, whose individual practices merge popular culture, ancestral traditions, and the supernatural to explore Indigenous identity, historical narratives, environmental racism, and ancestral evolution. The exhibition is supported by the Carl & Marilynn Thoma Foundation.