Art Basel has launched its first edition in Doha, Qatar, with a deliberately small and tightly controlled format. The fair features only 87 galleries, all required to mount solo presentations, with strict limits on booth size, power sources, and rehanging of works. This creates a slower, calmer atmosphere distinct from its larger, more chaotic sister fairs in Miami and Paris.
The inaugural edition of Art Basel Qatar launched with a unique booth-less format, prioritizing single-artist presentations and regional connections over the typical high-speed frenzy of European fairs. While the pace of transactions was more measured, significant sales were reported, including a $250,000 video installation by Kutlug Ataman sold by Niru Ratnam to an institution and multiple works by regional stars like Ahmed Mater and Ali Cherri. High-value blue-chip items, including a $42 million Picasso, remained tucked away in private viewing rooms to accommodate the region's preference for discretionary collecting.
This regional update highlights a diverse array of developments, ranging from the seasonal art circuit in Upstate New York to significant human rights actions. Lebanese artist Ali Cherri, a former Venice Biennale Silver Lion winner, has filed a formal war crimes complaint against Israel following a strike in Beirut that killed his parents. Simultaneously, a new report reveals systemic staffing crises within POC-led arts organizations in the Northeast, where over a third of institutions operate without a single full-time employee.
Lebanese-born artist Ali Cherri discusses his latest exhibition, "Last Watch Before Dawn," currently on view at Almine Rech in New York. The show centers on his new film, *The Sentinel* (2025), which explores the psychological and physical toll of military service through the figure of a French soldier. This exhibition marks a shift in Cherri’s practice, as he integrated the creation of sculptures and watercolors directly into the filmmaking process, allowing the gallery space to function as an extension of the cinematic set.
Curator Cecilia Alemani has organized the latest edition of the SITE Santa Fe International, titled "Once Within a Time," inspired by Godfrey Reggio's 2022 film of the same name. The exhibition, which opened in 2025, centers on storytelling and features Reggio's trippy 55-minute film alongside works by over a dozen artists, including Helen Cordero, D.H. Lawrence, Louise Bonnet, Norman Zammitt, Joseph Yoakum, John McCracken, Karla Knight, and Ali Cherri. The show extends beyond SITE Santa Fe to multiple venues across New Mexico, such as the New Mexico Military Museum, a hotel, and a cannabis shop, weaving together themes of eros, energy, the military, and the state's archetypes like UFOs, Land art, and Native spirituality.
Art Dubai, running until 20 April, opened as the first major art fair since US President Trump announced global tariffs that nearly triggered a financial crisis. Sales were solid, with most works priced in the low six figures or thousands, insulating the fair from market anxieties. A divide emerged between regional SWANA galleries—which presented the strongest booths—and international galleries from the US, Europe, and Latin America, which seemed uncertain about what to bring. Notable sales included works by Rana Begum, Mehdi Ghadyanloo, Ali Cherri, and Shaikha Al Mazrou, while galleries like Sfeir-Semler, Vigo Gallery, and Experimenter reported strong results.
La belle renaissance du [mac] à Marseille
The [mac] (Musée d’Art Contemporain) in Marseille is undergoing a significant revival following years of stagnation and underfunding. Under the new leadership of Stéphanie Airaud, who was appointed in 2023, the museum has completed major renovations including updated storage facilities, a new rooftop terrace, and a reorganized gallery layout. The institution is leveraging its impressive but previously underutilized collection of over 1,000 works—featuring masters like Basquiat, Klein, and Saint Phalle—while actively working to correct historical gender imbalances and strengthen ties to Mediterranean contemporary art.
Lebanese artist Ali Cherri, with the International Federation for Human Rights (FIDH), has filed a civil complaint in France seeking an investigation into an Israeli airstrike on a Beirut residential building in November 2024. The strike killed seven civilians, including Cherri's parents. The complaint, supported by forensic analysis from Forensic Architecture and Amnesty International, alleges the attack used munitions documented as being employed by the Israeli air force and targeted a civilian object, potentially constituting a war crime.
The Montreal Museum of Fine Arts (MMFA) has opened a major exhibition titled "Berthe Weill, Art Dealer of the Parisian Avant-garde," showcasing over 100 works that Weill exhibited in her Paris galleries between 1901 and 1940. The show highlights her role in launching the careers of artists such as Picasso, Matisse, Modigliani, and Suzanne Valadon, and includes paintings, drawings, sculptures, and archival materials. Weill, born to a poor Jewish family, opened her first gallery at age 36 using her mother's dowry, never charged for exhibitions, and often sold her own possessions to keep her spaces afloat. Despite her immense contributions, she died in poverty and has been largely omitted from art history.
The 12th Site Santa Fe International, titled "Once Within a Time," has opened at Site Santa Fe in New Mexico, running until January 12, 2026. Guest curated by Cecilia Alemani, director of New York's High Line, the biennial centers on visual storytelling, featuring over 70 artists and 27 historical figures. Highlights include Helen Cordero's Cochiti-inspired storyteller figurines, a film by Lebanese artist Ali Cherri at the New Mexico Military Museum, and works by literary figures D.H. Lawrence and Vladimir Nabokov. The exhibition extends beyond the main building to a dozen locations across Santa Fe, including museums, a former foundry, and storefronts.
This article presents a conversation between artist Ali Cherri and writer Kaelen Wilson-Goldie, marking the second installment of a collaborative series between TextWork by Fondation Pernod Ricard and Mousse Magazine. The series features in-depth dialogues between artists from the TextWork program and magazine contributors, expanding on the traditional interview format, and is set to continue until 2027.
French-Lebanese artist Ali Cherri, in collaboration with the International Federation for Human Rights, has filed a civil complaint in a French court regarding a 2024 Israeli airstrike in Beirut. The strike, which occurred in the Noueiri neighborhood just hours before a ceasefire, destroyed Cherri’s family home and killed seven civilians, including his parents and their domestic helper. The legal action, submitted to a specialized war crimes unit, alleges that the targeting of a civilian residence constitutes a war crime under both French and international law.