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art los angeles fall openings review

The article is a review of fall art openings in Los Angeles, written by Juliana Halpert for her Critics’ Table debut. Halpert surveys a range of exhibitions, including Calvin Marcus's show at Karma, Stanya Kahn's solo presentation, the Hammer Museum's "Made in L.A." biennial and its scrappier counterpart "Made in HelLA," Josh Smith's grim reaper paintings at David Zwirner, and Adam Alessi's show at Hoffman Donahue. She also recounts attending the Poetic Research Bureau's 25th anniversary party and fundraiser at 2220 Arts + Archives, where musician Jack Skelley performed. The review weaves a thematic thread of mortality and the macabre, noting how many shows this season engage with death, from fake blood and skulls to sinister landscapes.

arrival art fair guide to the berkshires

A new art fair called Arrival will debut in the Berkshires from June 12 to 15, hosted at the Tourists hotel in North Adams. Conceived by artist Crystalle Lacouture, gallerist Yng-Ru Chen, and advisor Sarah Galender Meyer, the invitational event features three dozen exhibitors selected by curatorial ambassadors including Amy Smith-Stewart of the Aldrich, Sayantan Mukhopadhyay of the Portland Museum of Art, and Natalie Diaz of Art Omi. Participants range from the Wassaic Project to Jonathan Carver Moore and Abigail Ogilvy Gallery. Beyond the main fair, programming includes Lodge Talks on university museums and alternative funding, plus studio visits with local artists Jenny Holzer, Mary Lum, and Willie Binnie.

Notes from New York: Rotting Meat

Artist Jen Liu’s solo exhibition 'Pound of Flesh' at Silverlens New York explores the dehumanizing nature of digital labor through visceral imagery of raw meat. The show features paintings where human consciousness is replaced by butcher-shop cuts and an animated video based on Liu’s research into microworkers—individuals who perform repetitive, low-paid tasks to train AI models. By juxtaposing the biological reality of the body with the clinical extraction of data, Liu highlights the physical and psychological toll of the 'Agentic Age.'

Plastic Visions. Tony Chrenka by Maxwell Smith-Holmes

Tony Chrenka's studio in the Gowanus neighborhood of New York City is the subject of this article, which explores his artistic practice centered on salvaged materials and industrial processes. Chrenka works with PET plastic (Mylar) and polyester fabrics, creating collages and sculptures that investigate the gap between use-value and exchange-value. His upcoming exhibition at Toby78 in Brooklyn will feature new works made from pleated polyester textiles, inspired by Issey Miyake's Pleats Please clothing line.

Animation Producer & Advocate Marge Dean Discusses Her New Art Exhibition Illuminating the Value of Domestic Labor

Marge Dean, an Emmy-winning animation producer and head of Skybound Entertainment, opens a new conceptual art exhibition titled "The Sweepers" at Automata gallery in Los Angeles' Chinatown on November 7. The show imagines a world where housework is valued as highly as fine art, presenting the fictional "Floor Field Cleaning" art movement (1940-1975) through portraits, floor samples, biographies, and an animated interview with a housewife named Laurie Poons. Dean, who is also founder of Women in Animation, created the work during the COVID lockdown, using rotoscoping and Photoshop to explore the intersection of domestic labor and artistic value.