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The Metropolitan Museum of Art Presents First Museum Survey of Lorna Simpson’s Paintings

The Metropolitan Museum of Art has opened "Lorna Simpson: Source Notes," the first museum survey dedicated to Lorna Simpson's painting practice. Running from May 19 to November 2, 2025, at The Met Fifth Avenue, the exhibition features over 30 works spanning a decade, from her first painting to her latest series, alongside related works in other media. Simpson, known for her conceptual photography since the 1990s, explores identity and representation through screen-printed collages that incorporate vintage imagery from Ebony, Jet, and archival sources. The exhibition is supported by the Ford Foundation, Hauser & Wirth, and other donors.

The Metropolitan Museum of Art and the Ronald S. Lauder Neue Galerie New York Announce Plans for a Landmark Merger

The Metropolitan Museum of Art and the Ronald S. Lauder Neue Galerie New York have announced a landmark merger agreement, set to take effect in 2028. The merger will unite the Neue Galerie's collection of 20th-century Austrian and German art—including Gustav Klimt's *Portrait of Adele Bloch-Bauer I*—with The Met, while preserving the Neue Galerie's distinct museum experience. Ronald S. Lauder and his daughter Aerin Lauder Zinterhofer plan to donate 13 additional paintings from their personal collection, and several Met trustees have pledged significant endowment gifts to support the integration and long-term operations.

The Metropolitan Museum of Art to Present First Museum Survey of Lorna Simpson’s Paintings

The Metropolitan Museum of Art will present "Lorna Simpson: Source Notes" from May 19 to November 2, 2025, the first museum survey dedicated entirely to the New York-based artist's painting practice. Featuring over 30 works, the exhibition traces Simpson's shift from conceptual photography to paintings that explore gender, race, identity, and history, including pieces from her 2015 Venice Biennale debut and her "Special Characters" series, alongside recent sculptures and collages. The show is funded by the Ford Foundation and supported by Jim and Irene Karp and John and Amy Griffin.