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anonymous was a woman symposium report 1234738945

A symposium organized by Anonymous Was A Woman, an arts nonprofit, was held at New York University to discuss findings from a new survey on the status of women artists. The survey, commissioned by the nonprofit and compiled by Julia Halperin and Charlotte Burns with SMU Data Arts, revealed that women artists face significant challenges including financial precarity, lack of studio space, and limited time to create art. Over 300 attendees heard panel discussions featuring artists like Coco Fusco, Steffani Jemison, and Judith Bernstein, followed by roundtables where 40 women professionals in the arts anonymously shared insights on community and resource gaps.

Remembering Desmond Morris, James Hayward, and Flo Oy Wong

This week's obituaries mark the passing of several significant figures in the visual arts. They include British surrealist painter and zoologist Desmond Morris, known for his 'biomorph' paintings and experiments with chimpanzee art; West Coast monochrome abstractionist James Hayward, who developed a cult following for his thickly painted canvases; and Chinese American artist Flo Oy Wong, a foundational storyteller of Oakland's Chinatown and the Asian American experience. Also remembered are assemblage artist Aldwyth, Ethiopian painter and educator Behailu Bezabih, Anglo-Irish conservator and designer Alec Cobbe, Bangladeshi art director Tarun Ghosh, and New Mexico painter Michael Hurd.

anonymous was a woman 2025 grant winners 1234762080

Anonymous Was a Woman, a grant-making organization supporting woman-identifying artists, has announced 15 recipients of its $50,000 grants for 2025. The winners include Candida Alvarez, Park McArthur, Lola Flash, Kunié Sugiura, and Sonya Kelliher-Combs, among others. Founder Susan Unterberg, who initially remained anonymous, revealed herself in 2018 and named the organization after a Virginia Woolf quotation. The grants are primarily for artists over 40, and the organization has recently expanded to fund environmentally minded projects.

Mary Lovelace O’Neal, Painter and Civil Rights Luminary, Dies at 84

Mary Lovelace O’Neal, a painter, educator, and Civil Rights activist, died on May 10 at age 84 in Mérida, Mexico. Known for her monumental canvases and inventive “lampblack” works, she moved fluidly between abstraction and figuration, using layers of black pigment to assert Blackness and presence. Her career included studies at Howard University and Columbia University, activism with the Student Nonviolent Coordinating Committee, and connections to the Black Arts Movement.

2025 Fall Arts Guide: The Season’s Best Visual Art Exhibits From Big Museums to Small Galleries

The 2025 Fall Arts Guide highlights three visual art exhibits in Washington, D.C. 'Arab Pop Art: Between East and West' at the Middle East Institute features 35 works by 14 Arab and diaspora artists, blending Western pop art with SWANA cultural motifs. 'Vincent Ricardel: Chasing Light' at gallery neptune & brown presents 15 photographs spanning diverse styles and locations. 'Rik Freeman: Wade in the Waters' opens Sept. 24, showcasing oil paintings.

THE SMOKING SECTION: GOTHAM CHELSEA UNVEILS FIRST ASHTRAY ART EXHIBITION FEATURING COMMISSIONED WORKS BY PREMIER ARTISTS

Gotham, the world's first cannabis concept store, has unveiled 'The Smoking Section,' its first commissioned art exhibition at Gotham Gallery in Chelsea, New York. Running from November 6, 2025, to January 5, 2026, the show features over 45 artists and designers—including Ridykeulous (Nicole Eisenman and A.L. Steiner), Daniel Gordon, Mika Tajima, Deborah Czeresko, and Peter Shire—who each created original ashtrays that range from functional to conceptual. Curated by Rachel Berks, Gotham's VP of Product Development & Partnerships, the exhibition explores the ashtray as both a ritual object and cultural symbol, linking cannabis culture to contemporary art.

anonymous was a woman the new york foundation for the arts environmental art grants 2025 1234749929

Anonymous Was A Woman (AWAW) and the New York Foundation for the Arts (NYFA) have awarded $521,125 in grants to 29 environmental art projects led by women-identifying artists from the United States and its territories. The grants, up to $20,000 each, require a public engagement component to be completed by August 2026. Recipients include artists such as Heidi K. Brandow, Charlotte Brathwaite, Cara Romero, and collectives like BEAM and DeepTime Collective, working across locations from California to Senegal and South Korea.

Shellburne Thurber: Full Circle

Shellburne Thurber's retrospective exhibition "Full Circle" runs from October 24, 2025 to March 21, 2026 at the Bates Museum of Art. The show surveys Thurber's decades-long photographic investigation of interior spaces—from her grandmother's home in southern Indiana in the 1970s to psychoanalytic offices published as a book in 2023 by Kehrer Verlag. Curated by Bates curator Samantha Sigmon, the exhibition traces how Thurber has consistently explored the relationship between constructed space and human energy, focusing on private, domestic, and psychological interiors that blur the line between public and private.

Older women artists go it alone as new report reveals how the traditional art world is failing them

A new report commissioned by the grant-giving body Anonymous Was A Woman and authored by journalists Charlotte Burns and Julia Halperin reveals that museums and galleries are failing women artists, particularly those over 65. Based on a survey of 1,263 female artists (91% based in the US), the report finds that 63% cite a lack of museum backing and 59% cite a lack of gallery support as hindering their careers. As a result, 55% of all respondents are selling work independently, with women over 65 leading the way—59% have sold directly to collectors in the past five years. The report also highlights that female artists work 49 hours per week but spend only 38% of that time making art, with the rest consumed by administrative tasks and other paid work, and that art sales provide only 16-18% of household income.