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A Ballet Based on the Life of Josephine Baker Opens the Fall Season at Théâtre des Champs-Elysées, and Other News

The Théâtre des Champs-Elysées opened its fall season with *Josephine*, a ballet by Germaine Acogny based on the life of Josephine Baker, tracing her 1925 Paris debut, activism in the French Resistance, and civil rights advocacy. Costumes by Chanel's specialty atelier Paloma feature in the solo performance, which is paired with Pina Bausch's *The Rite of Spring*. In other news, London's National Gallery announced a new wing under its Project Domani initiative, funded by $502 million in private donations including record pledges from the families of Michael Moritz and Julia Rausing, set to open in the early 2030s. Phillips will auction a juvenile triceratops skeleton nicknamed "Cera" in its November modern and contemporary art sale, with a presale estimate of $2.5–3.5 million. Kelly Reichardt's art heist film *The Mastermind* will screen at the New York Film Festival, and Thomas Heatherwick discussed his role as general director of the Seoul Architecture Biennale.

11 Must-See Museum Exhibitions This Summer

This article highlights 11 must-see museum exhibitions for summer 2025, curated by Monica Jae Yeon Moon. Key shows include Melissa Joseph's site-specific installation 'Tender' at the Brooklyn Museum, a comprehensive solo exhibition of 18th-century Dutch still life painter Rachel Ruysch at the Toledo Museum of Art and Museum of Fine Arts Boston, and a queer photography exhibition at the Getty Center. Other notable events include the Venice Architecture Biennale, Berlin Biennale, and Ljubljana Biennial, with a focus on women artists like Emily Kam Kngwarray and Takako Yamaguchi receiving overdue recognition.

Remembering John Morgan, radical typographer and designer who transformed the Church of England's books

John Morgan, a radical typographer and designer known for transforming the Church of England's books, has died. His funeral in September featured a story about his redesign of the Book of Common Worship, which a panel of commissioners brutally tested for durability. Morgan also designed graphics for the 2012 Venice Architecture Biennale, signage for Tate Britain, and identities for Raven Row gallery and ArtReview magazine. He worked with architects like David Chipperfield and artists including Edmund de Waal, Helen Marten, Juergen Teller, and Christian Marclay.

A rebuke to Modernism: the Venice Architecture Biennale imagines new ways of building to cope with climate change

The 2025 Venice Architecture Biennale, curated by Carlo Ratti, opens with immersive installations that confront climate change, including a film on civilizations rising and collapsing, a reflective pool installation by Michelangelo Pistoletto symbolizing humanity-nature reconciliation, and a non-functional air conditioner display by Transsolar Klima Engineering. Ratti issued the Biennale's first open call, selecting over 300 multidisciplinary teams—engineers, scientists, artists, and architects—to explore new building methods that reject Modernist materials like steel and concrete in favor of natural and Indigenous approaches.

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A new dual-artist exhibition titled “Bricks and Grids” has opened at 193 Gallery’s Venice location, running through July 27, 2025. The show features works by Zoila Andrea Coc-Chang, who creates sculptural weavings from materials like dried fruit and industrial objects to explore power and economy, and Modou Dieng Yacine, whose photography-based paintings blend figuration and abstraction to examine urban architecture, memory, and marginalized communities. Curated by Miriam Bettin, the exhibition coincides with the Venice Architecture Biennale, whose theme is “Intelligens. Naturale. Artificiale. Collettiva.”

Venice Unveils Stunning New Art Spaces

During the Architecture Biennale preview in Venice, two major new art spaces opened: the Nicoletta Fiorucci Foundation's new home in a historic palazzo on the San Barnaba canal, and SMAC (San Marco Art Centre), a contemporary art center on Saint Mark's Square designed by David Chipperfield. Additionally, Belgian artist Luc Tuymans accepted a last-minute commission from the Abbot of San Giorgio Maggiore to replace two Tintoretto paintings with his own large-scale works. The Fiorucci Foundation's palazzo, acquired in December 2024, opened May 10 with an exhibition by Georgian artist Tolia Astakhishvili, featuring works made from found materials and drawings on walls, alongside pieces by Thea Djordjadze and Maka Sanadze. SMAC, restored by Chipperfield, currently hosts two exhibitions: one on Australian modernist architect Harry Seidler and another on Korean landscape architect Jung Youngsun.

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Nick Axel and Daniele Balleri have written a reply to this article. The 2025 Venice Architecture Biennale, organized by MIT professor Carlo Ratti under the theme “Intelligens. Natural. Artificial. Collective.,” features A.I.-generated summaries alongside traditional wall texts for each exhibit. These two-sentence distillations, labeled “A.I. Summary,” are designed to help visitors quickly grasp core ideas and choose their pace through the dense show. An example is Beatriz Colomina, Roberto Kolter, Patricia Urquiola, Geoffrey West, and Mark Wigley's installation *The Other Side of the Hill*, whose 200-word wall text is condensed into a succinct A.I. summary about microbial intelligence and demographic collapse.

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Diller Scofidio and Renfro (DS+R) has won a Golden Lion at the 2025 Venice Architecture Biennale for "Canal Café," a project that brews espresso using water filtered from the Venetian lagoon. The installation, part of the biennale's exhibition "Intelligens. Natural. Artificial. Collective," uses a combination of biological filtration by salt-tolerant halophytes and artificial methods like reverse osmosis to purify the polluted canal water. Michelin-starred chef Davide Oldani selected the coffee blend, and the espresso is sold for €1.20. Originally conceived for the 2008 biennale but delayed due to permit issues, the project was realized with improved filtration technology and support from engineering firms Natural Systems Utilities and SODAI, as well as Webuild.

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The Swiss Pavilion at the 2025 Venice Architecture Biennale pays tribute to Lisbeth Sachs (1914–2002), one of Switzerland's first licensed women architects, by recreating her 1958 kunsthalle design inside the pavilion originally built by Bruno Giacometti. The exhibition, titled "Endgültige Form wird von der Architektin am Bau bestimmt," is curated by an all-woman team—Elena Chiavi, Kathrin Füglister, Amy Perkins, Axelle Stiefel, and Myriam Uzor—and resurrects a structure Sachs built for the 1958 Swiss Exhibition for Women's Work (SAFFA) in Zürich, of which almost no trace remains today.

Fort Worth’s Como public art project showcased at international exhibition

A public art installation from Fort Worth, Texas, titled "Do Something Good For Your Neighbor," has been selected for display at the 19th International Architecture Exhibition — La Biennale di Venezia in Venice, Italy. The weathered steel pavilion, located on Lake Como in Fort Worth's historic Como neighborhood, was designed by Matt Niebuhr and David Dahlquist of the Art Studio at RDG Planning & Design. Built in 2021 and owned by Fort Worth Public Art, it is one of 54 projects featured in the exhibition "PORCH: An Architecture of Generosity," commissioned by the U.S. State Department and organized by the Fay Jones School of Architecture and Design at the University of Arkansas, in partnership with DesignConnects and the Crystal Bridges Museum of American Art. The installation honors community leaders William H. Wilburn, Sr. and Amon G. Carter Sr., and features custom carved benches with phrases from a historic local newspaper.

Casa Sanlorenzo in Venice opens its first exhibition with a focus on ocean pollution

Casa Sanlorenzo, a new cultural space in Venice established by yacht builder Sanlorenzo, has opened its inaugural exhibition titled "Breathtaking." The installation by Italian artist and photographer Fabrizio Ferri addresses ocean plastic and microplastic pollution, featuring large-scale portraits of celebrities including Sting, Helena Christensen, Willem Dafoe, Isabella Rossellini, Susan Sarandon, and Naomi Watts, all depicted covered in plastic and debris. At the center of the installation is a glass coffin filled with seawater, symbolizing the fragility of marine ecosystems. The exhibition was previously shown at the Museo di Storia Naturale in Milan, where it attracted over 40,000 visitors in four days.

The new cultural space by Sanlorenzo Arts where design, creativity and sustainability meet

Sanlorenzo Arts has inaugurated Casa Sanlorenzo, a new cultural space in Venice adjacent to the Basilica Santa Maria della Salute, opening on June 3 during the first edition of Venice Climate Week and the Venice Architecture Biennale. Designed by Piero Lissoni's architectural firm, the space blends history and contemporary design, featuring a restored building with adaptive lighting, a monumental glass staircase, and a new bridge connecting to the surroundings. It is not a traditional museum but a dynamic platform for art, design, and sustainability, hosting initiatives that reflect on contemporary society.

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The curatorial team of the 19th International Architecture Exhibition of the Venice Biennale has responded to criticism of their use of AI-generated summaries in the exhibition "Intelligens. Natural. Artificial. Collective." They clarify that the 35-word AI summaries were an intentional experiment, left unedited except for gross factual errors, to juxtapose human intelligence (the 250-word project descriptions) with artificial intelligence. The team acknowledges the reflections and critiques published in Artnet and other outlets, viewing them as validating the experiment's purpose.