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diego marcon

Diego Marcon, a Milan-based artist working primarily in moving image, is gaining international attention for his unsettling and emotionally charged video installations. His work *Fritz* (2023), featuring a computer-generated boy slowly dangling from a noose while singing, exemplifies his method of dissecting genre cinema through animation, prosthetics, and pop culture references. Marcon has been featured in major exhibitions including the 59th Venice Biennale (2022), Fondazione Between Art and Film in Venice, and Kunsthalle Basel, with a new commission *Krapfen* touring internationally after premiering at the Renaissance Society in Chicago. His upcoming solo exhibition at the Consortium Museum in Dijon opens December 5, 2025.

Rare art lands in new downtown Calgary gallery ahead of auction

Cowley Abbott Fine Art, a Toronto-based auction house, has opened its first permanent western Canada gallery in Calgary's East Village. The new space launches with a three-day public preview of museum-quality artworks heading to its Spring Live Auction on May 27 at the Globe and Mail Centre in Toronto. Highlights include rare works by Pierre-Auguste Renoir, Vincent van Gogh, Emily Carr, and members of the Group of Seven such as Lawren Harris and A.Y. Jackson. Among the standout pieces is Emily Carr's 1936 canvas "Wind," estimated at $500,000 to $700,000, and a Lawren Harris painting valued similarly. The gallery aims to attract both collectors and casual visitors, with Peter Ohler, Western Canada Representative and Director of Private Sales, emphasizing that the space is open to anyone interested in art.

Lost abstract artist Edna Taçon rediscovered at Art Gallery of Ontario

The Art Gallery of Ontario (AGO) has launched a dedicated exhibition to rediscover the work of Edna Taçon, a mid-century abstract artist who was once a prominent figure in the New York and Toronto art scenes. Curated by Renée van der Avoird, the show features collages, drawings, and paintings from the 1940s, a period when Taçon exhibited alongside Lawren Harris and was championed by Hilla Rebay at the Museum of Non-Objective Painting (now the Guggenheim). The exhibition was sparked by the discovery of a single work in the AGO’s holdings and a subsequent connection with the artist's grandson, sculptor Carl Taçon.