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Konrad Mägi review – these bland, blobby paintings are expressionism without expression

A new exhibition of early 20th-century Estonian painter Konrad Mägi at Dulwich Picture Gallery has received a scathing critical review. The reviewer finds Mägi's colorful, modernist-influenced landscapes and portraits to be bland, derivative, and devoid of the emotional depth or urgency found in the great modernists or the gallery's own Old Master collection.

From The Magic Faraway Tree to 5 Seconds of Summer: your complete entertainment guide to the week ahead

The Guardian has published a comprehensive weekly entertainment guide covering cinema, gigs, art exhibitions, stage performances, and home entertainment options. The guide highlights new film releases like the adaptation of Enid Blyton's 'The Magic Faraway Tree' and the documentary 'Orwell: 2+2 = 5', major concerts from 5 Seconds of Summer, and art exhibitions featuring Estonian modernist Konrad Mägi and Scottish painter Joan Eardley.

Kumu to unveil Kristi Kongi's largest solo exhibition 'Chromatic Drift'

Estonian painter Kristi Kongi's largest solo exhibition, 'Chromatic Drift,' will open at the Kumu Art Museum on May 22. The exhibition fills the museum's great hall, courtyard, and windows with new works featuring earthy tones like purple, brown, and burgundy, described by curator Ann Mirjam Vaikla as reflecting the aesthetics of the Anthropocene. The show is accompanied by a book with essays by Sara Garzón, Sirje Helme, and Vaikla, and includes works created during Kongi's residency at Cerámica Suro in Guadalajara, Mexico.

A Paris exhibition spotlights Estonian women artists

The Musée d’Art Moderne de Paris has launched "Estonian Realities," a significant cross-generational exhibition featuring the works of Olga Terri, Anu Põder, and Kris Lemsalu. Spanning nearly 90 years of artistic production, the show marks a major collaboration between the Art Museum of Estonia and the City of Paris, tracing the evolution of Estonian art from the psychological anxieties of the 1940s to the bold, performative installations of the contemporary era.