The Antwerp Six and the Problem of Now

A new exhibition at MoMu in Antwerp, guest-curated by Geert Bruloot, explores the enduring legacy of the 'Antwerp Six'—a group of visionary designers who graduated from the Royal Academy of Fine Arts in the 1980s. The show features dedicated rooms for members including Walter Van Beirendonck and Dirk Van Saene, showcasing their distinct aesthetics ranging from maximalist rave-wear to surrealist runway recreations. It traces their journey from a self-funded trip to a London trade fair in 1986 to becoming global icons who challenged the dominance of Parisian couture.

“Persona” Crafts a Lineage of Performed Identity

Boston Art Review (BAR) has published an article titled “Persona” Crafts a Lineage of Performed Identity, exploring how contemporary artists use persona and self-performance to trace a lineage of identity construction. The piece examines works by artists who adopt alter egos or theatrical roles to challenge fixed notions of selfhood, drawing connections to historical precedents in art and culture.

The Daughters of Sound. Hildegard of Bingen and Patti Smith are at the Vatican Pavilion at the Biennale

Le figlie del suono. Ildegarda di Bingen e Patti Smith sono al Padiglione Vaticano alla Biennale

The article profiles a meeting between the author and Patti Smith, exploring her new memoir "Bread of Angels" and her connection to the 12th-century Benedictine abbess and mystic Hildegard of Bingen. Both women are presented as figures who see music as a living resonance that can awaken a primordial, sacred vibration within humanity. The piece also notes that Smith wrote the preface to the author's book "A passo d'uomo" and that both she and Hildegard are featured at the Vatican Pavilion at the Venice Biennale.