The Studio Museum in Harlem has selected Derriann Pharr, Simonette Quamina, and Taylor Simmons as its 2026 Artists-in-Residence. This cohort will be the first to work in the museum's new Bruce Llewellyn Artist in Residence Center, with their residency running from March 15 to October 15, culminating in an exhibition and publication funded by the Glenstone Foundation.
New York University has appointed Alison Weaver as the next director of its Grey Art Museum, effective May 26. Weaver, who has served as founding executive director of the Moody Center for the Arts at Rice University since 2015, succeeds Lynn Gumpert, who retired last year after leading the museum since 1997. At Rice, Weaver oversaw the completion of a new building for the Moody Center, launched an artist-in-residence program, curated over 25 exhibitions, and expanded the university's art holdings. She previously taught art history at the City University of New York and served as director of affiliate museums at the Guggenheim Museum, overseeing its outposts in Bilbao, Venice, Berlin, and Las Vegas.
The Studio Museum in Harlem reopened its newly rebuilt, seven-story space on 125th Street after nearly eight years without a permanent home. A press preview on November 6, 2025, showcased the $300 million, 82,000-square-foot building designed by Adjaye Associates with Cooper Robertson, which more than doubles the museum's exhibition space. The public reopening is set for November 15 with a free community celebration. Inaugural exhibitions include "From Now: A Collection in Context," works by over 100 alumni of the artist-in-residence program, and a solo show of Tom Lloyd, whose work was featured in the museum's first exhibition in 1968. The building features a grand staircase, a cantilevered auditorium called the "Stoop," a roof terrace, and prominent works by David Hammons and Glenn Ligon.
Adam Levine, director and CEO of the Toledo Museum of Art, has transformed the Ohio institution into a model for digital adaptation. Over five years, he grew the operating budget from $15 million to $23 million, expanded the endowment by $90 million, and launched TMA Labs, an in-house consultancy focused on data, Web3, AI, and emerging technologies. The museum has acquired digital artworks including NFTs and digital numismatics, established a digital artist-in-residence program, and opened the exhibition "Infinite Images," which traces the history of computer and digital art. Levine, one of the youngest museum directors in the U.S. at 38, discussed these initiatives in an interview with ARTnews.
The Studio Museum in Harlem will open its new building on Saturday, November 15, with a Community Day celebration, after being closed since 2018. Designed by Adjaye Associates, the 82,000-square-foot, seven-story structure features 14,000 square feet of exhibition space, expanded studios for its Artist-in-Residence program, and dedicated education areas. The reopening includes four exhibitions, two site-specific commissions, and reinstallations of iconic works, including a survey of Tom Lloyd, the subject of the museum's first exhibition in 1968. The museum has also updated its hours and admission policies, offering free entry on Sundays.
The Cantor Arts Center at Stanford University has opened a new iteration of its Archive Rooms series, featuring two concurrent exhibitions: "Archive Room: Ester Hernandez" and "Archive Room: Ruth Asawa." The Hernandez exhibition showcases seldom-exhibited artwork, ephemera, writing, and family photographs from the artist's archive, including her iconic print "Sun Mad" (1982) addressing pesticide contamination, alongside materials documenting her community-based practice and activism. The Asawa exhibition highlights her arts advocacy through teaching materials, photographs, and projects from the Alvarado School Arts Workshop, an artist-in-residence program she co-founded in 1968 that operated in 50 San Francisco public schools.
The Fabric Workshop and Museum (FVM) in Philadelphia has opened "Some American Dreams," an exhibition marking the 250th anniversary of the U.S. Declaration of Independence. Curated by Hilde Nelson, FVM curatorial fellow, the show features 27 works by 20 artists created during the museum's Artist-in-Residence Program over four decades. The exhibition includes pieces in furniture, sculpture, textiles, clothing, video, and photography, and is on view until June 14, 2026. In an interview with My Modern Met, Nelson discusses her curatorial approach, which poses the question, "What if 'America' is not one project, but many?" and explores how these multiple Americas are affirmed, resisted, or remade through the artworks.
The Studio Museum in Harlem reopened in November 2025 after a seven-year reconstruction, unveiling a new building designed by Adjaye Associates and Cooper Robertson that incorporates architectural elements of Harlem, such as masonry-framed windows and a staircase evoking brownstone stoops. The reopening featured a major exhibition highlighting alumni from its renowned artist-in-residence program, which began in 1968 with Tom Lloyd as the first recipient. Founded by Charles E. Innis and a coalition of artists, activists, and philanthropists, the museum has long served as a nexus for artists of African descent, expanding the canon of Black art during the civil rights and Black Power movements.
The Studio Museum in Harlem, founded in 1968 in a rented loft above a liquor store, will open its first purpose-built 82,000-square-foot building on West 125th Street this fall, following a landmark $300 million capital campaign led by director and chief curator Thelma Golden. Designed by Adjaye Associates with Cooper Robertson, the new facility doubles the exhibition and studio space and includes dedicated areas for performance, education, and public programs. The museum, which has operated without a permanent space since 2018, has been a pioneering platform for artists of African descent, launching the careers of figures like David Hammons, Kerry James Marshall, Glenn Ligon, and Simone Leigh through its groundbreaking exhibitions and artist-in-residence program.
The Studio Museum in Harlem officially opens its purpose-built new home on West 125th Street on November 15, 2025, marking the first time the institution has had a building designed specifically for its program. Designed by Adjaye Associates with architect Pascale Sablan, the 82,000-square-foot museum features a double-height street-level window, a 'reverse stoop' entrance, expanded exhibition and public spaces, artist-in-residence studios, and a roof terrace. The facade uses dark-grey precast concrete and bronze-toned glass to reference Harlem's masonry architecture while signaling a refined contemporary presence.
The Atlanta Art Fair returned for its second edition from September 25-28, 2024, at Pullman Yards in the Kirkwood neighborhood, produced by events firm AMP. The fair hosted 75 local, national, and international galleries and arts organizations, drawing around 3,500 attendees to its VIP preview and opening night. Exhibitors and organizers were more acclimated to the space than in the debut year, with a more relaxed and confident atmosphere. The fair highlighted Atlanta's unique cultural identity, emphasizing friendliness, community engagement, and a slower, less pretentious pace compared to art fairs in New York or Los Angeles.
Curator, collector, and artistic director Andrea von Goetz founded Sommer Frische Kunst in 2011 as a humble artist-led retreat in Bad Gastein, Austria, housed in the historic Kraftwerk am Wasserfall building. Over 15 years, the initiative has grown from a small artist-in-residence program into an internationally recognized contemporary art festival at 1,000 meters above sea level, featuring major exhibitions, public art projects, and its own art fair, art:badgastein. The 2025 anniversary is marked by a reunion exhibition titled "Welcome back!" co-curated with Dr. Silvie Aigner.
Brendan Fernandes, a Chicago-based visual and performing artist, has created an evolving dance work titled *Score for the Murphy Auditorium* as part of his nearly year-long exhibition *In the Round* at the Driehaus Museum's newly acquired Murphy Auditorium. The piece features seven dancers moving around a 12-sided mirrored bench, with choreography inspired by the 1960s Judson Dance Theater, and includes textile works from the Fabric Workshop and Museum and a sound installation by Alex Inglizian. The auditorium, built in 1926 and designated a Chicago landmark in 2024, underwent renovation after being acquired by the Driehaus Museum in 2022.
PROJECT LOOP, a new POC and queer-owned gallery and open-studio residency space, opens in Hoxton, London on April 26, 2025. The inaugural exhibition features works by Emmanuel Awuni and Fungai Benhura, and Ruby Dickson will initiate the artist-in-residence programme. The space is co-directed by Alïn-Sitoé Diallo and aims to challenge traditional gallery models by integrating a live-in residency with an exhibition space.
This article compiles a list of open calls, residencies, and grants for artists and photographers with deadlines in late 2025 and early 2026. Opportunities include the Rotterdam Photo 2026 open call themed 'Echoes of Silence—War in the Artist’s Soul,' offering exhibition space in multiple European cities; the Innovate Grant awarding $1,800 each to one visual artist and one photographer; the Ah Haa School for the Arts' HAHA 2026 immersive installation opportunity; Decagon Gallery's Sanctuary open call with cash prizes; the Biafarin Awards providing $4,000 CAD in grants plus global exposure; PeepSpace's exhibition proposal call; and All About Photo's Nature Photography Contest.
The Studio Museum in Harlem reopened its newly renovated space in Harlem on November 15, 2025, marking a new chapter for the 57-year-old institution. The article highlights archival gems from the museum's history, including the 1969 exhibition "Harlem Artists 69," which featured over 100 works by 53 local Black artists, and the long-running Artist-in-Residence program launched in 1969. These moments underscore the museum's role in championing Black artistic innovation and community engagement, supported by partnerships with Columbia University and local nonprofits.
The Studio Museum in Harlem will reopen on November 15 after a seven-year closure, unveiling a new $300 million, 82,000-square-foot building designed by Adjaye Associates and Cooper Robertson. The first purpose-built space in the museum's 57-year history, located at its original footprint on West 125th Street, features a dramatic dark-grey precast-concrete facade and includes a $50 million endowment. The reopening comes after architect David Adjaye stepped away from the project in 2023 following sexual assault allegations, which he denies. The inaugural exhibition will highlight works by Tom Lloyd, the first artist shown when the museum opened in 1968.
The article compiles a list of open calls, residencies, and grants for artists with deadlines in August through October 2025. Opportunities include the Wave Hill Sunroom Project Space in New York City, Sculpture by the Sea in Cottesloe, Australia, the Hunt Museum Open Submission Exhibition in Ireland, New Voices 2026 at Print Center New York, and the Moons, Castles, Trees exhibition for The Wrong Biennale in Copenhagen. Grant opportunities include the Ellis-Beauregard Project Grants in Maine, the Seattle Art Museum Betty Bowen Award for Northwest artists, and the Hornsby Art Prize in Australia, among others.
The ACLU of Texas has selected Austin-based writer and artist KB Brookins and San Antonio-born painter Vincent Valdez as its artists-in-residence for 2026. Chosen from nearly 200 applicants, each will receive $30,000 to create works addressing criminal law reform, immigrants' rights, and equality for LGBTQIA+ individuals. Valdez will focus on portraits of local community leaders for his New Americans series and produce 'Know Your Rights' poster packets, while Brookins will tackle the pretrial carceral system through community organizing and workshops.
Danish artist Kasper Eistrup (b. 1973) presents his first solo exhibition in Germany, titled "Bridges Over Magma," at Galerie Schimming in Hamburg. The show features a new body of work created during a recent artist-in-residence program in Hamburg, where Eistrup drew inspiration from the city's famous bridges and his ongoing exploration of painting and drawing. The compositions blend meticulously rendered figures with architecture, flora, fauna, handwritten text, and abstract textures, exploring themes of human connection and resilience.
Pace University Art Gallery presents *Summer Remembers Winter*, a solo exhibition by painter Siobhan McBride, opening February 14, 2026. The show features new works exploring disjointed spaces, memory, and identity shaped by dislocation, reflecting McBride's experience as a Korean-born, U.S.-raised adoptee. The exhibition includes a free public reception on February 19 and an artist talk on March 5, running through March 21, 2026.
The Grunwald Gallery of Art at Indiana University's Eskenazi School of Art, Architecture and Design is hosting “Re:Visit | Celebrating a Decade of McKinney Visiting Artists,” an archival exhibition that highlights 10 years of the McKinney Visiting Artist Series. Founded in 2016 through an endowment by IU alumni Meredith McKinney and Elsa Luise Barthel McKinney, the series brings artists to campus for short residencies, lectures, workshops, and collaborative learning. The exhibition features work by 11 participating artists, including Tetsuya Noda, Yvonne Osei, and Martin Venezky, and runs through Nov. 15.
This article compiles a list of open calls, residencies, and grants for artists in November 2025, featuring opportunities such as the Hopper Prize offering $4,500 and $1,000 artist grants, the Biafarin Awards with $4,000 CAD in cash grants and global exposure, and the GLEAM public art exhibition at Olbrich Botanical Gardens. Other calls include the Contemporary Reflection exhibition in London, an open call for exhibitions at Municipal Gallery dlr LexIcon in Ireland, the INteriors show at Glen Arbor Arts Center, Sight/Geist film and performance series in New York, and a main gallery commission at Locust Projects in Miami, among others.
Michael Takeo Magruder, the Knight Fund Distinguished Artist-in-Residence at Knox College, presented a new exhibition titled "re:GeneratedPrairie" at the Borzello Art Gallery in the Ford Center for the Fine Arts from September 16-30, 2025. The show featured digital prints, canvases, 4K videos, and soundscapes inspired by the prairie burn and regrowth at Knox's Green Oaks ecological site. Magruder, who has held over 300 exhibitions in 35 countries, was invited by Knight Distinguished Chair Robert M. Geraci and also mentored students during his residency, helping them with exhibition setup, curation, and offering critiques.
Pippin Frisbie-Calder, LSU School of Veterinary Medicine's 2025 artist-in-residence, will present a public exhibition and talk on November 10, 2025, at the LSU Vet Med Library. During her August residency, she engaged with clinicians, researchers, and the hospital environment to create original artworks inspired by veterinary science, using printmaking, woodcutting, and large-scale installations that explore climate change, species extinction, and environmental stewardship.
The City of West Hollywood is presenting a free exhibition titled 'FXLK PLAY: Artists-in-Mischief, Devotion, and Mythmaking' at Plummer Park's Long Hall. The show, running from February 19 to March 19, 2026, is a survey of works by over 60 LGBTQ+ artists who have participated in the Tom of Finland Foundation's Artist-in-Residence Program, featuring painting, sculpture, and video.
The Ashmolean Museum in Oxford has launched "Climate Culture Care," the first solo exhibition by a Bangladesh-based artist in a UK museum, featuring the work of Soma Surovi Jannat. Developed during her residency at the institution, the show includes approximately 40 works, ranging from intricate drawings on paper to a 30-foot-long scroll and an ephemeral site-specific wall drawing. The exhibition is part of the Ashmolean NOW series, which tasks contemporary artists with creating new interventions inspired by the museum’s historical and archaeological collections.
The Studio Museum in Harlem has opened its long-awaited new building, a seven-story, 82,000-square-foot structure on West 125th Street, designed by Adjaye Associates with Cooper Robertson. A Community Day on November 15th marked the public debut, featuring inaugural exhibitions including a major show on Tom Lloyd, whose work launched the museum's first exhibition in 1968, as well as "From Now: A Collection in Context" and a survey of works by over 100 residency alumni. The building expands exhibition space by over 50% and public areas by nearly 60%, with dedicated education spaces and artist-in-residence studios.
The Moody Center for the Arts at Rice University organized the exhibition 'Imaging after Photography,' which explored how artificial intelligence is reshaping the medium. The show featured seven international artists, including Sofia Crespo and Gregory Chatonsky, and was curated by Alison Weaver and Noor Alé.
Laura K. Sayers creates intricate miniature postage stamps using cut paper, depicting everyday scenes from her home in Scotland and places she visits. Her solo exhibition "The Wee Small Hours" at N. atelier in Glasgow showcases these tiny tableaux, which also include works inspired by her residency at the Fiskars Artist-in-Residence program in Finland. The exhibition runs through this weekend.