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British-Indian artist Anish Kapoor will open his 16th-century Venetian palazzo, Palazzo Manfrin, to the public this spring for an exhibition of his work. The show, opening May 5 just before the Venice Biennale, will feature around 100 architectural models, sculptures, and installations from the past five decades, many related to unrealized large-scale projects. Key works include a new version of *At the Edge of the World* (1998) and a permanent installation of *Descent into Limbo* (1992).

Naked jetskiers, giant bells and a celebrity seagull! Venice Biennale’s wildest moments – in pictures

The Guardian presents a photo essay capturing the most eccentric and memorable moments from the 61st Venice Biennale, running until 22 November 2026. Photographer David Levene documents installations including a concrete 'Origami Deer' evacuated from war-torn Pokrovsk, Ukraine, by artist Zhanna Kadyrova; a seagull that became a minor celebrity after nesting outside the Polish pavilion; and the Holy See pavilion's immersive sound installation curated by Hans Ulrich Obrist and Ben Vickers. Other highlights include the Egyptian pavilion's touch-and-smell 'Silence Pavilion' and a Polish pavilion film featuring deaf and hearing singers.

Anish Kapoor to show some of his most ambitious projects—realised or not—in Venice

Anish Kapoor will open an exhibition at Palazzo Manfrin in Venice on May 5, focusing on his architectural-scale sculptural projects—both realized and unrealized. The show includes around 50 to 70 models, with highlights such as *Cloud Gate* (2006) in Chicago, the Monte Sant’Angelo Metro Station in Naples, and unrealized plans for a work in outer space. New works include an immersive painting room, and *At the Edge of the World* (1998) has been remade in a dark black paint related to Vantablack. The exhibition runs through August, after which *Descent into Limbo* (1992) will be permanently installed on the Cannaregio site.

Anish Kapoor at Palazzo Manfrin for 61st International Art Exhibition of La Biennale di Venezia, Italy

During the 61st International Art Exhibition of La Biennale di Venezia, Anish Kapoor presents a major new exhibition at Palazzo Manfrin, a 16th-century Venetian landmark in Cannaregio that houses the artist's foundation. The show, titled 'Anish Kapoor: Palazzo Manfrin,' features around 100 architectural models from the past 50 years, alongside large-scale installations and stainless-steel works, including a monumental black-pigment version of 'At the Edge of the World' (1998), a towering mirror work, 'Descent into Limbo' (1992), and Vantablack sculptures. The exhibition explores Kapoor's concept of the 'non-object' and the transformative quality of sculpture.