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Museum Announces 2025-26 Exhibitions

The Fairfield University Art Museum has announced its 2025-26 exhibition season, featuring three shows tied to the United States semiquincentennial. Two exhibitions open in fall 2025: "Stitching Time: Social Justice Collaboration Quilts Project" and "Give Me Life: CPA Prison Arts Program," showcasing art by incarcerated individuals from Louisiana State Penitentiary and York Correctional Institution; and "Monuments: Commemoration and Controversy," organized by The New York Historical, examining public monuments as sites of debate over national identity and race. In spring 2026, the museum will present "For Which it Stands…," curated by Executive Director Carey Mack Weber, focusing on depictions of the American flag across the last century.

Trude Fleischmann Photography Exhibition: Famous & Family , Opens May 2

The Fairfield University Art Museum's Bellarmine Hall Galleries will host 'Famous & Family: Through the Lens of Trude Fleischmann' from May 2 through July 26, 2025. This is the first American solo museum exhibition dedicated to the Austrian-born photographer Trude Fleischmann (1895-1990), featuring over 100 photographs that span her groundbreaking career in 1920s-30s Vienna and her influential work in the United States after fleeing Nazi persecution in 1938. The show includes portraits of cultural figures such as Eleanor Roosevelt, Marian Anderson, and Albert Einstein, alongside never-before-exhibited works from family collections and a documentary film.

Upcoming Exhibitions

Bellarmine Hall Galleries at Fairfield University Art Museum will host an exhibition from September 18 to December 12, 2026, exploring 'Egyptomania'—the 19th-century European fascination with ancient Egyptian art and culture. The show features paintings, prints, photographs, and decorative art from the early 19th century to the present, including works like Charles-Théodore Frère's *Along the Nile* (ca. 1870). Curated by Megan Paqua, the exhibition examines how Egyptian symbols and motifs were adopted, exoticized, and commercialized, often erasing the ancient Egyptian people themselves. It aims to contrast simplified or stereotypical narratives with current archaeological understanding.