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Amanda Heng Walks the Walk

Singaporean artist Amanda Heng, now 74, is representing Singapore at this year's Venice Biennale with her exhibition titled *A Pause*, featuring a site-specific installation and durational performance. Known for her decades-long performance *Let's Chat* (1996–), in which she cleans mung bean sprouts with participants to foster casual conversation, Heng transforms everyday domestic gestures into feminist acts. Her work reclaims the body, labor, and relationships as sites of personal autonomy. She was part of the pioneering, male-dominated generation of Singaporean contemporary artists in The Artists Village, but left due to its hierarchical structure to pursue collaborations with women artists and further studies.

Japan’s art islands gain a new attraction with museum designed by Tadao Ando

The Benesse Art Site Naoshima, a globally acclaimed art destination across three Japanese islands, will open the Naoshima New Museum of Art (NNMA) on May 31. Designed by architect Tadao Ando, the one-story building with two underground floors sits on a hilltop near Honmura village. Its opening exhibition, centered on wellbeing, features works by 12 artists including Takashi Murakami, Aida Makoto, Do Ho Suh, Cai Guo-Qiang, and Martha Atienza. The museum shifts focus to contemporary art from Asia with rotating exhibitions, according to director Akiko Miki.

‘One simple gesture says it all’: the world in black and white – in pictures

Photographer Marina Sersale has released a new monograph titled 'Liminal Space,' published by Gost, which compiles over a decade of monochrome photography. The collection features dramatic black-and-white images captured between 2013 and 2021 across diverse locations including Italy, Japan, Iran, and the United States. Sersale, a former documentary filmmaker, focuses on the interplay of light and shadow to document fleeting, everyday moments—from sunbathers in Positano to commuters in Naples.