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Wolfgang Tillmans wins 2026 Roswitha Haftmann Prize

Wolfgang Tillmans has been awarded the 2026 Roswitha Haftmann Prize, worth CHF 150,000. The German photographer, based between London and Berlin, rose to prominence in the 1990s with intimate portraits of the European club scene and LGBTQIA+ community. Over nearly four decades, his practice has expanded to include still life and landscape photography, while maintaining a focus on social critique and the materiality of images. He has also been active in democracy promotion, launching an anti-Brexit campaign in 2016, encouraging voting in German and European elections, and founding the Between Bridges foundation in 2017 to support arts, LGBTQIA+ rights, and anti-racism work. The award ceremony will take place on 17 September at the Kunsthaus Zürich.

After the Afterparty: Berlin Art Tests Its Pulse during Gallery Weekend

Gallery Weekend Berlin took place from late April into early May, drawing large crowds despite ongoing concerns about the city's declining art-market relevance. The weekend kicked off with early previews on Wednesday, including Alex Heide's solo exhibition "the darkroom beams horizons" at the new space Klix, and continued with events at Sprüth Magers, the Between Bridges Foundation, and the hidden venue CHB Fine Arts, which featured works by Nairy Baghramian, Jack O'Brien, Sofia Duchovny, Ilya Lipkin, and Mania Godarzani-Bakhtiari. Friday, coinciding with May Day, saw gallery visits at Molitor and KOW, where Ketuta Alexi-Meskhishvili and Candice Breitz presented solo shows.

Fragility, resilience and humour: Wolfgang Tillmans and Boris Mikhailov to open photography show in war-torn Kharkiv

A major photography exhibition pairing Wolfgang Tillmans and Boris Mikhailov opens today at the Yermilov Centre in Kharkiv, Ukraine, despite ongoing Russian attacks on the city. Titled "Pairs Skating" (April 25–September 28), the show is organized by the non-profit RIBBON International and curated by Maria Isserlis and Tatiana Kochubinska. It features Mikhailov's never-before-shown Crimean seascapes from the 1990s alongside Tillmans's works including "The State We’re In" (2015), with all prints produced specially for the venue, which is a certified bunker allowing public access during the war.