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Jasper Johns Keeps Looking

Jasper Johns’s latest exhibition at Gagosian, 'Between the Clock and the Bed,' serves as a profound meditation on the artist's career-long investigation into the 'things the mind already knows.' By revisiting his signature motifs—including flags, targets, and crosshatch patterns—the show highlights Johns’s rejection of Abstract Expressionist spontaneity in favor of a deliberate, analytical process using encaustic and collage. The works document a transformation where familiar symbols are rendered into a complex visual language that bridges the gap between memory and physical presence.

larry gagosian jasper johns interview 1234770565

Larry Gagosian has opened a major exhibition of Jasper Johns's crosshatch paintings from 1973 to 1983 at his Upper East Side gallery in New York. In a forthcoming Gagosian Quarterly interview, Gagosian explains his motivation simply: he wanted to look at the works. The show features key pieces including all six versions of "Between the Clock and the Bed" (1981), borrowed from top-tier collectors and museums such as the Museum of Modern Art, the Virginia Museum of Fine Arts, and the National Gallery of Art. Gagosian recounts first encountering the crosshatch paintings in 1976 at Leo Castelli's gallery, before he had met Johns, through his connections with Merce Cunningham and John Cage.