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Journalist Bianca Bosker went undercover as a studio assistant for painter Julie Curtiss and other artists, revealing the gritty, athletic reality behind art-making—a world of blood, sweat, and sleepless nights. The article explores how mounting financial pressures, especially for sculptors and installation artists like Ivana Bašić, Erwin Wurm, and Lindsey Mendick, force tough decisions about studio space and production. Bašić, despite critical acclaim, lost a subsidized Dumbo studio and now outsources production to keep costs down, while a growing number of established artists pass on wisdom through residencies and assistant teams.

The Surreal Economics of the Contemporary-Art Market

A conceptual artwork titled "Comedian" by Maurizio Cattelan, consisting of a banana duct-taped to a wall, sold at auction for over $6 million to billionaire Justin Sun. This sale occurred amid widespread speculation that the contemporary-art market has peaked, with global art sales dropping 12% in 2024. However, a painting by Marlene Dumas defied the trend, fetching $13.6 million and setting a record for a living female artist. The article explores the bewildering economics of the art market, featuring insights from economist Canice Prendergast and journalist Bianca Bosker, who describe a market where prices seem divorced from traditional logic.

What Portland’s First New York Art Gallery Means for the City

Portland art gallery ILY2 (“I Love You Too”) has opened a permanent outpost in New York City, marking the first time a Portland gallery has established a permanent space in the city. The new gallery, located between Chinatown and Tribeca, inaugurated its space with the second installment of the group show SOFT PINK HARD LINE, which originally started at ILY2’s Portland gallery in the Pearl District. The expansion was conceived by philanthropist Allie Furlotti, who founded ILY2 during the pandemic as a series of pop-up residencies to support local artists.