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Mary Lovelace O’Neal, Painter Who Defied the Bounds of Abstraction, Dies at 84

Mary Lovelace O’Neal, the American painter known for her large-scale abstract works that defied easy categorization, died in Mérida, Mexico, on May 10 at age 84. Her death was confirmed by her galleries, Jenkins Johnson and Marianne Boesky, on May 13. Active in the Civil Rights movement of the 1960s, O’Neal developed a distinctive practice that blended Minimalism, Abstract Expressionism, and figurative elements, most notably through her Lampblack series and later the "Whales Fucking" series. Her work gained renewed attention in the 21st century, with exhibitions at Mnuchin Gallery and the Museum of the African Diaspora, and her painting *Blue Whale a.k.a. #12* (1983) was selected for the 2024 Whitney Biennial.

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Reginald Madison, a self-taught painter and sculptor from the Black Arts Movement in Chicago, has joined Uffner & Liu gallery for representation. Paul Soto Gallery now represents John Sandroni, whose work is currently on view in New York. KSS Architects completed a new Learning and Engagement Center at the Newark Museum of Art. Meanwhile, at least eight blue-chip galleries have dropped out of Art Basel Miami Beach, and Karim Crippa has been appointed director of Art Basel Paris. Christie’s four auctions held concurrently with Art Basel Paris totaled $107.4 million, with Yves Klein’s "California (1KB 71)" selling for $21.3 million, a record for the artist in France.

From You, Me & Tuscany to Euphoria: your complete entertainment guide to the week ahead

The Camden Art Centre in London is hosting a significant survey of the late Guyanese-British artist Donald Locke, marking the final stop of a UK touring exhibition. Locke is celebrated for blending the formal language of minimalism and modernism with the potent symbols of Guyanese and Black American culture, effectively challenging the traditional art world's Eurocentric perspectives through his work in ceramics, painting, and sculpture.

critics picks in manhattan and brooklyn bridge park june

Zoë Hopkins reviews Torkwase Dyson's Public Art Fund commission 'Akua' at Brooklyn Bridge Park, a sculptural pavilion that immerses visitors in water sounds and voices of Black writers like Christina Sharpe and Dionne Brand. Paige K. Bradley covers the first-ever solo exhibition of late poet N.H. Pritchard at Peter Freeman, Inc., featuring his concrete visual poems from the Black Arts Movement. Johanna Fateman highlights the work of identical twin artists Jane and Louise Wilson.

Lubaina Himid on capturing the 'uneasiness' of Britain for her Venice Biennale pavilion

Lubaina Himid, the Turner Prize-winning artist born in Zanzibar and raised in England, is representing Great Britain at the Venice Biennale with a pavilion that captures the 'uneasiness' of living in Britain. The exhibition features her signature paintings, prints, and cutout figures, alongside a soundscape by Magda Stawarska, designed to evoke ambiguous encounters and the gap between a question and an answer. Himid describes the pavilion as a reflection of Britain's everyday pleasantness undercut by a persistent sense of otherness, drawing on her own experience as an East African brought up by English women.

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The National Gallery of Art in Washington, D.C., has opened "Photography and the Black Arts Movement, 1955–1985," a major survey featuring some 150 images by Black photographers who documented the civil rights and Black liberation movements. Curated by Deborah Willis and Philip Brookman, the exhibition includes works by Doris Derby, John W. Mosley, Ming Smith, and about 100 other artists, capturing both iconic protest imagery and quieter, intimate moments of Black life. The show runs through January 11, 2026.

Mary Lovelace O’Neal, Painter and Civil Rights Luminary, Dies at 84

Mary Lovelace O’Neal, a painter, educator, and Civil Rights activist, died on May 10 at age 84 in Mérida, Mexico. Known for her monumental canvases and inventive “lampblack” works, she moved fluidly between abstraction and figuration, using layers of black pigment to assert Blackness and presence. Her career included studies at Howard University and Columbia University, activism with the Student Nonviolent Coordinating Committee, and connections to the Black Arts Movement.

art getty center black photography

The Getty Center presents "Photography and the Black Arts Movement, 1955–1985," a traveling exhibition from the National Gallery of Art featuring 150 images by Black midcentury photographers. The show, on view from February 24 through June 14, includes works by Gordon Parks, Ming Smith, Carrie Mae Weems, Adger Cowans, Doris A. Derby, Harry Adams, Leonard Freed, John Simmons, and others, capturing moments of protest, daily life, and community resistance.

15 Art Shows to See in Los Angeles This Spring

Los Angeles art institutions are presenting a diverse slate of spring exhibitions. Highlights include a major retrospective of conceptual artist Michael Asher at the Museum of Contemporary Art, a sprawling group show on Chicanx photography at the Riverside Art Museum and the Cheech, and an exploration of the Black Arts Movement through photography at the Getty. Other notable shows feature Arshile Gorky's road trip-inspired works at Hauser & Wirth, an audiovisual film exhibition at the Variety Arts Theater, and a presentation of Steven Arnold's queer baroque aesthetics at Del Vaz Projects.

Washington, D.C., Museums are Showcasing African American Art, Exhibitions Focus on Photography and the Black Arts Movement, Vivian Browne, Adam Pendleton & More

Museums across Washington, D.C., are currently presenting a robust slate of exhibitions focused on African American art, including major retrospectives, solo shows, and thematic group presentations. Notable shows include "Elizabeth Catlett: A Black Revolutionary Artist" at the National Gallery of Art, "We Gather at the Edge: Contemporary Quilts by Black Women Artists" at the Renwick Gallery, solo exhibitions for Vivian Browne and Essex Hemphill at The Phillips Collection, Chakaia Booker's "In the Tower" at the National Gallery, and Adam Pendleton's "Love, Queen" at the Hirshhorn Museum. Additionally, collectors Larry D. and Brenda A. Thompson have pledged 175 works by Black artists to the National Gallery, with over 60 on view in "With Passion and Purpose."

2 exhibits at Portland Museum of Art show off photography, decorative arts

The Portland Museum of Art (PMA) is presenting two concurrent exhibitions: "Ming Smith: Jazz Requiem — Notations in Blue" (through June 7) and "Precious: The Value of Ornament" (through July 19). The Ming Smith exhibition showcases the pioneering Black photographer's emotive, manipulated images, including jazz club scenes and portraits, drawn from the museum's collection and loans from The Gund at Kenyon College. The decorative arts exhibition highlights the value of ornament in applied arts.

7 Art Events and Exhibitions to See in Los Angeles This February

Several major Los Angeles institutions are opening new exhibitions in February. Highlights include the Academy Museum's interactive "Studio Ghibli’s Ponyo" show, the Autry Museum's "Desert Dreams and Coastal Currents" exhibition on Southwestern art, a performance by Wild Up at The Broad, the Getty Center's "Photography and the Black Arts Movement" survey, LACMA's display of modern masterpieces from the Pearlman collection, and the Marciano Art Foundation's Bruce Conner retrospective.

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Napoleon Jones-Henderson, a key member of the AfriCOBRA collective known for creating art during the Black Power era, died in Boston on December 6 at age 82 after battling cancer. Jones-Henderson was part of the Chicago-based group founded in 1968 by artists including Jeff Donaldson, Wadsworth Jarrell, and Barbara Jones-Hogu, which synthesized African styles with Black American expressions. Despite the group's historical significance, their work was largely overlooked by major museums until recent years, with Jones-Henderson receiving his first major survey at the Institute of Contemporary Art Boston in 2022.

Summer 2026 Midnight Moment Program

Times Square Arts has announced the Summer 2026 Midnight Moment program, featuring three artists: Sonia Boyce (June), Tromarama (July), and Maia Chao (August). Boyce's 'Transform' presents a kaleidoscopic film of Andean ancestral movements, presented with the Queens Museum. Tromarama's 'Turn On #2' examines technology's impact on reality and the environment, presented with The Kitchen. Maia Chao's 'Studies for American Idle' draws from a 2025 site-specific performance in Times Square. The works will be shown nightly from 11:57 pm to midnight on nearly 100 electronic billboards.

미시시피미술관 '사진과 흑인미술운동, 1955-1985'(7/25-11/8) - Lounge

The Mississippi Museum of Art (MMA) presents "Photography and the Black Arts Movement, 1955–1985," a landmark exhibition exploring the role of photography in fostering Black visual culture and identity during the civil rights and Black Arts Movement eras. The show features approximately 150 works by over 100 artists, including Dawoud Bey, Gordon Parks, and Carrie Mae Weems, drawn primarily from the National Gallery of Art's collection, and runs from July 25 to November 8, 2026, as the final stop on a national tour.

‘Taking Flight’: Joe Overstreet’s Art Exhibits Encapsulate Geometry and Immersion

The Mississippi Museum of Art in Jackson is presenting 'Joe Overstreet: Taking Flight,' a major exhibition featuring three collections of the late artist's work, including his 'Flight Patterns' series. The show, organized by The Menil Collection in Houston and running through Jan. 25, 2026, highlights Overstreet's abstract phase with works from the 1960s, 1970s, and 1990s that use ropes and metal grommets to create multi-dimensional pieces exploring themes of flight and movement. The exhibition includes loans from private collections, other museums, and the Eric Firestone Gallery, which represents Overstreet's estate.

Valerie Mercer and the Long Work of Putting African American Art Where It Belongs

Valerie Mercer, the lead curator of African American art at the Detroit Institute of Arts (DIA), has spent over two decades building a collection that now includes more than 700 works. Last fall, the museum unveiled a major reinstallation titled "Reimagine African American Art," moving African American art from scattered locations to the heart of the institution, near Diego Rivera's Detroit Industry Murals. The rehang traces a lineage from 19th-century painters like Robert S. Duncanson to modern innovators like Sam Gilliam, covering key cultural movements such as the Harlem Renaissance and the Black Arts Movement.

Getty Features Timeless Artifacts with ‘Photography and the Black Arts Movement 1955-1985’

The Getty Museum is hosting a comprehensive exhibition titled “Photography and the Black Arts Movement 1955-1985,” featuring over 150 works including paintings, photographs, video art, and archival memorabilia. Developed in partnership with Cal State Northridge, the show highlights the pivotal role of Black photographers and artists in documenting and shaping the Civil Rights era and the subsequent Black Arts Movement. The collection includes iconic imagery from figures like Barkley L. Hendricks and Gordon Parks, as well as local Los Angeles legends such as Betye Saar and Harry Adams.

Mandeville Art Gallery Presents Faith Ringgold: Full Circle – The Teachings and Her Legacy

The Mandeville Art Gallery at UC San Diego is presenting the exhibition "Faith Ringgold: Full Circle – The Teachings and Her Legacy," curated by Mashonda Tifrere. The show, which opens on February 28, 2026, features 19 works spanning from 1976 to 2023, tracing the artist's evolution as a multidisciplinary storyteller and her influential tenure as a professor at the university.

Detroit Institute of Arts' new African American galleries open Saturday

The Detroit Institute of Arts opens its new African American art galleries, titled “Reimagine African American Art,” to the public on Saturday. The installation features 50 works displayed across four galleries in a central location adjacent to Rivera Court, organized by the museum’s Center for African American Art. The galleries present a chronological narrative of African American history from 1840 to 1986, covering key periods and themes such as the Harlem Renaissance, Social Realism, the Civil Rights era, and the Black Arts Movement.

LACMA Expands Local Access Initiative with New Museum Partners and Exhibitions

The Los Angeles County Museum of Art (LACMA) has expanded its Local Access program, adding three new museum partners: the California State University, Dominguez Hills (CSUDH) University Art Gallery, the Millard Sheets Art Center at the LA County Fair, and the Ontario Museum of History & Art. Supported by the Art Bridges Cohort Program, the initiative brings exhibitions sourced from LACMA's permanent collection to communities across Southern California. The program's latest exhibition, 'Act on It! Artists, Community, and the Brockman Gallery in Los Angeles,' opens at the Vincent Price Art Museum on September 27, exploring the legacy of the historic Brockman Gallery and its role in the Black Arts Movement.

Los Angeles’s Getty Center will close for renovations ahead of the 2028 Olympics.

The Getty Center in Los Angeles has announced a temporary closure beginning March 15, 2027, to undergo its most extensive renovation since opening in 1997. The modernization project aims to enhance the visitor experience across the campus through a series of facility upgrades and reimagined spaces.

Remembering Napoleon Jones-Henderson, an AfriCOBRA Founding Member Who Imbued Art and Life with Exuberant Energy

Napoleon Jones-Henderson, a founding member of the influential African American artist collective AfriCOBRA, has died. Born in Chicago in 1943, he studied at the Sorbonne and the School of the Art Institute of Chicago, where he was mentored by Bauhaus textile artist Else Regensteiner. In 1969, he co-founded AfriCOBRA, becoming known as "the weaver" of the group for his vibrant textile works that incorporated metallic threads and found objects. He later moved to Boston, taught at Massachusetts College of Art and Design, and maintained a prolific studio practice in Roxbury for over 50 years, creating works focused on empowerment, Pan-Africanism, and racial justice.

Act on It! Artists, Community, and the Brockman Gallery in Los Angeles

The article reports on the exhibition "Act on It! Artists, Community, and the Brockman Gallery in Los Angeles," currently on view at the Lancaster Museum of Art and History through August 31, 2025, before traveling to the Vincent Price Art Museum and CSU Dominguez Hills in 2026. Organized by the Los Angeles County Museum of Art (LACMA), the show revisits the legacy of the Brockman Gallery, founded in 1967 by brothers Alonzo Davis and Dale Brockman Davis in Leimert Park. As one of the first Black-owned commercial galleries on the West Coast, it provided a vital platform for Black artists during the Black Arts Movement, showcasing early works by figures such as Betye Saar, David Hammons, John Outterbridge, Charles White, Noah Purifoy, and Doyle Lane. The gallery also expanded into a nonprofit cultural hub through Brockman Gallery Productions, offering residencies, film festivals, and jazz concerts.

Face to face: at Pallant House Gallery, meet the artists who paint, draw and sculpt other artists

Pallant House Gallery in Chichester is presenting 'Seeing Each Other: Portraits of Artists,' an exhibition exploring how artists have portrayed one another from the early 20th century to the present. Featuring over 130 artists by at least 80 different hands, the show spans painting, sculpture, installation, photography, drawing, and printmaking, with works arranged chronologically to highlight artistic circles, friendships, rivalries, and collaborations. Highlights include multiple portraits of Francis Bacon by Lucian Freud and Maggi Hambling, candid photographs of Young British Artists by Johnnie Shand Kydd, and a new double portrait by Ishbel Myerscough and Chantal Joffe.

Brutalist home of England's first National Black Art Convention saved from demolition

The University of Wolverhampton’s School of Art building, an eight-story Brutalist landmark completed in 1969, has been granted Grade II listed status by the UK Department for Culture, Media and Sport, saving it from demolition. The building hosted the first National Black Art Convention in 1982, a pivotal event in the British Black arts movement, and is closely tied to the Blk Art Group, whose founding members include Keith Piper, Marlene Smith, and Claudette Johnson. The listing follows a campaign against the university's redevelopment plans, supported by a petition with over 6,600 signatures.