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Remembering Koyo Kouoh, one of the most influential curators in the global art world, and one of its most original thought leaders

Koyo Kouoh, the influential curator and executive director of the Zeitz Museum of Contemporary Art Africa (Zeitz Mocaa) in Cape Town, has died at age 57, just ten days before she was to announce the title and themes of the 2026 Venice Biennale, for which she had been appointed curator of the international exhibition in December 2024—the first African woman to hold that role. Kouoh transformed Zeitz Mocaa from a fledgling institution into a globally respected museum, securing the donation of Jochen Zeitz's collection, expanding the board, and launching community-focused initiatives like the exhibition *Home is Where the Art is* (2020-21) and the online summit Radical Solidarity.

koyo kouoh curating venice biennale died 2642963

Curator Koyo Kouoh, the first African woman appointed to curate the Venice Biennale, has died suddenly. Her death was confirmed by the Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA) in Cape Town, where she served as executive director and chief curator. The Venice Biennale issued a statement mourning her loss, noting she had been working on the conception and development of the Biennale Arte 2026. Kouoh, born in Cameroon in 1967, was a prominent figure in contemporary African art, having curated for documenta 12 and 13, co-founded the Raw Material Company art center in Dakar, and organized the landmark exhibition "When We See Us: A Century of Black Figuration in Painting" at Zeitz MOCAA.

‘An immense void in the world of contemporary art’: Koyo Kouoh, curator of the 2026 Venice Biennale, has died, aged 57

Koyo Kouoh, the acclaimed Cameroonian-born curator who was appointed to organize the 2026 Venice Biennale, died on Saturday at a hospital in Basel, Switzerland, at age 57. Her husband confirmed she died of cancer following a recent diagnosis. Kouoh had been selected in December to become the first woman from Africa to curate the prestigious international exhibition, and the Biennale's statement mourned her loss as leaving "an immense void in the world of contemporary art."