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Hadassah-Brandeis Institute spotlights Holocaust survivors‘ art in Kniznick Gallery

The Kniznick Gallery at Brandeis University has opened "Who Will Draw Our History? Women’s Graphic Narratives of the Holocaust, 1944-1949," an exhibition curated by Rachel E. Perry. The show features the work of ten female survivors who utilized visual storytelling—including handmade albums, pictorial diaries, and wordless novels—to document their experiences in concentration camps like Auschwitz-Birkenau and Ravensbrück. These "graphic narratives" serve as early visual testimonies, often created as a "call to duty" immediately following the liberation.

photorealism in focus the rose art museum 2744277

The Rose Art Museum at Brandeis University has opened a survey exhibition titled 'Photorealism in Focus.' The show brings together works by more than 30 artists, including early pioneers like Robert Cottingham and Ralph Ladell Goings, as well as artists such as Audrey Flack and Joyce Stillman-Myers, to trace the movement's history from the late 1960s to its contemporary expansions across painting and sculpture.

Rose Art Museum Presents Yinka Shonibare: Sanctuary Opening February 11, 2026

The Rose Art Museum at Brandeis University will present 'Yinka Shonibare: Sanctuary,' a major exhibition opening in February 2026. The show centers on the U.S. debut of Shonibare's monumental installation, *Sanctuary City* (2024), which features 18 illuminated, scaled-down replicas of historical and contemporary refuge buildings, each lined with the artist's signature Dutch wax textiles.

New exhibits at Rose Art Museum delve into photorealism, notions of refuge

Two new winter exhibitions open February 11, 2026 at the Rose Art Museum at Brandeis University: “Photorealism in Focus” and “Yinka Shonibare: Sanctuary.” The first brings together pioneering Photorealists like Richard Estes, Charles S. Bell, Audrey Flack, and Ralph Goings alongside contemporary artists, exploring the blurred line between painting and photography. The second features the U.S. debut of Yinka Shonibare’s installation “Sanctuary City” (2024), comprising 18 illuminated miniature buildings that served as historical refuges, lined with the artist’s signature Dutch wax textiles. Both shows are curated by Gannit Akori, the museum’s director and chief curator.