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article local schedule Jun 4, 2025 visibility 20 link 20 artists, 2 galleries

behind the scenes at chicagos art week with gallerist daisy sanchez 2651202

Chicago's annual art week unfolded with gallerist Daisy Sanchez documenting the scene for Artnet News's 'Wet Paint in the Wild' column. Sanchez, who recently co-opened Hans Goodrich gallery with Peter Anastos, attended the Renaissance Society's annual benefit, EXPO Chicago, and after-parties. The week featured artists including Joanne Greenbaum, Leah Ke Yi Zhang, B. Ingrid Olsen, and Isabelle Frances McGuire, with appearances by curators Myriam Ben Salah, Karsten Lund, and Giampaolo Bianconi, among others.

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museum exhibitions schedule May 1, 2026 visibility 28 link 17 artists

ArtReview April & May 2026 Issue Out Now

ArtReview's April & May 2026 issue explores boundaries and limitations in art, with a focus on the 61st Venice Biennale opening amid global conflicts. The cover features Japanese-American performance artist Ei Arakawa-Nash with his husband and twin babies, whose collaborative installation at the Japanese Pavilion incorporates the unpredictability of childcare. The issue includes coverage of controversial national pavilions (Russian, Israeli, American), profiles of artists representing Mongolia and Singapore, and features on Beverly Buchanan, Arthur Jafa, Richard Prince, and Zehra Doğan's report from Rojava. It also reviews the 82nd Whitney Biennial, the 25th Biennale of Sydney, and the 15th Shanghai Biennale.

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museum exhibitions schedule Apr 17, 2026 source 3 sources visibility 29 link 9 artists, 1 gallery

Marcel Duchamp & Sturtevant | Dialogues are mostly fried snowballs

Thaddaeus Ropac Milan is hosting a landmark exhibition titled "Dialogues are mostly fried snowballs," marking the first-ever joint presentation of Marcel Duchamp and Sturtevant. The show stages a cerebral confrontation between Duchamp’s original readymades, such as "Porte-bouteilles" and "Trébuchet," and Sturtevant’s radical repetitions of his work. By showcasing these pieces alongside archival materials and films, the exhibition traces how Sturtevant used Duchamp’s style as a medium to investigate the canonization and "understructure" of conceptual art.

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