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art los angeles fall openings review

The article is a review of fall art openings in Los Angeles, written by Juliana Halpert for her Critics’ Table debut. Halpert surveys a range of exhibitions, including Calvin Marcus's show at Karma, Stanya Kahn's solo presentation, the Hammer Museum's "Made in L.A." biennial and its scrappier counterpart "Made in HelLA," Josh Smith's grim reaper paintings at David Zwirner, and Adam Alessi's show at Hoffman Donahue. She also recounts attending the Poetic Research Bureau's 25th anniversary party and fundraiser at 2220 Arts + Archives, where musician Jack Skelley performed. The review weaves a thematic thread of mortality and the macabre, noting how many shows this season engage with death, from fake blood and skulls to sinister landscapes.

UC Irvine finalizes acquisition of Orange County Museum of Art

The University of California, Irvine has finalized its acquisition of the Orange County Museum of Art, creating a new unified institution named the UC Irvine Langson Orange County Museum of Art. The merger combines OCMA's 53,000-square-foot, $98 million facility in Costa Mesa with UC Irvine's academic resources, bringing together over 9,000 works of art. The museum will also showcase UC Irvine's Gerald Buck Collection and Irvine Museum Collection, while the Jack and Shanaz Langson Institute and Museum of California Art continues operating on campus. OCMA staff have joined UC Irvine, and a national search for an executive director is underway.

Orange County Museum of Art in talks to merge with University of California, Irvine

The University of California, Irvine (UCI) has entered talks to take over the Orange County Museum of Art (OCMA), a move announced last week. The discussions come shortly after OCMA director Heidi Zuckerman revealed she will leave when her contract expires in December. If an agreement is reached, the proposal will go to the University of California Board of Regents this autumn. The potential merger follows OCMA's reopening in a new $94 million building in 2022 and the upcoming edition of its California art biennial.

art made in la biennial hammer museum

The Hammer Museum has announced the lineup for the seventh edition of its biennial survey "Made in L.A.," curated by Essence Harden and Paulina Pobocha. Starting with a list of over 1,000 artists and no predetermined theme, the curators visited numerous studios over six months to select 28 participants. The exhibition includes artists working beyond traditional definitions, such as online archivist Jerald Cooper and DJ programmer Michael Donte, alongside experimental filmmakers, choreography, ceramics, and installations. The show features works by Pat O'Neill, Carl Cheng, Greg Breda, and others, reflecting Los Angeles's car culture, light, and evolving landscape.

‘It’s much more extreme’: US institutions and artists enter a new culture war

Since President Donald Trump took office, his administration has rapidly dismantled parts of the U.S. cultural infrastructure through executive orders and the Department of Government Efficiency (DOGE), led by Elon Musk. Key federal funding bodies—the National Endowment for the Humanities (NEH), the Institute of Museum and Library Services (IMLS), and the National Endowment for the Arts (NEA)—have faced staff cuts, grant cancellations, and threats of further reductions. Trump has also replaced leadership at the Kennedy Center and signaled similar moves against the Smithsonian Institution, while DOGE visited the National Gallery of Art to discuss its legal status. Arts organizations and advocates are scrambling to assess the damage and find alternative funding.