In Venice, 22 unmissable exhibitions on the sidelines of the biennial

À Venise, 22 expositions incontournables en marge de la biennale

The article highlights 22 must-see exhibitions happening alongside the 61st Venice Biennale, which is expected to be affected by geopolitical tensions but still promises artistic vibrancy. Notable events include Bvlgari's dual projects featuring artists Lotus L. Kang, Lara Favaretto, and Monia Ben Hamouda; the unveiling of the Asscher collection at the Ama Venezia foundation with works by Charles Ray, Jenny Saville, and Richard Serra; and the inaugural exhibition "The Only True Protest Is Beauty" at the Fondation Dries Van Noten, showcasing 200 objects across fashion, design, and art. Other highlights include a dialogue between Picasso, Morandi, and Parmiggiani at the Fondazione Bevilacqua La Masa.

Au musée Picasso, l’artiste africain-américain Henry Taylor dévoile sa peinture d’un quotidien troublé par la violence

The Musée Picasso in Paris is hosting a retrospective of African American artist Henry Taylor, running until September 6. The exhibition centers on Taylor's 2007 painting *From Congo to the Capital, and Black Again*, a bold reimagining of Picasso's *Les Demoiselles d'Avignon* that replaces the original figures with darker-skinned women and introduces Josephine Baker and a white man's arm. The show follows the museum's series on African American painting, after Faith Ringgold in 2023 and ahead of a Harlem Renaissance exhibition in 2027.

Venice Biennale: The Must-Sees Off the Official Program

Biennale de Venise, les immanquables du off

The article highlights must-see exhibitions taking place in Venice alongside the official Biennale, curated by the magazine L'Œil. It features three major shows: "Le pli et le temps" at Fondazione dell’Albero d’Oro, exploring the fold as a material and temporal concept through the work of Patrick Saytour and Piero Manzoni; "Lorna Simpson. Third Person" at Punta della Dogana, a major European survey of Simpson's paintings, collages, and films organized by the Pinault Collection; and "Picasso, Morandi, Parmiggiani. Still Lifes" at Galleria di Piazza San Marco, a dialogue between three masters of still life, co-organized by Tornabuoni gallery and the Musée national Picasso-Paris.

A Venise, trois maîtres redéfinissent la nature morte

The article announces an exhibition titled "Picasso, Morandi, Parmiggiani – Still lifes" at the Istituzione Fondazione Bevilacqua La Masa in Venice, running from May 7 to July 25, 2026. The show brings together three masters—Pablo Picasso, Giorgio Morandi, and Claudio Parmiggiani—to redefine the still-life genre through a curated dialogue of their works across six rooms. The exhibition is co-organized by Tornabuoni Art, the Musée national Picasso-Paris, and the Fondazione Musei Civici di Venezia, with Cécile Debray, president of the Musée national Picasso-Paris, serving as curator. A fully illustrated catalogue accompanies the show.

picasso museum paris expansion sculpture park plan

The Musée Picasso-Paris has announced a €50 million ($59 million) transformation plan, including a new wing for temporary exhibitions and a redesigned garden that will connect with the nearby Square Léonor-Fini. The project, scheduled for construction from 2028 to 2030, will double the museum's temporary exhibition space to 8,600 square feet and create a 25,000-square-foot sculpture park featuring around 10 Picasso sculptures, free to the public without a museum ticket. The museum plans to remain open during construction, which will be funded through patronage raised by a foundation hosted by the Académie des Beaux-Arts, with a significant donation from the Picasso family.

La nature morte : une exposition novatrice

Le Journal des Arts reports on a new exhibition titled "La nature morte" (Still Life), presented by a gallery as a continuation of its previous monographic shows on Boetti and Burri and the thematic exhibition "On Fire." The exhibition focuses on the classical genre of still life, positioning it as a field of experimentation that accompanies the renewal of painting in the 20th century. It brings together three artists—Picasso, Morandi, and Parmiggiani—who, though not from the same school or direct lineage, each explore the subject through distinct artistic languages: Picasso asserts the presence of the object, Morandi delves into its meditative and silent dimension, and Parmiggiani pushes the reflection toward a form of disappearance. The show is curated by Cécile Debray, president of the Musée national Picasso-Paris, and involves collaborations with institutions such as the Museo Morandi.

Cécile Debray : « Une proposition poétique de dialogue entre trois œuvres pour une délectation esthétique »

Cécile Debray, president of the Musée national Picasso-Paris, discusses a rare collaboration with galleries to present a three-artist exhibition in Venice during the Biennale. The show brings together Pablo Picasso, Giorgio Morandi, and Claudio Parmiggiani around the theme of the object and still life, highlighting unexpected philosophical and poetic connections. Debray explains how the selection of 14 Picasso works balances iconic pieces with lesser-known ones, including sculptures, to create a dialogue with Morandi's rigorous, serial approach and Parmiggiani's metaphysical art.

Vanités contemporaines

The article explores the enduring relevance of still life and vanitas in contemporary art, tracing their evolution from the biblical proclamation "Vanity of vanities; all is vanity" through modern masters like Paul Cézanne, Pablo Picasso, and Giorgio Morandi to contemporary practitioners such as Claudio Parmiggiani. It highlights how artists continue to use everyday objects—compotes, skulls, pitchers, apples—as vehicles for formal experimentation and philosophical reflection, with still life serving as a minimalist device that allows infinite plastic research.