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Why Helen Chadwick’s earthy, provocative art remains as vital as ever

Nearly 30 years after her death in 1996 at age 42, artist Helen Chadwick is receiving renewed attention with a major retrospective, "Helen Chadwick: Life Pleasures," at the Hepworth Wakefield. The exhibition spans two decades of her provocative work, including iconic pieces like "The Oval Court" (1984-86) and the chocolate fountain "Cacao" (1994). Chadwick was known for using unconventional materials—rotting organic waste, meat, hair, cleaning fluids—to explore identity, gender, and the sensuous body, often with irreverent humor. She was also a influential teacher at the Royal College of Art, Goldsmiths, Chelsea, and Central St Martins, mentoring artists such as Tracey Emin, Anya Gallaccio, Sarah Lucas, and Damien Hirst.

Out of the wrapper and into the gallery: the art of chocolate

Artist Anya Gallaccio discusses her use of chocolate as an art material, tracing her first experiments in 1992 at Rodolphe Janssen gallery in Brussels, where she commissioned chocolate guns, and her 1994 solo show "Brown on White" at Galerie Krinzinger in Vienna, where she painted gallery walls with melted couverture chocolate. The work invited visceral audience reactions, including licking the walls, and engaged with themes of desire, decay, and the colonial and class histories of chocolate consumption.