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op ed museums gender and pay 2648256

The article examines how gender pay disparities and the fear of a "pink-collar" profession persist in the art museum world, triggered by comments from Meta CEO Mark Zuckerberg about "masculine energy" in the workplace. It recounts a 2020 forum where National Gallery of Art director Kaywin Feldman expressed concern that art museums becoming predominantly female could lower salaries, a remark initially seen as sexist but later contextualized by the author's investigation into the origins of such fears. The author traces the concept to a 2016 New York Times article citing research on how female-dominated fields see pay drops, and explores how even progressive leaders like Feldman can inadvertently perpetuate gender bias.

Major exhibition to transform USC Pacific Asia Museum into an immersive journey through myth and the immigrant story

USC Pacific Asia Museum (USC PAM) has announced "Mythical Creatures: The Stories We Carry," a major exhibition conceived by Los Angeles–based Korean American artist Dave Young Kim. Opening February 14, 2026, the 12-room immersive installation blends approximately 100 objects from the museum's collection—spanning 5,000 years of Asian and Pacific art—with new media technology and contemporary works by over 20 artists, including Dinh Q. Lê, Lily Honglei, Wendy Park, Momoko Schafer, Kyungmi Shin, Sanjay Vora, and Lauren YS. The exhibition uses mythology as a visual language to explore the immigrant experience, featuring environments like a shadowy night crossing, a recreated first apartment, and a gilded room with a gold Jin Chan frog. A limited public preview runs December 20, 2025–January 4, 2026.

Medium Art Center Celebrates Five Year Anniversary

Medium Art Center in Ukiah, California, celebrates its five-year anniversary. Founded during the pandemic by a small team of local artists and community members including Chris Pugh and Lillian Rubie, the center began as an online exhibition series called "Dear America" before securing a vacant storefront at the Pear Tree Center in 2021. Run entirely by volunteers for its first three years, the center has hosted in-person exhibits, traditional Chinese brush painting workshops with artist William Shi, and outreach programs to support local artists. Recently, it received a grant from the RISE program administered through Redwood Coast Regional Center to support people with disabilities or neurodivergence.

US states step up to fund the arts in the wake of federal cuts

State legislatures across the US have continued to fund their arts and humanities agencies for fiscal year 2026, with aggregate spending totaling $649.2 million across 50 states and four territories—a 7.4% decrease from 2025 levels. While 29 states increased their arts funding, others saw significant cuts, including New Hampshire (90% reduction), Hawaii (74.9% drop), and Missouri (59.7% decline). The data comes from the National Assembly of State Arts Agencies (NASAA), which notes an uncertain fiscal environment but highlights that overall state investment in the arts is being sustained despite federal pressures.