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gerhard richter fondation louis vuitton paris

German artist Gerhard Richter has opened a major monographic exhibition at the Fondation Louis Vuitton in Paris, titled simply “Gerhard Richter.” The show features approximately 270 artworks, making it nearly three times larger than his 2020 retrospective at the Met Breuer in New York. Curated by former Tate director Nicholas Serota and Dieter Schwarz, former director of Zurich’s Kunstmuseum Winterthur, the exhibition is arranged chronologically to trace the evolution of Richter’s diverse oeuvre—from photo paintings and abstractions to Strip artworks and recent drawings. Highlights include early works like *Tisch (Table)* (1962), his first photo painting, and *Verkündigung nach Tizian (Annunciation after Titian)* (1973), created after his Venice Biennale debut.

‘Anger, curiosity and hope’: a planet of protest – in pictures

Matthew Connors' new photo book, *The Axe Will Survive the Master*, compiles 12 years of protest photography from Hong Kong, Cairo, New York, Kyiv, North Korea, and beyond. Published by MACK Books, the work weaves together images from the Occupy movement, the Egyptian revolution, Hong Kong's pro-democracy protests, the war in Ukraine, and other confrontations with authoritarian power, dissolving geographic boundaries into a single sequence drawn from an archive of 200,000 images.

In Phibsborough Tower, artist Oisín Tozer prepares a fleeting exhibition

Artist Oisín Tozer is preparing a fleeting exhibition titled "Yearn" as part of Phizzfest 2025, a local festival in Phibsborough, Dublin. The exhibition is held in his studio at Richmond Road Studios, located within the brutalist Phibsborough Tower. Tozer, a 2023 fine art graduate of TU Dublin, has carved a large orchid design directly into the wall, emphasizing site-specificity and impermanence. The show is part of Phizzfest's visual arts strand, which also includes Jim Donnelly's "The Walk to the Workhouse" and Eileen Ferguson's "Area C." Tozer's work draws on philosophers Gilles Deleuze, Félix Guattari, and Mark Fisher, exploring desire and the political potential of inaccessible, temporary art.