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Artnet News's 'Wet Paint' gossip column reports from Frieze Week in New York, noting a prevailing cultural pessimism fueled by essays on the death of culture and the impact of the second Trump administration. Amidst this, Jeff Koons's 'Hulk Elvis' sculptures at Gagosian's Frieze booth (priced at $3 million each, with one sold) offered a perverse relief. The column also highlights the second edition of the Esther art fair at the Estonian House, described as an 'aura fair' prioritizing community and a welcoming environment over strict commercial focus, contrasting with the more predictable Frieze fair.

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Ceal Floyer, a conceptual artist known for her spare, witty sculptures that transformed everyday objects into thought-provoking art, died on Thursday at age 57 after a long illness. Her Berlin-based gallery Esther Schipper, along with Lisson Gallery and 303 Gallery, confirmed her death. Floyer gained international recognition for works like *Light Switch* (1992–99), which projected an image of a light switch onto a wall, and *Bucket* (1999), a plastic bucket with a recorded dripping sound but no water. She participated in major exhibitions including the Venice Biennale (2009) and Documenta (2012), and won the Preis der Nationalgalerie in 2007.