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whitney museum new york isp open letter artists 1234747904

More than 100 artists and scholars, including Emily Jacir, Hans Haacke, and Michael Rakowitz, have signed an open letter defending Dr. Sara Nadal-Melsió, the former associate director of the Whitney Museum of American Art's Independent Study Program (ISP), whose position was eliminated in June 2025. The termination followed the cancellation of a pro-Palestine performance titled "No Aesthetic Outside My Freedom: Mourning, Militancy, and Performance" by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi, scheduled for May 12, 2025. The museum canceled the event after viewing a recording where a performer asked attendees who "believe in Israel in any incarnation" to leave. Nadal-Melsió had published a protest letter against the cancellation, leading to her dismissal. The open letter also demands the reopening of the ISP, which was suspended for the 2025-2026 program.

artists pull work whitney isp show palestine performance canceled 1234743072

A group of artists participating in the Whitney Museum's Independent Study Program (ISP) have withdrawn their work from a capstone exhibition at Westbeth Gallery to protest the museum's cancellation of a pro-Palestine performance. The performance, titled "No Aesthetics Outside My Freedom: Mourning, Militancy, and Performance," by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi, was scheduled for May 12 as part of the ISP curatorial exhibition "a grammar of attention." The Whitney canceled it after viewing a recording of an earlier presentation, citing the performers' demand that attendees who believe in Israel leave the audience and the valorization of specific acts of violence. ISP Associate Director Sara Nadal-Melsió stated that the cancellation was imposed by Whitney leadership, including director Scott Rothkopf, and that the independence of the ISP has been seriously compromised.

art what to see in nyc galleries right now 2

This week's What's On column highlights must-see gallery shows in New York City, including Simone Fattal's bronze and ceramic works at Greene Naftali and kaufmann repetto, Sol Lewitt's early works at Paula Cooper, Charles Atlas's portraits at Luhring Augustine, John Akomfrah's eight-channel installation at Lisson, and Brenda Goodman's new exhibition at Sikkema Malloy Jenkins. On the Upper East Side, the Metropolitan Museum of Art presents Helene Schjerfbeck's self-portraits in "Seeing Silence," the Jewish Museum features Joan Semmel's radical nudes, and White Cube hosts Marguerite Humeau's cave-inspired show "scintille."

critics picks in manhattan and brooklyn bridge park june

Zoë Hopkins reviews Torkwase Dyson's Public Art Fund commission 'Akua' at Brooklyn Bridge Park, a sculptural pavilion that immerses visitors in water sounds and voices of Black writers like Christina Sharpe and Dionne Brand. Paige K. Bradley covers the first-ever solo exhibition of late poet N.H. Pritchard at Peter Freeman, Inc., featuring his concrete visual poems from the Black Arts Movement. Johanna Fateman highlights the work of identical twin artists Jane and Louise Wilson.

isp alumni open letter whitney museum palestine performance 1234744083

On Monday, Whitney Museum director Scott Rothkopf announced via email that the museum would "pause" the 2025–26 academic year of its Independent Study Program (ISP), citing a lack of a director and strained operations. The announcement coincided with an open letter from high-profile ISP alumni—including artists Emily Jacir, Andrea Fraser, Mark Dion, and others—denouncing the museum's cancellation of a pro-Palestine performance titled "No Aesthetics Outside My Freedom: Mourning, Militancy, and Performance" by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi. The performance was canceled two days before it was to be part of an ISP curatorial exhibition, after the museum accused the artists of "valorizing specific acts of violence" and singling out community members based on belief systems. The letter also referenced the earlier demotion of ISP director Gregg Bordowitz in February.

whitney museum cancels palestine performance independent study program 2646893

The Whitney Museum of American Art canceled a performance piece titled "No Aesthetics Outside My Freedom: Mourning, Militancy, and Performance" scheduled for May 14 as part of the Independent Study Program's exhibition "A Grammar of Attention." The performance, by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi, was grounded in the struggle for Palestinian freedom. The museum cited a zero-tolerance policy for harassment after reviewing a video of a previous iteration where an artist called for anyone who believes in Israel or America to leave the audience and valorized specific acts of violence. Participants and the program's associate director accuse the museum of censorship and seeking greater control over the historically autonomous program.

art criticism contemporary art crisis trump gaza

The article, written by an art critic for Cultured, opens by describing recent U.S. government actions under Executive Order 14253, including the National Park Service's restoration of a monument to Confederate General Albert Pike and a White House letter to Smithsonian Secretary Lonnie G. Bunch III ordering a review of Smithsonian programming to align with a directive to "celebrate American exceptionalism." The critic notes Bunch's balancing act of cooperating while asserting the Smithsonian's independent authority. The piece then pivots to the state of art criticism, referencing Domenick Ammirati's essay on the perpetual "crisis in criticism," and highlights Marco Brambilla's exhibition "Limit of Control" at bitforms gallery as the year's most under-appreciated show, praising its use of AI to explore political violence and protest.

protestors visit the whitney after cancelation of pro palestine performance 1234743542

On Friday, May 23, arts and culture workers protested at the Whitney Museum in New York following the museum's cancellation of a pro-Palestine performance titled "No Aesthetics Outside My Freedom: Mourning, Militancy, and Performance" by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi. The protest, organized by Writers Against the War on Gaza, took place during the museum's Free Friday Night event, with demonstrators unfurling a Palestinian flag and a banner reading "Creativity Does Not Have to Rely on Death," distributing brochures demanding the removal of board members with ties to Israel, and calling out museum leadership for censorship. The performance, originally scheduled for May 14 as part of the Whitney's Independent Study Program, was canceled after museum leadership viewed a recording of its initial presentation at the Poetry Project, citing concerns that it "valorized specific acts of violence" and singled out community members based on belief systems.

Thinking Infrastructurally: On Diversity of Aesthetics, Part 2

The article, part of a series on e-flux, presents a theoretical analysis of the 1965 Watts rebellion through the lens of Guy Debord's Situationist thought. It examines how the rioters' destruction and theft of commodities, like refrigerators they couldn't power, acted as a rejection of capitalist integration and exposed the false promise of consumer affluence.

The Vera Gallery opening in April, replacing Georgetown Antique Mall

The Vera Gallery is set to open in Georgetown Town Square in April 2025, replacing the long-standing Georgetown Antique Mall which closed in January after over three decades. Owner Gregory Sharp announced the gallery will feature thousands of original artworks by American artist Vera Neumann (1942-1993), along with modern, contemporary, and local art, custom framing services, boutique items, archived Neumann scarves, and new hand-rolled silk scarves. The space will also host art-focused events like live painting. Sharp co-owns the gallery with Christina Sharp.

Aria Dean, Sandra Mujinga and Tschabalala Self

Galerie Eva Presenhuber is hosting a group exhibition featuring the works of Aria Dean, Sandra Mujinga, and Tschabalala Self. The show explores the construction and erasure of the human body through diverse mediums, including Aria Dean’s 3D-animated film of an empty slaughterhouse and Sandra Mujinga’s spectral, fabric-based sculptures. By focusing on the architectures of violence and the labor of repair, the artists move away from traditional representation toward conceptual and structural critiques of subjecthood.

The Museum Breathing Life Into New York's Downtown Performance Scene

The Leslie-Lohman Museum of Art in SoHo has emerged as a vital hub for New York’s downtown performance scene through its intergenerational exhibition, "Sacred and Profane." Featuring a collaborative residency between poet Pamela Sneed and performance artist Carlos Martiel, the programming centers on themes of Black maternal grief, queer identity, and the exhumation of suppressed histories. Recent performances included Martiel’s "No Resurrection," a ritualistic piece involving his mother and a mound of earth, and Sneed’s readings that address the collective trauma and "urgent care" status of the LGBTQ+ community.