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Dürer Copy Real, National Gallery Metzger

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Art historian Christof Metzger has challenged the long-held view that a portrait of Albrecht Dürer's father in London's National Gallery is a copy, declaring it an authentic work by the Renaissance master. Metzger, chief curator of the Albertina in Vienna, bases his argument on the painting's outstanding artistic quality and masterful technique, detailed in his new book, despite the museum's previous assessment that its unusual, streaky background suggests it is a copy.

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A new catalogue raisonné by scholar Christof Metzger argues that a painting in London's National Gallery, long considered a copy, is an authentic work by Albrecht Dürer. Metzger, a curator at Vienna's Albertina Museum, contends that the 1497 portrait of Dürer's father shows masterful technique that distinguishes it from known copies.

Dürer ‘copy’ at London’s National Gallery is the real thing, expert claims

A German scholar, Christof Metzger, has published a new catalogue raisonné claiming that a portrait of Albrecht Dürer's father held by London's National Gallery is an authentic work by the master, painted in 1497. This directly challenges the gallery's long-standing position that the painting is a later copy made after a lost original.