The Museum Ludwig in Cologne has launched a major retrospective of Yayoi Kusama's work to mark its 50th anniversary. The exhibition features over 300 pieces, including sculptures, paintings, and installations, and spans her entire career from a childhood drawing to a newly commissioned Infinity Room. It also debuts several works in a museum setting and spreads beyond the gallery walls to the museum's roof.
Marian Goodman, the revered art dealer known for her steadfast commitment to artists and resistance to market trends, died at 97 in a Los Angeles hospital. She opened her eponymous gallery in 1977 in Midtown Manhattan with a show of Marcel Broodthaers, and over five decades represented major figures including Gerhard Richter, Julie Mehretu, William Kentridge, and Steve McQueen. Goodman began her career by founding Multiples in 1965 to publish affordable editions, and she famously kept her gallery on 57th Street while peers moved to SoHo and Chelsea.
The Guggenheim Museum has announced its 2026 exhibition lineup, headlined by a Carol Bove survey filling the entire Frank Lloyd Wright–designed rotunda from March 5, 2026. The show, curated by Katherine Brinson, spans 25 years of Bove’s work, including early drawings and her signature twisted metal sculptures. Following Bove’s exhibition, Taryn Simon will take over the rotunda from September 18, 2026, to March 2027, with a photo-based installation that invites visitors to navigate a "whirlwind" of images. Additionally, a group show titled "Guggenheim Pop" will feature Pop art icons like Roy Lichtenstein, Andy Warhol, and Claes Oldenburg alongside contemporary artists such as Maurizio Cattelan, Lucia Hierro, and Josh Kline.
Gagosian's Le Bourget gallery in Paris will present "Walter De Maria: The Singular Experience," opening October 19 and running through April 18. The exhibition includes the artist's final sculpture, *Truck Trilogy* (2011–2017), featuring three vintage Chevrolet Advance Design 3100 pickups polished and fitted with stainless-steel rods, previously shown at Dia Beacon. Curated by Donna De Salvo, the show also features works like *13, 14, 15 Meter Rows* (1985), drawings, films, and archival materials highlighting De Maria's mathematical and musical interests, including his involvement with the Primitives and the Druds.
Bruno Bischofberger, the influential Swiss art dealer, collector, and historian, died on Saturday at age 86. He opened his first galleries in Zurich and St. Moritz in 1963, championed American Pop artists like Andy Warhol and Roy Lichtenstein, and became an early backer of Jean-Michel Basquiat, representing him from 1982. Bischofberger also helped found Interview magazine with Peter Brant and was a longtime exhibitor at Art Basel.
Sotheby's three-part evening sale in New York on Thursday generated $186.1 million across 68 lots, landing near the high end of its $141 million to $204.9 million estimate. The sale included a focused 12-lot offering from the collection of late gallerist Barbara Gladstone, which sold all works without guarantees and totaled $18.5 million, and a 15-work guaranteed sale from dealer Daniella Luxembourg featuring postwar Italian artists, where Lucio Fontana's 'Concetto spaziale, La fine di Dio' (1963) achieved $14.5 million and Michelangelo Pistoletto's 'Maria Nuda' (1969) sold for $2.7 million after a five-minute bidding war.
Swiss art dealer Bruno Bischofberger, who catalyzed the famous collaboration between Andy Warhol and Jean-Michel Basquiat, died on May 9 at age 86. His death was announced by his namesake gallery, which he had operated since 1963. Bischofberger played a pivotal role in introducing US Pop artists to Europe, representing Warhol and Basquiat, and commissioning collaborative works that led Warhol to return to painting after a two-decade hiatus. He also represented European artists like Francesco Clemente, Enzo Cucchi, Gerhard Richter, and Jean Tinguely, and his idiosyncratic ads graced Artforum's back cover for nearly four decades.
Art Basel Miami Beach is set to open this week, and Artnet News highlights four emerging artists to watch. Among them are Nour Malas, a Syrian painter whose four-panel work for Dubai's Carbon 12 gallery reflects on her childhood and the fall of the regime, blending abstraction with political memory. Zé Tepedino, a Brazilian artist from Rio de Janeiro, creates eco-minded sculptures from beach detritus like flip-flops and umbrellas, riffing on Brazil's social history and consumer culture. Other featured artists include those working with ethereal staged worlds, memory-soaked abstraction, and sculptural experiments in Lycra, offering a vivid snapshot of new voices at the fair.
The Museum of Modern Art (MoMA) has launched a new exclusive ice cream flavor called "Van Dough" in its second-floor cafe and sculpture garden food stand. Created in collaboration between Union Square Hospitality Group (USHG) and Caffè Panna, the flavor features vanilla ice cream mixed with MoMA chocolate chip cookie dough chunks and chocolate chips. The article traces MoMA's long history with ice cream, including its ownership of Claes Oldenburg's *Pastry Case, I* (1961–62) and *Floor Cone* (1962), a 1935 Zeroll ice cream scoop by Sherman L. Kelly in its design collection, and a 2013 ice cream social with Milk Not Jails as part of artist Caroline Woolard's project.
The Los Angeles County Museum of Art (LACMA) has finally unveiled its new flagship building, the David Geffen Galleries, designed by Pritzker Prize-winning Swiss architect Peter Zumthor. The concrete-and-glass structure famously straddles Wilshire Boulevard, featuring a continuous glass facade that offers panoramic views of the Los Angeles landscape and newly installed outdoor sculptures. Inside, the layout encourages a non-linear experience, moving visitors through varying light conditions and diverse gallery sizes that house a mix of contemporary and classical works.
The article, part of Artnet's Intelligence Report, profiles the rise of a new generation of art collectors, exemplified by Justine Freeman, granddaughter of legendary patron Betty Freeman. It highlights how millennials and Gen Z, who accounted for a quarter to a third of bidders at major auction houses in 2024, are reshaping the market by focusing on ultra-contemporary artists like Jadé Fadojutimi and Hilary Pecis, as well as nontraditional collectibles such as sneakers and Hermès bags. Notable sales include Maurizio Cattelan's banana artwork "Comedian" for $6.2 million to a 34-year-old crypto entrepreneur.
The San Francisco Museum of Modern Art (SFMOMA) has announced a major reinstallation of its Fisher Collection galleries, titled “Reimagined: The Fisher Collection at 10,” opening April 18, 2026. The overhaul will feature 250 artworks by 35 modern and contemporary artists across 60,000 square feet of gallery space, organized by thematic and monographic floors. The project is led by curator Ted Mann and chief education officer Gamynne Guillotte. The Fisher Collection, a 100-year loan from the Fisher Art Foundation, includes blue-chip works by Alexander Calder, Gerhard Richter, Andy Warhol, and others, assembled by Gap Inc. founders Donald and Doris Fisher.
The late Toronto collectors Morton and Carol Rapp have donated over 450 artworks by 203 artists to the Art Gallery of Ontario (AGO) from their estates. The gift includes major Pop art works: 13 screen prints by Andy Warhol, including four Marilyn Monroe portraits (1967); works by Robert Rauschenberg, Jasper Johns, Claes Oldenburg (including the sculptural print 'Teabag' from 1966), David Hockney, and Roy Lichtenstein; plus Barnett Newman's 1964 lithograph 'CANTO XVIII', marking the Abstract Expressionist's debut in the collection. The donation also features photography by Yinka Shonibare and Kara Walker. The couple, who began supporting the AGO in 1966, had previously donated 474 works, bringing their total contribution to nearly 1,000 pieces.
Art Basel Paris opened its VIP preview on Wednesday, following a new invite-only preview called Avant Première on Tuesday. Major galleries reported strong sales, including Hauser & Wirth's $23 million Gerhard Richter abstract, the highest reported sale at the fair. Other notable sales included Julie Mehretu's $11.5 million painting at White Cube, a $4.7 million Bruce Nauman neon at Hauser & Wirth, and a $2.5 million Marlene Dumas painting at David Zwirner. Dealers noted that the staggered two-day opening helped spread out crowds and allowed collectors to return for the official VIP day, with many describing the fair as the most successful edition in Paris to date.
Albright College in Reading, Pennsylvania, has sold its Freedman Gallery collection for $995,000 to address budget deficits, despite immediate pushback from faculty, community members, and the Freedman family. The Reading Public Museum acquired more than 250 works through a pre-sale agreement, selecting pieces that enhance its holdings, include renowned masters, or have local resonance. The remaining works were auctioned online by Pook and Pook on July 16, surpassing presale estimates, with top lots by Salvador Dalí and Leonid Sokov.
This week's In Memoriam column from Hyperallergic honors seven figures from the art world who recently passed away, including Swiss collector and dealer Bruno Bischofberger (1940–2026), Pulitzer-winning arts critic Manuela Hoelterhoff (1949–2026), and artist-editor Steven Durland (1951–2026). Other notable losses include British painter Ray Burgoyne, iconographer Christina Dochwat, German gallerist Jenny Falckenberg, realist painter Ward Nichols, and MoMA preparator Pamela A. Popeson. Each entry provides a brief biography and highlights their contributions to visual art, criticism, and cultural organizing.
Artist Tom Burckhardt discusses his creative process and upbringing in a studio interview, highlighting his upcoming work and the influence of his New York School lineage. The son of artists Yvonne Jacquette and Rudy Burckhardt, he explores the concept of "mouthfeel" in painting—a textural quality that parallels culinary experiences—while utilizing humor and skepticism to challenge artistic pretension.
Christie’s will offer Roy Lichtenstein’s 1964 painting *Anxious Girl* from the collection of legendary New York collector-dealer Holly Solomon and her husband Horace, with an estimate of $40–60 million. If it reaches its high estimate, it will become the artist’s second-priciest work at auction, trailing only *Nurse* (1964), which sold for $95.4 million in 2015. The work leads Christie’s 20th-century evening sale on May 18, amid a flurry of high-value consignments as both Christie’s and Sotheby’s aim to sustain momentum after posting improved 2025 results.
Performance artist Pat Oleszko, known for her satirical costumes and public interventions, is receiving significant institutional recognition in New York. At 78, she is featured in the 2026 Whitney Biennial and is the subject of a solo exhibition, "Fool Disclosure," at SculptureCenter, her first institutional solo show in the city in over 35 years.
Claes Oldenburg's 1969 sculpture *Lipstick (Ascending) on Caterpillar Tracks* was vandalized in October when the letters "ATB" were etched into its metal base. Yale University is relocating the 24-foot-tall work from the Morse College courtyard to the Yale University Art Gallery for conservation and care, following the discovery of the defacement. The sculpture, a beloved campus landmark originally installed in Beinecke Plaza, has a history of being removed and restored due to weather damage and graffiti.
Sotheby's held a day sale on Wednesday featuring 30 works from the collection of cosmetics heir Leonard Lauder, generating $3.84 million against an estimate of $2.22 million to $3.29 million. The sale followed a strong Tuesday auction led by a Gustav Klimt portrait from Lauder's collection that achieved the second-highest price ever for an artwork at auction. Standout results included works by Dorothea Rockburne, Elizabeth Murray, and Lyonel Feininger that far exceeded their estimates, while a Claes Oldenburg sculpture sold for $444,500, the top price of the day.
People Inc., the media company formerly known as Dotdash Meredith, sold the 23-foot-tall sculpture *Plantoir* (2001) by Claes Oldenburg and Coosje van Bruggen on August 22. The bright-red garden trowel sculpture, recognized as the World’s Largest Garden Trowel Sculpture, had been a landmark on the former Meredith Corp. campus in Des Moines, Iowa, since 2002. The buyer, sale price, and new location were not disclosed, though the company stated the piece was offered to local organizations before being sold to an out-of-state buyer. The sculpture is expected to be moved by the end of September.
The feminist collective Guerrilla Girls began its activism in May 1985 by wheat-pasting posters in SoHo, New York, that listed prominent male artists and revealed that their galleries showed 10 percent or fewer women artists. The group formed after the 1984 MoMA exhibition 'An International Survey of Recent Painting and Sculpture' included only 13 women out of 169 participants, sparking protests that failed to gain traction. For 40 years, the Guerrilla Girls have used statistics-driven, provocative posters to call out sexism and racism in galleries, museums, and the broader art world. This year, their anniversary is marked by retrospective exhibitions at the National Museum for Women in the Arts in Washington, D.C., the Getty Research Institute in Los Angeles, and the National Gallery of Bulgaria in Sofia.
The National Park Service has added the Donald Judd Historic District in Marfa, Texas, to the National Register of Historic Places. The designation covers 15 buildings transformed by artist Donald Judd, including structures on the decommissioned Fort D.A. Russell army base, as well as his outdoor work *15 Untitled Works in Concrete* (1980–84). Judd began acquiring property in Marfa in 1971, creating an artist-centered environment that now draws around 50,000 visitors annually.
Bruno Bischofberger, the influential Swiss gallerist and art collector, has died at age 86. His gallery announced the news. Bischofberger was a key figure in the international art trade, known for introducing American post-war art to Europe. He formed a close partnership with Andy Warhol, who granted him a lifelong first-refusal right on his works. In 1984, Bischofberger initiated the collaboration between Warhol and Jean-Michel Basquiat, and also facilitated joint works with Francesco Clemente. He opened his first gallery in Zurich in 1963, showing artists like Roy Lichtenstein, Robert Rauschenberg, Claes Oldenburg, and Gerhard Richter, and later expanded to Männedorf and St. Moritz.
The New Orleans Museum of Art (NOMA), housed in a Beaux-Arts building within City Park, is profiled as a cultural cornerstone of the city. Founded in 1911 as the Isaac Delgado Museum of Art, it now holds over 50,000 works spanning global artifacts, Japanese ceramics, Egyptian relics, and modern pieces by artists such as Pablo Picasso, Edgar Degas, and Wangechi Mutu. The museum also features the Sydney and Walda Besthoff Sculpture Garden, a 12-acre free-admission outdoor space with works by Rodin, Moore, and Oldenburg. Upcoming 2026 programming includes Japan Fest, an Edo-period Rinpa exhibition, and a long-term show of French porcelain from the Thomas B. Lemann collection.
The Vancouver Art Gallery has unveiled 'Highlights from the Collection,' a major long-term exhibition featuring 200 works selected from its permanent holdings of over 13,000 items. Curated by a team led by Eva Respini, the show marks a strategic shift for the institution by committing to a semi-permanent display that will remain on view until 2030. The exhibition includes iconic pieces ranging from Gathie Falk’s ceramics to Andy Warhol’s Marilyn Monroe prints and Claes Oldenburg’s sculptures.
Nora Lawrence, executive director of Storm King Art Center, curated a selection of her favorite three-dimensional works at Art Basel Miami Beach, highlighting sculptures by Thaddeus Mosley, Rashid Johnson, Mary Ann Unger, Paloma Varga Weisz, and Claes Oldenburg, as well as a painting by Saif Azzuz. The tour, published by The Art Newspaper, showcases works from galleries including Karma, Hauser & Wirth, Berry Campbell, Nicelle Beauchene Gallery, Konrad Fischer Galerie, and Paula Cooper.
Van Gogh's drawing 'Sower in a Wheatfield with setting Sun' (July 1888) will be auctioned at Sotheby's New York on 18 November with an estimate of $8m-$10m. The work, which belonged to the late cosmetics heir and collector Leonard Lauder, is expected to set a new auction record for a Van Gogh drawing if it exceeds the $8.8m achieved by 'La Mousmé' in 2021. The drawing was originally made for the artist Émile Bernard and later passed through notable hands including dealer Ambroise Vollard and critic Théodore Duret before entering the Lauder collection. It will be sold alongside 23 other major works from Lauder's collection, including three important Gustav Klimt paintings, in a sale expected to fetch over $400m.
Lana Jokel, a documentary filmmaker known for 18 films about contemporary art, has put her personal art collection on view at the Bridgehampton Museum’s Nathaniel Rogers House in an exhibition titled “Echoes & Nostalgia.” The show features around 100 works from artists including Andy Warhol, Ed Ruscha, Roy Lichtenstein, Jasper Johns, and John Chamberlain, many of which were gifts from the artists themselves. Jokel’s collection reflects her deep personal relationships with these figures, such as Warhol paying her with a "Flowers" series work for co-editing his film "Heat" (1972), and Jasper Johns creating custom pieces for her. The exhibition also includes works by Sven Lukin, with whom she had a long-term relationship, and a portrait by Ed Ruscha made during their romantic partnership.