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Long Overlooked, Minnie Evans’s Mystical Landscapes Are Finally Getting the Spotlight

Minnie Evans (1892–1987), a self-taught African American artist who worked for 25 years as a ticket seller at Airlie Gardens in Wilmington, North Carolina, is experiencing a major resurgence. Long overlooked after her death, Evans created thousands of vibrant, kaleidoscopic drawings featuring florals, animals, and abstraction, often on scrap paper using affordable materials. A touring exhibition, "The Visionary Art of Minnie Evans," is currently on view at the Museum of Fine Arts, Boston, curated by Colton Klein, and a larger exhibition opens this November at the High Museum of Art in Atlanta before traveling to the Whitney Museum of American Art in summer 2026. Evans had a 1975 retrospective at the Whitney during her lifetime but faded from prominence afterward.

Long Overlooked, Minnie Evans’s Mystical Landscapes Are Finally Getting the Spotlight

Minnie Evans (1892–1987), a self-taught African American artist who worked as a gatekeeper at Airlie Gardens in Wilmington, North Carolina, is experiencing a major resurgence. For over 25 years, she sold her vibrant, kaleidoscopic drawings—made on scrap paper with affordable materials—to visitors from her tiny gatehouse studio. Despite a 1975 retrospective at the Whitney Museum of American Art, her name faded after her death. Now, a touring exhibition is on view at the Museum of Fine Arts, Boston, curated by Colton Klein, and a larger show opens this November at the High Museum of Art in Atlanta, traveling to the Whitney next summer.