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museum exhibitions schedule May 5, 2026 visibility 3 link 11 artists

Il Padiglione Italia alla Biennale è il più internazionale di sempre

Chiara Camoni presents the Italian Pavilion at the 2026 Venice Biennale with her exhibition "Con Te Con Tutto" in the Arsenale. The show is divided into two sections: the first features monumental yet intimate sculptures, including her signature "sister" figures made from necklaces and terracotta fragments, while the second section continues the installation with a focus on circular production and zero waste. Camoni emphasizes a return to front-facing statuary, avoiding the gigantism of past editions, and works with sustainable, handmade processes.

newspaper Artribune open_in_new Read original
museum exhibitions schedule May 7, 2026 link 3 artists

Chiara Camoni, “Con te con tutto” (With You, With Everything)—Italian Pavilion at the 61st Venice Biennale: Chiara Camoni, Cecilia Canziani, and Alessandro Rabottini in Conversation

Chiara Camoni presents "Con te con tutto" (With You, With Everything), the Italian Pavilion at the 61st Venice Biennale. In a conversation with curator Cecilia Canziani and Alessandro Rabottini, Camoni discusses how the project emerged organically from years of friendship, collaboration, and shared thinking, rather than being a staged event.

newspaper Mousse Magazine open_in_new Read original
museum exhibitions schedule May 5, 2026 visibility 4 link 4 artists

Il Padiglione Italia alla Biennale? “Deve essere uno spazio di possibilità”. Intervista alla curatrice

The article announces Chiara Camoni's project "Con te con tutto" for the Italian Pavilion at the 61st Venice Biennale in 2026, curated by Cecilia Canziani. The project emphasizes relational and communal practices, rejecting the identity-driven rhetoric of national representation. It stems from a fifteen-year dialogue between artist and curator, incorporating workshops, shared readings, and collaborative works like "La Giusta Misura." The pavilion is conceived as an ecosystem of artworks, texts, and activations rather than a linear exhibition, with a catalog designed as a critical reader.

newspaper Artribune open_in_new Read original

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